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Trailer for theater play: 'Sem pa tja' / 'Que e la'

Vimeo 1:30

Short trailer for the theater play SEM PA TJA / QUE E LAnPremiered in Slovene Permanent Theater in Trieste on 13th of January 2017nnÖdön v...

Short trailer for the theater play SEM PA TJA / QUE E LAnPremiered in Slovene Permanent Theater in Trieste on 13th of January 2017nnÖdön von HorváthnSEM PA TJAnKoproducent: v sodelovanju z Zadrugo Bonawentura - Gledališčem MielanRežiserkanNeda R.BricnPriredbanŽanina MirčevskanPrevodnBruno Hartman, Giulia GhirettinStrokovni sodelavecnStefano DongettinKostumografijanBjanka Adžić UrsulovnScenografijanTine TribušonnGlasbanAleksander IpavecnOblikovalec svetlobenAndrej HajdinjaknAsistentka režijenJasmina KovicnFotonJaka VarmužnKameranValerie Wolf GangnUrša Bonelli PotokarnVideo montažanValerie Wolf GangnV predstavi je uporabljen kratki dokumentarni film "Meje", režiserja Damjana Kozoleta, produkcija Vertigo, 2016nIGRAJOnDaniel Dan MalalannVladimir JurcnNikla Petruška PanizonnLuka CimpričnAlessandro MizzinMaja BlagovičnLaura BussaninRomeo GrebenšeknPrimož FortenTina GunzeknnSEM PA TJA – zgodba o meji, ki daje naslov celotni sezoni, je uprizoritev, s katero se bo 13. januarja, pomenljivo odprlo novo leto v Slovenskem stalnem gledališču. O grotesknih situacijah, ki se lahko zelo absurdno in prav tako resnično zgodijo zaradi birokratskih zapletov na meji, bo spregovorila dvojezična predstava, ki jo je Slovensko stalno gledališče ustvarilo s sodelovanjem zadruge Bonawentura-Gledališča Miela. Dvojezična bo tudi igralska ekipa, s katero bo zaživela komedija na Reki rojenega pisatelja in dramaturga avstroogrskega cesarstva Ödöna von Horvátha. Njegovo presenetljivo aktualno razmišljanje o legalnosti in ilegalnosti prečkanja meje je danes snov za tragikomično obdelavo še vedno aktualne teme. O nekdanjih in sedanjih mejah bo v tej uprizoritvi spregovorila režiserka, Novogoričanka Neda R. Bric.nnZASEDBAnUprizoritev povezuje igralce stalnega ansambla SSG, gostujočega protagonista in igralca gledališča Miela. Nastala je tako dvojezična predstava, v kateri na različnih bregovih meje vsak govori svoj jezik (nekateri pa oba, kot se tudi dogaja v obmejnem prostoru), kar pomeni, da bodo tokrat tudi nadnapisi dvojezični. V glavni vlogi Ferdinanda Havliča bo nastopil tržaški igralec Daniel Dan Malalan. Na levem bregu reke in meje bodo Vladimir Jurc, Nikla Petruška Panizon, Luka Cimprič in Romeo Grebenšek, na desnem pa Alessandro Mizzi, Maja Blagovič, Laura Bussani. V vlogi tihotapcev bosta nastopila Primož Forte in Tina Gunzek.nPrevod besedila sta napisala Bruno Hartman in Giulia Ghiretti, s strokovnim sodelovanjem Stefana Dongettija, ki je skupaj z Nedo R. Bric tudi avtor besedil songov. Priredbo izvirnika je podpisala Žanina Mirčevska, dramaturško priredbo pa režiserka Neda R. Bric. Kostume, scene in luči so ustvarili Bjanka Adžič Ursulov, Tine Tribušon in Andrej Hajdinjak, izvirno glasbo (ki bo izvedena v živo) pa je napisal Aleksander Ipavec.nnPREMIERA, VIDEOPREDSTAVITEVnPremiera predstave Sem pa tja bo v petek, 13. januarja in ponovitve se bodo nadaljevale do 29. januarja. Vse predstave bodo opremljene z dvojezičnimi nadnapisi. Ob nedeljah bodo gledalci imeli na voljo tudi brezplačni avtobusni prevoz iz Sesljana, Opčin in Milj.nTudi tokrat bo gledališče poskrbelo za uvodno videopredstavitev uprizoritve in besedila: v opremljenem prostoru v vhodni veži gledališča bo pred vsako ponovitvijo predstave (od 20. ure dalje) na ogled predstavitev režiserke Nede R. Bric. Obiskovalci bodo po vsaki predstavi lahko izrazili svoje mnenje na kuponih, s katerimi bodo tekmovali za nagrado Primorskega dnevnika.nnhttp://www.teaterssg.com/event/sem-pa-tja/ Less

Max Cooper & Tom Hodge - Symmetry

Vimeo 3:55

Max CoopernnSymmetry is one of the most fundamental principles of nature, and also forms the basis of music. So this music video is an impor...

Max CoopernnSymmetry is one of the most fundamental principles of nature, and also forms the basis of music. So this music video is an important early chapter in the Emergence audio-visual project, which starts with visualisations of the basic building blocks of nature, setting the stage for the physical universe to come into being, and later planets, life, civilisation, and technology (the whole story and project is explained at: http://emergence.maxcooper.net).nnSymmetry is the idea that one aspect of a system can change while another remains constant. The idea of natural laws themselves, rely on the forms of symmetry that mean the same forces will apply to you as they do to me, independently of our position in space or time. And scientists searches for natures symmetries lie at the heart of much of our best models of reality (see Noether's Theorem or more recent uses of symmetries in things like the 'amplituhedron'!).nnThe principle is also responsible for music, in that our enjoyment of tonality, melody, harmony and rhythm comes from our subconscious appreciation of different types of patterns (i.e. symmetries) in sound waves.nnThe idea of Symmetry was explored in the video by Kevin McGloughlin, using simple symmetrical forms (primarily the circle), and symmetrical operations applied to them - rotations, translations and reflections. The animation demonstrates the beauty of this simple concept when applied in an iterative journey towards ever increasing complexity, both visually and musically.nnThe audio track originally came from preparations for a live piano and electronics show with Tom Hodge. I had some chords and glitches we were playing with in combination with a simple piano motif. We decided to try some live Fender Rhodes with it during practice and it all came to life. nnLuckily we recorded the whole session so I had a load of stock content to play with when it came to turning the project into the album intro. My reasoning was that the intro should be about symmetry because of it's basic role in nature, and the development and form of the track, going so glitchy from a simple melodic motif starting point, should work with applications of ever more complex symmetrical manipulation - emergence from symmetry, just as Kevin delivered. nnAmazingly, Kevin didn't use automated sync points from the stems of the audio project - or to put it another way, Kevin painstakingly set up all of those edits by hand, hats off to him for his perseverance on that!nnThanks for having a read, watch and a listen! - maxn----------------------------------------------------------------------------------------------------------------------nWhen I first heard Symmetry I was blown away by its impact and it really struck a chord with me... On hearing the concept for the track, this feeling was empowered tenfold. After much discussion with Max, we arrived at a conclusive concept for the visual.nnI represented conservation laws by the use of a simple circle repetition. This circle form took on many new characteristics and evolved in complexity throughout the course of it's journey, though every new form is an evolution / adaptation of the initial circle. I used a variety of techniques in an attempt to convey the idea of this ever evolving complexity within symmetry.nnStarting with minimal moire patterns, moving into 3d depth and finally ending up with massive distortions and adaptations using a technique I developed 'Digi-Cut', displaying various moments in time offset by tiny fractions. This was an effort to demonstrate pre-universe ideas and the introduction of organic matter in relation to symmetry.nnIt was an absolute honour to work on this project with Max, in particular on 'Symmetry', which is my personal favourite piece on Emergence.nnKevin McGloughlinnnFollow Max Coopernhttp://www.maxcooper.netnhttps://www.facebook.com/maxcoopermaxnhttps://twitter.com/maxcoopermaxnhttps://soundcloud.com/max-cooper Less

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Trailer for theater play: 'Sem pa tja' / 'Que e la'

Max Cooper & Tom Hodge - Symmetry

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