Latest first night scene videos at PopScreen

Graphicity - The First Night Hyperlapse film of Singapore

Vimeo 2:54

After completion of 7219 (https://vimeo.com/65525587), it was back to the drawing board with the next film in mind. Thinking it through day ...

The Beatles in America - Ed Sullivan Show - First Presentation (February 9, 1964)

Vimeo 13:10

The Beatles' first appearance on prime time television in North America was on the Jack Parr Show in January of 1964. It was a taped present...

The Beatles' first appearance on prime time television in North America was on the Jack Parr Show in January of 1964. It was a taped presentation of the lads playing "She Loves You." Parr allegedly derided the performance as "the downfall of British civilization." Of course, nothing was farther from the truth.nnIn February of 1964, The Beatles had begun gathering momentum as America's newest craze, and it was their first performance on The Ed Sullivan Show that solidified their popularity in North America.nnEd Sullivan, the poker-faced TV American variety-show host, spotted the Beatles in a scene of pandemonium at London's Heathrow Airport the previous October.nn"Who the hell are the Beatles?" he'd apparently asked his associates.nnHe would quickly discover that they were Britain's newest fascination, and he decided to bring them over to play his show.nnThe Ed Sullivan Show was taped in the CBS studios in New York City. The studio had a seating capacity of 703. The CBS offices received over 50,000 requests for tickets. But only a small portion of these were delegated to Beatles' fans. The Ed Sullivan Show was family fare, and although Sullivan never shied away from acts that were controversial, such as Elvis Presley, James Brown and other impending rock stars, Sullivan was always clearly more comfortable with the "establishment " of the entertainment world. In fact, his pet act was a mouse puppet called Topo Gigo, a silly parody of Italian cultural stereotypes.nnStill, Sullivan knew that The Beatles were something special, and he had them on his show in one form or another nine times.nnOn Sunday, February 9, millions of North Americans waited in front of small black and white television sets in anticipation of seeing this new phenomenon from Britain. The audience for that show alone is estimated to be over 70 million people.nnOn their first appearance on The Ed Sullivan Show, the Beatles played five songs in two sets. The first set included All My Loving, Till There Was You, and She Loves You. Later in the second half of the show, the Beatles played I Saw Her Standing There, and I Want To Hold Your Hand.nnEach song was well rehearsed and went off without a hitch. The audience, at least that section that was reserved for young Beatles' fans was reserved beyond belief until prompted by stage managers to scream their hearts out. That was a part of the deal, it seems. Sullivan had made a pact or a "promise" as he called it, with the "youngsters" in his audience to refrain from over exuberance until the music ended. This was, after all, television, not some local night club. And while The Beatles may have been headliners that night, Sullivan was equally proud of the fact that he was presenting the Broadway cast of "Oliver" -- featuring Georgia Brown and Davy Jones who went on to become one of The Monkees -- Frank Gorshen (comedian, doing impressions of celebrities), Mitzi McCall & Charlie Brill (comedy team), Tessie O'Shea (singer, medley of show tunes), Fred Kapps (magician), and Wells & the Four Fays (acrobats, doing physical comedy).nnAt the beginning of the February 9 show, Sullivan read a congratulatory telegram from Elvis Presley, the king of the rock movement in the United States. Some describe this as a "torch-passiong" of sorts. The King was far from dead at that time, but his heirs were certainly present that evening in the CBS studio. This was not to say that there were no detractors. Having lived through the hulla hoop and the dance craze called "The Twist", most parents saw The Beatles as simply another momentary fad. Even Sullivan's musical director reportedly said "I give them a year." But it was more than the beginning of some brief love affair with four lads from Liverpool. It was the beginning of Beatlemania, a change in the cultural fabric that would last and continue through today. Less

Mirador Astronómico - Time-lapse of the La Palma Night Sky

Vimeo 3:16

In August 2015 I travelled to the wonderful Canary island of La Palma to observe the night sky with my home-built telescope. Meanwhile, I ma...

Moonlight | Sony A7s ISO test

Vimeo 2:24

Our goal was to set out and shoot a short film that was lit entirely by moonlight. We waited for the moon to become full and on the night of...

KINGS

Vimeo 3:24

Shot and Edited by Gavin Heffernan (www.SunchaserPictures.com) Twitter: https://twitter.com/GavinHeffernan nLike our Facebook Page www.faceb...

Shot and Edited by Gavin Heffernan (www.SunchaserPictures.com) Twitter: https://twitter.com/GavinHeffernan nLike our Facebook Page www.facebook.com/SunchaserPicturesPage for updates, photos, tips, and more. nnAnd check out this awesome "Making of" Video by Producer John C. Brookins here: https://vimeo.com/102038182nnWhen I first started researching King's Canyon (and Sequoia National Park), a location John Muir called "A rival to Yosemite," I found numerous daytime landscape photos of its stunning vistas, but very little night astrophotography. With the Giant Sequoia Trees and the impossibly steep cliffs of King's Canyon serving as beautiful-yet-formidable "obstacles" to an unobstructed sky, it seemed a worthy challenge to seek out some night skyscapes in the parks, while capturing the verdant beauty of the landscapes by day. This meant a lot of serious driving across much of the combined 1,353 square miles of the two parks (with a principal focus on the Mineral King and Zumwalt Meadows areas) but it paid off with some really amazing night skies, including the biggest meteor strike I've captured on camera (1:41 & 2:26), some epic summertime milky way passes, and more wild star trails experimentations.nnFor Stills and Behind the Scenes shots visit FLICKR page here:nhttps://www.flickr.com/photos/50014474@N05/sets/72157646103976826/nnWe arrived on the summer solstice of June 21st, 2014 and shot for 3 days and two nights. Most night shots were captured with 25 second exposures on two Canon EOS 6D's with a variety of wide, fast lenses, including a 24mm f1/4 and 28mm f1/8. The star trails effect is created by tracing rotations of the Earth's axis, using long exposures and a freeware rendering program called STARSTAX.nnUnlike the desolate deserts of shoots past, these locations were teeming with wildlife - from native trout running in the streams, to deer so tame they'd walk right up to you. Our most exciting nature encounter to date came when a big brown bear stumbled upon us as we were setting up a timelapse! (see the entire encounter in behind the scenes doc here: vimeo.com/102038182 at 2:29). This doc also includes other amazing parts of the parks we saw (Giant Sequoias etc) but couldn't quite fit into this one timelapse.nnThe music is titled "Rain is Coming", a piece by amazing composer and friend Tim Phillips (@catheadmusic) from his epic DRAGON album for the National Theatre of Scotland. You can hear more & purchase it here: http://www.cdbaby.com/cd/timphillips1nReproduced by kind permission of Manners McDade Music Publishing Limited, London www.mannersmcdade.co.uknnShot and Edited by: Gavin Heffernan (www.SunchaserPictures.com)nTimelapse Produced by: Gavin Heffernan and John C. BrookinsnBehind the Scenes Shot, Produced, Edited by John C. BrookinsnnSee other Sunchaser Timelapses on Vimeo here: vimeo.com/album/189653nLIKE Sunchaser Pictures on Facebook! facebook.com/SunchaserPicturesPage Less

YIKÁÍSDÁHÁ

Vimeo 4:01

(Try to watch in HD with headphones on and volume cranked if you can, for maximum immersion!)nnYIKÁÍSDÁHÁ (Navajo for Milky Way or "That...

(Try to watch in HD with headphones on and volume cranked if you can, for maximum immersion!)nnYIKÁÍSDÁHÁ (Navajo for Milky Way or "That Which Awaits the Dawn"nnIn April I had the privilege of being invited to Northern Arizona University as an "artist in residence" to speak with their Photography students about my timelapse experiences. While there, we also took shooting field trips to some of the magnificent locations a few hours away, most notably Grand Canyon National Park and Monument Valley Navajo Tribal Park (spotted in many epic John Ford Westerns and countless other classics like EASY RIDER and BACK TO THE FUTURE III http://bit.ly/1lngv3x!) The weather was very intense at times, with high winds, frigid temperatures, and stormfronts passing over us, but the locations were absolutely stunning and the clouds parted for long enough to reveal some incredible starscapes, meteors, and the clearest Milky Way I've ever seen!nnThis was also my first opportunity to collaborate with old friend and former American Film Institute classmate Harun Mehmedinović (www.bloodhoney.com), an incredibly accomplished photographer and now one of the professors at NAU. His passion and artists' eye really elevated the quality of the material in a big way. Thanks again to Harun and the whole class for their awesome enthusiasm. nnFor Stills and Behind the Scenes shots of YIKÁÍSDÁHÁ visit FLICKR page here: nhttps://www.flickr.com/photos/50014474@N05/sets/72157644225383707/nnMost night shots were captured at 25 second exposures on our Canon EOS 6D's and Canon 5D mk3's with a variety of wide, fast lenses. Because the nights we picked had almost zero moon, the stars and Milky Way were exceptionally clear (once the storm clouds parted), which also made a perfect galactic palette for some star trails experiments, including a new mirroring/distortion effect at 2:56 that revealed a cool native pattern. For those not familiar with past vids, the star trails effect is created by tracing the rotation of the Earth's axis, using a long exposure timelapse pictures and an awesome rendering program called STARSTAX.nnKeep an eye out at 2:10 (top center) as a meteor seems to BURST through the atmosphere and leave a smoke trail in its wake. Maybe you scientists or astronomers out there can help explain in better language :) Also, for those who were asking, the crazy burnt out forest seen in the Milky Way shots is all in Grand Canyon National Park, a much more diverse location than I imagined!nnShot and Produced by: Gavin Heffernan and Harun MehmedinovićnMusic: A Seated Night (Ambient) by Moby. Courtesy www.MobyGratis.com / Unknown Native ChantnThanks: Northern Arizona University, Grand Canyon National Park, Monument Valley Tribal Park.nnSee other Sunchaser Timelapses on Vimeo here: https://vimeo.com/album/189653nLIKE Sunchaser Pictures on Facebook! facebook.com/SunchaserPicturesPagenLIKE Bloodhoney on Facebook! www.facebook.com/blood.honey.by.harun.mehmedinovicnnFor more from the artists:nwww.BloodHoney.comnwww.SunchaserPictures.com Less

Airplanes Look Like Epic Shooting Stars in The Air Traffic 2!

Vimeo 3:30

Shot in the restricted runway area of Singapore Changi Airport.nnEver wondered what it's like in one of the busiest airports in the world? W...

Shot in the restricted runway area of Singapore Changi Airport.nnEver wondered what it's like in one of the busiest airports in the world? With a flight landing and taking off almost every minute during peak hours, it can get pretty insane. nnShoot a timelapse of that, and you get transported to a sci-fi world with shooting stars breaking into the atmosphere.nnThis was shot mostly in the restricted runway area of Singapore's Changi Airport and the surrounding public areas for some scenes. I was so close to the planes that my cameras literally got shaken by the rumbles from the jet engines - Which actually produced a pretty neat effect. (See 2:13)nn[Watch it in HD+fullscreen with your best speakers/headphones for the best viewing experience!]nnThe guys from Changi Airport reached out to me to shoot in the restricted runway area of Changi Airport after they saw my first film from The Air Traffic series which was shot at Changi Beach. It was a thrilling experience as you don't usually get to enter the restricted runway area, let alone shoot in it.nnEven after doing this the second time, I'm still amazed at the results of timelapsing airplanes flying at night. nnBehind the scenes pics and more on how I shot this at: http://miltontan.com/blog/2014/08/the-air-traffic-2-timelapse-film/nnWatch the first film here: http://vimeo.com/55347966nnnCredits:nCinematography & Editing by Milton TannSoundtrack by Tim McMorrisnSpecial thanks to Melvin from Changi Airport for arranging a crew to drive us to the great locations around the airport to get the shots. And Changi Airport Group for providing the access to shoot!nnYouTube version: http://www.youtube.com/watch?v=SR09W6KFr3knFacebook version: https://www.facebook.com/photo.php?v=10152399063643598nnDrop me an email for enquiries or if you'd like me to shoot your next timelapse/film/photography project! contact@miltontan.comnnnFollow me!nFacebook: https://www.facebook.com/MiltonTanPhotographynInstagram: http://instagram.com/miltonforcenVimeo: https://vimeo.com/miltonforcen500px: http://500px.com/miltonforcenn----------------nUpdate:nIt's only been a week and this video has kinda gone viral with over 6k shares and 10k likes on the facebook version. The YouTube/Vimeo version has close to 100k combined views, both growing quickly daily! It has since been featured on local Channel 5 News and Channel NewsAsia. Huge news sites like DailyMail, Gizmodo, Engadget, PetaPixel etc. have talked about it. Thanks for all the support guys! Less

Boston Layer-Lapse

Vimeo 2:38

Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein's relativity theory, l...

Traditional time-lapses are constrained by the idea that there is a single universal clock. In the spirit of Einstein's relativity theory, layer-lapses assign distinct clocks to any number of objects or regions in a scene. Each of these clocks may start at any point in time, and tick at any rate. The result is a visual time dilation effect known as layer-lapse.nnFollow me:nwww.JulianTphoto.comnhttps://www.facebook.com/JulianTPhotonnTo learn more about this project, my background, and my gear, please visit: http://www.kessleru.com/2014/10/what-drives-younMotion Control: Kessler CineDrive www.kesslercrane.com n nTechnical Information:nHours Spent Shooting~ 100nHours Spent Editing~ 350n# of Drafts/Iterations~800nPhotos Taken~ 150,000nData~ 6TB nAvg # of Layers/clip ~35nnMusic: A big thanks to Alex Adair for making the song “Make Me Feel Better” and giving me permission to use it. nhttps://soundcloud.com/alexadairnnPrograms: SpectraLayers Pro 2, Lightroom, After Effects, Photoshop, Excel, LRTimelapse, and Premier Pro nnCameras/lenses: Canon 6D, 7D, 16-35, 24-105, Tokina 11-16nnLocations: Port of Boston, Hancock Tower, Memorial Drive, MIT Stata Center, Harborwalk, Wharf District Park, Chandler Plaza, Convention Center, North Point Park, State St., Boston Commons, Pier 4 (http://pier4boston.com/), Greenway, Customs Tower, Boston Harbor Hotel (http://www.bhh.com/), and Deer Island ParknnClips can be licensed and customized to other pieces of music, email me if you are interested: juliantphotography@gmail.comnnI’m aware of a couple photographers that have done similar work including Fong Qi Wei’s “Time in Motion” series which definitely influenced me, and Geoff Tompkinson’s “Chicago toccata & fugue” which I did not discover until much more recently. If anyone is working on a similar style, please feel free to reach out to me, I’d love to exchange ideas. nn"The past is not gone, and the future isn't non-existent; the past, the future, and present are all existing [now] in exactly the same way." Max Tegmark Less

LAIKAS

Vimeo 3:38

"Laikas", Lithuanian for Time, is a short time lapse film I have been working on for the last couple months. It represents a visual contrast...

"Laikas", Lithuanian for Time, is a short time lapse film I have been working on for the last couple months. It represents a visual contrast between nature and man-made chaos that reflects on the ever-changing environments we live in. nnThis is a compilation of work shot over the last three years while traveling for commercial shoots and dedicated time lapse photo trips around the US. It was filmed across various cityscapes, along multiple dramatic coastlines, and above and below several spectacular mountain formations. I spent countless hours exploring new areas and waiting for the right conditions, while reflecting on the beauty around me and setting up time lapse equipment in hopes of capturing unique scenes. nnThis project started as a time lapse reel based on the variety of scenes I captured. There are a number of dramatic settings that seem very different when viewed separately, but as I started to edit, I began to see similarities between the movement of the oceans, mountains, and cities. There is a visual connection between passing storms and crowded streets, running water and sunsets to traffic, and the night sky to city lights. nnI love shooting time lapses because the very essence of photographing hours that compress into seconds, dramatic changes in light and color that can only be revealed by speeding up time is magnificent. It’s an unbelievable feeling when an 8 second clip turns out after all the energy spent in the field and time editing. nnNaming a photograph can be challenging, but it’s necessary to tell the story of a single moment in time. Naming 45,000 images that are processed into a couple minutes has been extremely difficult. I started to think about why I am driven by photography and what has inspired me to follow this path. As I reflected on these questions, it became clear. My Grandfather was always an inspiration growing up, and even more so after he passed and I had time to reflect on his life. I wouldn’t be where I am today without him. Gvazdinskas is Lithuanian, and I wanted to make my first film a dedication to his inspiring memory. Laikas is the Lithuanian word for time and I feel this title captures the essence of the film and brings my inspiration, years of shooting, and months of post work to life.nnA special thanks to all who have inspired me throughout this project! I spent so many hours watching films by Michael Shainblum, Gunther Wegner, Simon Christen, Tom Lowe, Eric Hines, Preston Kanak, Toby Harriman, Thomas O’Brien, and Shane Black. I want to thank all of the individuals who have created tutorials and shared countless hours of trial and error workflows and shooting techniques. Lastly, this film wouldn’t be what it is today without the ingenuity and revolutionary innovations of motion controlled equipment, camera supports and software engineers. The Emotimo TB3, Dynamic Perception Stage Zero and Stage One Bundles, Really Right Stuff Tripods and Ballheads, Adobe, LRTimelapse, and Granite Bay Software offer amazing products that create incredible production value. nnFilmed, Edited and Directed by:nJohn GvazdinskasnnTo follow me and see more of my work go to:nwww.silentgproductions.comnFacebook: https://www.facebook.com/profile.php?id=100006860895152nYouTube: https://www.youtube.com/user/jgvazdinskas/videosnTwitter: https://twitter.com/silentg17nInstagram: http://instagram.com/silentg17nGoogle +: https://plus.google.com/u/0/113752617164261573741nnCamera, Motion controlled equipment, tripods/ballheads and software by: nCanon - 5D Mark ii and iii: http://www.usa.canon.comnEmotimo - TB3 Black: www.emotimo.comnDynamic Perception - Stage Zero and Stage One Bundles: www.dynamicperception.comnReally Right Stuff Tripods and Ballheads - www.reallyrightstuff.comnAdobe - Lightroom, After Effects, Premier Pro: http://www.adobe.comnLRTimelapse: http://lrtimelapse.comnGranite Bay Software: http://www.granitebaysoftware.comnnMusic by: nArtist: Cinema LifenSong: Beyond Your Mind Less

TEMPEST VERMILION

Vimeo 3:01

Shot and Produced by Gavin Heffernan (www.SunchaserPictures.com) and Harun Mehmedinović (www.Bloodhoney.com)nCreated in association with BB...

Breaking the 4th Wall II: Break Harder

Vimeo 9:00

The sequel to 2013's Breaking the 4th Wall video, featuring another selection of 69 different films that alert viewers in various ways ...

The sequel to 2013's Breaking the 4th Wall video, featuring another selection of 69 different films that alert viewers in various ways to the fact that they're watching a movie. With the first video, I asked people to flag up their other favourite examples of 4th Wall breakers. It was very gratifying to receive so many inspired responses and, where I've used these suggestions, I've included people's names next to the title of the film in the credits. Several of these clips I was already aware of, but there were some fantastic revelations too. Please check out the video to see the full list of contributors.nnFilms featured in order of appearance:nHellzapoppin' (1941) nTampopo (1985)nWhatever Works (2009) n24 Hour Party People (2002) nPierrot Le Fou (1965) nRubber (2011) nWill Success Spoil Rock Hunter? (1957) nThe Great Gatsby (2013) nThe Simpsons Movie (2007) nLa Ronde (1950) nStories We Tell (2012) nHigh Anxiety (1977) nDie Hard 2: Die Harder (1990) nAustin Powers in Goldmember (2002) nWanted (2008) nFilth (2013) nHarold and Maude (1971) nThe Libertine (2004) nFear and Loathing in Las Vegas (1998) nThe Wolf of Wall Street (2013) nAn American Werewolf in London (1981) nJCVD (2008) nLove and Death (1975) nSmokey and the Bandit (1977) nAlfie (2004) nSubmarine (2010) nLos Olvidados (1950) nHome Alone (1990) nSex & Drugs & Rock & Roll (2010) nScary Movie (2000) nWay Out West (1937) nThe Adventures of Rocky & Bullwinkle (2000) nGeorge of the Jungle (1997) nHot Shots Part Deux (1993) nA Shot in the Dark (1964) nComing to America (1988) nGremlins 2: The New Batch (1990) nThe Emperor's New Groove (2000) nShip of Fools (1965) nPulp Fiction (1994) nCrank (2006) nNational Lampoon's Loaded Weapon 1 (1993) nKuffs (1992) nA Hard Day's Night (1964) nInvasion of the Body Snatchers (1956) nSchool Daze (1988) nThe Muppet Movie (1979) nThey Came Together (2014) nReturn of the Killer Tomatoes! (1988) nWayne's World (1992) nThe Naked Gun 2 1/2: The Smell of Fear (1991) nDeath Race (2008) nOctopussy (1983) nNever Say Never Again (1983) nThe Umbrellas of Cherbourg (1964) nMake Way For Tomorrow (1937) nThe Nutty Professor (1963) nBill & Ted's Excellent Adventure (1989) nThe Big Lebowski (1998) nMoulin Rouge! (2001) n4 Months, 3 Weeks & 2 Days (2007) nThe Nights of Cabiria (1957) nMagnolia (1999) nThis is England (2006) nTwo-Lane Blacktop (1971) nThe Great Muppet Caper (1981)nTrading Places (1983) nSpice World (1997) nDodgeball (2004) nnThis video has been made under the protection of Fair Use, utilizing copyrighted material for educational purposes. As always, I welcome any feedback, contact me via Twitter @Leigh_Singer. Or you can email me through my new website www.leighsinger.com. And thanks for taking the time to watch and read this. Less

Savage Beauty in Numbers

Vimeo 2:06

Alexander McQueen: Savage Beauty, which closed at 23.00 on 2 August, has become the V&A’s most visited exhibition with 493,043 people seei...

Megaplex

Vimeo 1:19:38

Megaplex is the most insane double feature the world has ever seen. With a running time of 80 minutes and thousands of cuts from more than 8...

Megaplex is the most insane double feature the world has ever seen. With a running time of 80 minutes and thousands of cuts from more than 80 movies, Smash TV has spent the past year and a half cramming the most entertainment possible into every second. It's dense enough to pressurize these diamonds in the rough into gleaming treasures.nnMegaplex is the long awaited followup to the critically acclaimed Skinemax. Whereas Skinemax was a first attempt at an ambitious idea, this latest effort is much more fully realized, utilizing myriad editing and layering tricks picked up over the past five years. Deeper, darker, and definitely more bizarre. nnBorrowing from the Grindhouse tradition and from Tarantino’s more recent tribute, Megaplex is a double feature that both members of Smash TV worked on independently.nnAs a palette cleanser in between, Smash TV is proud to present Coming Attractions, a 15 minute collection of vignettes editing together previously unexplored genres and styles.nnPlease support the original works, these are film makers and musicians that have upheld the values of originality and creativity.nnThis video is protected under fair use copyright law. It is presented for the purposes of entertainment, education, and criticism/commentary only. No infringement is intended.nnnTURBOnnSTARRING MICHAEL JACKSONnnEdited by Ben CrawnnRated RnnTurbo, Side A of Smash TV's Megaplex, is the coolest thing you've ever seen if you were a late-night-movie-brainwashed 8 year old in 1990. It is the ultimate in-your-face, balls to the wall, no holds barred, over the top, end of the world electric boogaloo dance party, fueled by neon, spandex, ooze, and steroids. So many steroids.nnIt's the movie you and your best friends stumble across at the end of the night after frying your brain with nine straight hours of Sonic 2, Streets of Rage 2, and ToeJam & Earl on your Sega Genesis. Or is the whole thing just a Pepsi-induced sugar coma fever dream? It's impossible to say. But you probably shouldn't have drunk that fifth two-liter bottle.nnTurbo is utterly shameless in its love for the most ridiculous and awesome movies that the 1980s and early 90s had to offer. It's what would happen if Cannon Films and New Line Cinema got a little crazy at the club and ended up boning in the bathroom. It's the nights from your childhood that you'll never forget. Those nights are gone. But Turbo lives on in your dreams forever...and Beyond...nnTracklist:nnHBO 1983 IntronMr. Oizo - HunnActress - ImagenStephen Farris - PeppernJean Michel Jarre - ZoolookologienVHS Head - Camera EyesnPhono Ghosts - Suntan SpiesnHarold Faltermeyer - Fletch ThemenOliver - Light Years AwaynTiger & Woods - Gin NationnSolar Bears - A Sky DarklynnnCOMING ATTRACTIONSnnEdited by Brendan ShieldsnnComing Attractions is a collection of vignettes exploring different genres and themes. Comprised of fake trailers, genre retrospectives, and tributes to luminary actors and directors, it acts as a palette cleanser in between the two halves and provides an opportunity to experiment on a smaller scale.nnTracklist:nnIntermissionnMusic: Midnight Television - Commercial DreamsnnAmerican HunknMusic: Sparkles_161244545 - IDEALISMムnnAtari SummernMusic: Suzanne Ciani - Atari SummernnSafari IcenMusic: Miki Matsubara - Safari EyesnnMiyazakinMusic: Suzanne Ciani - The First Wave: Birth Of VenusnnSunday Will Never Be The SamenMusic: Spanky And Our Gang - Sunday Will Never Be The SamennOdysseynMusic: Autechre - d-sho qubnnInside StorynMusic: Suzanne Ciani - Inside StorynnnBEYONDnnSTARRING SKELETORnnEdited by Brendan ShieldsnnRated RnnBeyond, Side B of Megaplex, is a psychedelic vision quest for B-movie lovers. Comprised of some of the strangest imagery from the 80s and early 90s, Beyond is a hallucinatory experience designed to amaze, bewilder, and terrify.nnHighlighting choice cuts from a strange time in the horror, sci-fi, and fantasy genres, Beyond harkens back to late nights of channel surfing, catching out of context glimpses of the bizarre and fascinating. Something unlike anything you'd ever seen before...something you weren't supposed to see...nnCombining the darkest moments of Skinemax with the layering experiments of Memorex, Beyond is a descent into euphoric madness as reality begins to unravel.nnIt's the unmarked tape lying in wait at an abandoned Blockbuster, anticipating its next victim. nnAn Ayahuasca trip at 24 frames per second.nnFantasia meets Videodrome.nnBeyond the limits of good tastennBeyond the subconsciousnnBeyond ego deathnnBeyond the starsnnBeyond...nnTracklist:nnFranco Micalizzi - Stridulum ThemenVHS Head - Farewell AfricanGatekeeper - SerpentnVHS Head - Angels Never SleepnMadlib - Gentle PilznADR - SidewindernPublic Image Ltd. - The Order Of DeathnFluorescent Grey - Gnoble Door Moo Rig RignVHS Head - FrozennTrust - Bulbformniamamiwhoami - Goods Less

Stanley Kubrick's favorite films / Candice Drouet

Vimeo 4:11

1.000.000 Frames 38 / Stanley Kubrick's favorite films / Candice DrouetnnStanley Kubrick's favorite films : Movie Posters + Scenes (This Is ...

Joshua Tree during the 2013 Perseid Meteor Shower

Vimeo 4:38

The Perseid meteor shower is one of the most spectacular showers of the year. This year, instead of shooting it myself, I decided to host a ...

Mike Overson L124 is feedback to L123 that justified the song Eli’s Coming as a sign of the wrath on my critics.

Vimeo 15:01

Rated PG-13. Class L124 is about the evil feedback to class L123 that justified the song "Eli's Coming" as a sign of the wrath of God on my...

Rated PG-13. Class L124 is about the evil feedback to class L123 that justified the song "Eli's Coming" as a sign of the wrath of God on my never ending vicious critics. L123 is 2.3 hours of some of the best divine sign information that God has helped this disabled mess on welfare, (and prophet of God), to make so far, (of the 41 classes I have posted at Vimeo & more at Blip.tv & Viddler). Since the feedback was apparently objecting to the 2.3 hours of magic in class L123 I made this class L124 only 15 minutes long. I wrote that on 4-6-13 and on 4-7 I was getting hints of how much I was carried to make this class L124 and today on 4-08 I was able to swallow my pride and admit it. I'm glad I did because I was trying to find out what was so special about this class and now I know it was because it was made by heaven and not by me, (the Holy Spirit is limited by my vocabulary when She works through me like in Mark 13:11 in class L122 @ 7 minutes here @ Vimeo). The first time heaven got me to admit how much I was helped was after my "AOLs" on MTV, or in other words it was "America On Line" with God through me watching MTV especially on 11-13-95. (A good summary of it is in the first 7 minutes of class L99 here at Vimeo, the whole 11-13-95 AOL is at classes 151 to 157 at MikeOversonEndTimes.info or .org). There was a Blistex commercial on MTV that was a blue print for me to concede how much help I had to do that AOL when she said "Total care with a touch of color" or in other words it can be as much as 99% done from heaven and 1% by me. Here's how it applies to all of us in The Footprints Prayer One night I had a dream... I dreamed I was walking along the beach with the Lord, and  across the sky flashed scenes from my life.  For each scene I noticed two sets of footprints in the sand;  One belonged to me, and the other to the Lord.  When the last scene of my life flashed before us,  I looked back at the footprints in the sand.  I noticed that many times along the path of my life,  there was only one set of footprints. I also noticed that it happened at the very lowest  and saddest times in my life . This really bothered me, and I questioned the Lord about it.  "Lord, you said that once I decided to follow you,  You would walk with me all the way;  But I have noticed that during the  most troublesome times in my life,  There is only one set of footprints.  I don't understand why in times when I  needed you the most, you should leave me. The Lord replied, "My precious, precious  child. I love you, and I would never,  never leave you during your times of  trial and suffering.  When you saw only one set of footprints,  It was then that I carried you. My refrigerator just came on at 942p.m. on 4-08 which means "too good to be true" (#942) which is a big sign that The Footprints Prayer goes perfect with the last two songs about prayer in this class L124 at 12 minutes. The 4-08 was also a sign because the area code at that scene is 408 which also helps confirm that I did my job well, even if the San Jose sharks shoot it down again, (see me shoot back at them in class L123 @ 1:24 hours here at Vimeo). My refrigerator just shut off at 1044/1045am on 4-12-13 which was God confirming what I’m going to type next is very true. I just watched class L123 for the first time (on 4-11-13) since I made this class L124. It became blatantly obvious that if heaven was over 90% responsible for the 15 minutes of magic in L124 HOW MUCH MORE DOES THAT APPLY TO THE 2.3 HOURS OF MAGIC IN CLASS L123. THE END, (pretty sure but not positive 8-21-13). The too good to be true line in the Bible of "Peace on Earth" became very possible and soon in my classes 185, L110, L123 and L124 at Vimeo. Except this song prophesied a delay “So glad we've almost made it So sad they had to fade it EVERYBODY WANTS TO RULE THE WORLD”. L123 & L124 was my best summary of the patriotic classes and that Peace on Earth is possible. I explained that L123 & L124 were 90% made by heaven and when they were mocked as bad as my other classes then heaven cut off the classes they were offering through me. For no thanks, no pay, no respect and not much views on my videos I'm not surprised that heaven has finally cut off the magic. The first 8 minutes of class L5b was a warning of how these classes would be mocked away, (see ya suckers and thanks for Brer rabbit's break at THE END of class L96, 1a1 & L5b @ You Tube). Diana Ross's song "Touch Me in the Morning", (especially with the You're So Vain picture), best sums up the end of these classes. Less

4k Blackmagic Production Camera - Brighton

Vimeo 3:17

First test with the 4k Blackmagic Production Camera in Brighton.nThanks to Guy Thatcher & co (hireacamera.com) for the use of the Camera, Le...

First test with the 4k Blackmagic Production Camera in Brighton.nThanks to Guy Thatcher & co (hireacamera.com) for the use of the Camera, Lenses and lovely afternoon out. I do love Sunday shooting.nnShot using the Zeiss Otus 55/1.4 & the Canon 70-200mm IS II.n‎Alphatron EVF, Tiffen Variable ND Filter.nnLightly graded with Film Convert.nnPart 2 shot comparison with the Canon 1DC coming soon.nnExtremely bright today in the midday sun, Tiffen Variable ND Filter struggled to keep lenses above f2.8. I sometimes even nearly hit focus! Would have shot for longer with some varied scenes but battery solution did not last. But it was enjoyable to shoot with. Well as long as you want to use an EVF with waveforms etc.nn4K ProRes HQ edited natively in Adobe Premiere Pro CC. Transcoded to HD, 1920x1080 ProRes HQ version available to download from Vimeo.nnnRichard Burton reads the beautiful 'Wessex Heights' by Thomas HardynnnWessex Heights, December 1896nThere are some heights in Wessex, shaped as if by a kindly hand nFor thinking, dreaming, dying on, and at crises when I stand,nSay, on Ingpen Beacon* eastward, or on Wylls-Neck* westwardly, nI seem where I was before my birth, and after death may be.nnIn the lowlands I have no comrade, not even the lone man's friend -nHer who suffereth long and is kind; accepts what he is too weak to mend: nDown there they are dubious and askance; there nobody thinks as I,nBut mind-chains do not clank where one's next neighbour is the sky.nnIn the towns I am tracked by phantoms having weird detective ways - nShadows of beings who fellowed with myself of earlier days:nThey hang about at places, and they say harsh heavy things -nMen with a wintry sneer, and women with tart disparagings.**nnDown there I seem to be false to myself, my simple self that was, nAnd is not now, and I see him watching, wondering what crass cause nCan have merged him into such a strange continuator*** as this, nWho yet has something in common with himself, my chrysalis. ****nnI cannot go to the great grey Plain; there's a figure against the moon, nNobody sees it but I, and it makes my breast beat out of tune;nI cannot go to the tall-spired town, being barred by the forms now passed nFor everybody but me, in whose long vision they stand there fast.nnThere's a ghost at Yell'ham Bottom chiding loud at the fall of the night,nThere's a ghost in Froom-side Vale, thin lipped and vague, in a shroud of white, nThere is one in the railway-train whenever I do not want it near,nI see its profile against the pane, saying what I would not hear.nnAs for one rare fair woman, I am now but a thought of hers,nI enter her mind and another thought succeeds me that she prefers; nYet my love for her in its fulness she herself even did not know; nWell, time cures hearts of tenderness, and now I can let her go.nnSo I am found on Ingpen Beacon, or on Wylls-Neck to the west,nOr else on homely Bulbarrow,* or little Pilsdon Crest,*nWhere men have never cared to haunt, nor women have walked with me, nAnd ghosts then keep their distance; and I know some liberty.nnDecember 1896 Less

IDNA: a spatial storytelling series for mobile devices

Vimeo 1:28

Back our project on kickstarter here: https://www.kickstarter.com/projects/495381328/idna-spatial-storytellingnWinner of Best in Play award ...

Via satellite Kelly Caruso is our guest on the Bongo Boy Rock n' Roll TV show host Wayne O

Vimeo 30:00

Catch “American Idol” ’08 & ’10 Kelly Caruso here in a new episode of the Bongo Boy Rock n’ Roll TV show starting this week on Com...

Catch “American Idol” ’08 & ’10 Kelly Caruso here in a new episode of the Bongo Boy Rock n’ Roll TV show starting this week on Comcast Cable. This show includes a full length exclusive music video of her new debut single "Born Dainty". nWarning this show includes bloopers.nWatch it here if you don't have Comcast cable.nHere is some information about our talented guest KELLY CARUSO and the TV show.nnKelly Caruso, who grew up in Pittstown, Hunterdon County, New Jersey has just released her first single on the Bongo Boy Record label. We caught up with Kelly and learnt during the TV show interview that Kelly has been singing since a very young age, and made it twice to Hollywood as an American Idol, first on season 7 in 2008 and again on season 9 in 2010. She also tells us that her father, Mike Caruso bass player of the legendary 60’s Garage band The DOUGHBOYS, has been and still is a very important influence to Kelly’s music career. She talked about her great great great uncle opera singer Enrico Caruso and her experience about being an American Idol in Hollywood.nnHer first single “Born Dainty” written and produced by veteran musician Gar Francis is making a great impact in the music scene. Two weeks after its official release the single has been placed in a movie about the Nashville Derby Girls, premiering at the Nashville film festival next month. Radio stations are playing the single and Kelly also tells us that her cover band Garden State Radio has been touring all over the country at various night clubs and casinos to packed houses. nn“Born Dainty” is a modern country rocker shows off an incredibly powerful voice that would give Kelly Clarkson, Carrie Underwood or Miranda Lambert a run for their money. nThe Bongo Boy Rock n’ Roll TV show is hosted by Wayne “O” Olivieri and produced and directed by Monique Grimme. Recorded at SHOWTIME Boutique in Belvidere, NJ and airing twice a week on Monday’s and Thursday’s night at 7:30pm. COMCAST CABLE broadcasts the TV show North of Princeton, East of Clinton, West of Chatham and South of Chester as well as Warren County, Morris County and Hunterdon County. Check your local TV listing (Princeton area channel 280 or channel 21 for Northwest Jersey). nnOr catch it online 24/7 at our web site http://www.bongoboyrecords.com/tvshow.html Less

Don Henley - Drivin' With Your Eyes Closed

Vimeo 3:52

A brilliant song by Don Henley (of the Eagles) with a very sensual, earthy beat. The title is a metaphor for anticipating certain destructio...

A brilliant song by Don Henley (of the Eagles) with a very sensual, earthy beat. The title is a metaphor for anticipating certain destruction going the way you’re going, at whatever extreme level; be it personal indulgence, political, cultural or social. Or simply about missing the obvious or the simplest solution in any situation or problem.nnThe lyrics are set in France with references to art and the influential poets Rimbaud and Baudelaire (and the latter’s poems); with symbolism and imagery to sum up the joie-de-vivre, sang froid and even the occasional gaucheness found there.nnThis video shows the variety and colourfulness of French life .. from the fast cars, clubs and ridiculous wealth of the Côte d’Azur, counter posed with the grittiness and melting-pot of provincial northern-mid France, with its wide range of socio-political causes; images of the wonderful French culture and sublime art; the heady romance of fashionable Paris; etc. I have added in some topical themes which arouse much passion too.nnFrom hedonism and existentialism, to phenomenology and abstract structuralism … the French seem to combine all these facets intriguingly.. and well. nnDo turn your volume and bass up for this one, it rocks!nnI’ve copied below the two poems that are named in the lyrics, for interest only:nnTHE DEATH OF LOVERS ('LA MORT DES AMANTS' TRANSLATED)nnWe shall have beds full of subtle perfumes, nDivans as deep as graves, and on the shelves nWill be strange flowers that blossomed for us nUnder more beautiful heavens.nnLavishing our final amorous hoursnthere, our flaming hearts shall merge and loomnin the twin mirrors of these souls of oursn— torches vast which side by side consume.nnThen some evening, rose and mystic blue,ncharged with the sobbing woe of our adieu,nLove shall links us in one lightning-spark;nnLater, shall the faithful angel flingnall the portals wide, illuminingnthe flameless torches and the mirrors dark.nn- Charles BaudelairennTHE PUNISHMENT OF PRIDE (CHÂTIMENT DE L'ORGUEIL TRANSLATED)nnWhen first Theology in her young prime nFlourished with vigour, in that wondrous time, nOf an illustrious Doctor it was said nThat, having forced indifferent hearts to shed nTears of emotion, moved to depths profound: nAnd having to celestial glory found nMarvellous paths, to his own self unknown, nWhere only purest souls had fared alone — nLike a man raised too high, as in a panic, nCrazed with a vertigo of pride satanic, nHe cried "Poor Christ, I've raised you to renown!nnBut had I wished to bring you crashing down nProbing your flaws, your shame would match your pride nAnd you'd be but a foetus to deride!"nImmediately he felt his wits escape, nThat flash of sunlight veiled itself in crepe. nnAll chaos through his intellect was rolled, nA temple once, containing hoards of gold, nBy opulence and order well controlled, nAnd topped with ceilings splendid to behold. nSilence and night installed their reign in him. nnIt seemed he was a cellar dank and dim, nTo which no living man could find the key; nAnd from that day a very beast was he. nAnd while he wandered senseless on his way, nNot knowing spring from summer, night from day, nFoul, dirty, useless, and with no hereafter, nHe served the children as a butt for laughter.nn- Charles Baudelairenn------------------nNB: This video was produced and presented here simply for entertainment sake; no offence is intended to anyone. © WBene 9/13 xn________________nnnRider 1:nThis is a video based on my interpretation of this wonderful song's lyrics (and may not be Don's himself, please note) - no political agenda is implied beyond associations with humanitarian and democratic concerns generally.nnRider 2: nNo rights to this song or video excerpts owned (where applicable), this was put together purely for entertainment and not for making any money whatsoever, no copyright infringement intended of song or images used (various sources). My big, warm, kind thanks to all source owners, clips used simply for art's sake, nothing more. xnnCopyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Totally non-profit educational or entertainment use is deemed in favour of such interpreted 'fair use' category. nnWarning: This video does contain some flashing light scenes, caution advised for those affected by this. Thank you.nnVideo © Squooze / Bene 27th September 2013 Less

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