Latest ddf productions videos at PopScreen

CINEMA - Official Trailer. A Zendeh Production

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19th August 1978. Cinema Rex fire, Abadan, Iran. 422 dead.nnThe year of Superman, Saturday Night Fever, and an act of terror that sparked a ...

Growing products from fungus could be the start of a "biotechnological revolution"

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See more architecture and design movies at http://www.dezeen.com/moviesnnAmsterdam designer Maurizio Montalti explains how biological organi...

Product of New York Fall/Winter 2015 Lookbook

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Product of New York presents a video preview of the Fall/Winter 2015 Collection, highlighting new models as well as a refreshed version of t...

Buy Decorative Home Furnishing Products at Mirraw

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Mirraw is one of the best shopping store based in India. Mirraw offers wide range of home furnishing products online at affordable price. Ho...

Sweetgrass Productions' - Darklight Trailer

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Full film coming October 2015!nnStarring Graham Agassiz, Matt Hunter, and Matty Miles nnThe lights haven’t gone out yet! Sweetgrass Produc...

Vimeo Production | NYC --> AUS --> LA

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The Vimeo production squad teamed up with Lexus Short Films to create some filmmaker profile videos. nWe interviewed Shawn Christensen in NY...

DARKLIGHT - 4K Full Film by Sweetgrass Productions

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Presented by Philips Ambilight TV nIn Association with Specialized and TomTom Bandit ActionCamnSupported by Freefly Systems (MOVI), Bike Mag...

Presented by Philips Ambilight TV nIn Association with Specialized and TomTom Bandit ActionCamnSupported by Freefly Systems (MOVI), Bike Magazine, and CLIF Bar nnThe lights haven’t gone out yet! Sweetgrass Productions is back with Darklight, a film that takes viewers back into a world of light and color. Supported by innovative television manufacturer Philips TV, this is the third collaboration between the soulful filmmakers at Sweetgrass Productions and Swedish creative house Ahlstrand and Wållgren. Follow professional mountain bikers Graham Agassiz, Matt Hunter, and Matty Miles on a mind-bending night ride through the moonscapes of Southern Utah to the Ewok forests of the Pacific Northwest.nA physically and mentally demanding production, this piece was shot during the midnight hours over three intense weeks. With a scrappy and determined crew of 27, thousands of pounds of camera and lighting gear was slogged, rigged, soldered, hung and broken down each night. Unlike anything ever seen before in the world of mountain biking, Darklight features arrestingly beautiful landscapes and world class riding.nAn evolution of its predecessors, Darklight continues to push the creative bounds of action sports cinema.nnDirector - Mike BrownnExecutive Producer - Zac Ramras nAssistant Director - Matt O'Connor nProduction Manager - Rachel FranksnAssociate Producer - Sterling Lorence, Matt O'Connor nAssistant Producer - Max Santeusanio nCinematography - Mike Brown, Jason Mannings, Zac Ramras, and Leo Zuckerman nEditor - Mike BrownnGaffer - Mark StuennKey Grip - Kyle MetzgernElectrics - Brant Beland, Scotty Frazer, Brandon Wilson nMountain Techs - Carston Oliver, Shane Treat, Jordan Seldin nLead Trailer Builders - Luke Beers and Ron Penney nFirst AC - Max SanteusanionStill Photography - Sterling Lorence nDrone Pilot - Nick Wolcott nAerial Cinematography - Zac Ramras and Nick Wolcott nDIT - Bobby Gressel nCaterer - Sierra Gourmet Backcountry Catering nEMT- Blake Doss, Shelly Shugart, Polk County Fire Dept.nBTS Unit - Jason Mannings nProduction Assistants - Trevor Akimoto, Logan Bonwell, Ben Shumlin nPost Supervisor - Joel Bringmark nSound Design - Jeff Yellen nColor - Erik Lindahl nAgency Ahlstrand & WållgrennAccount Director - Ulf AhlstrandnCreative Director - Joakim WållgrennAccount Manager - Louise Ekman nArt Director - Johan SchonfeldtnAgency Producer - Mark Baughen, ColonynnMUSIC n"Old Statues", "Beat Primal", and "Desert" nWritten and Performed by Other Livesnn“A Buru In New York” nWritten by Gurrumul Yunupingu, Andrew Stanley*& Matthew Handley*n© Published by SFM Publishing/Sony/ATV Music Publishing Australia P/L & Sweat It Out Pty Ltd*nn"Winds Upon A Tin Roof" and "Coda" nWritten and Performed by William Ryan Fritch nnThe DARKLIGHT film was developed in partnership with Philips TV to show the power of Ambilight and how adding light to an already great experience can enhance it even further. nLearn more about Philips Ambilight TV and the technology: philips.com/ambilight or follow facebook.com/PhilipsTV Less

DARKLIGHT - Behind the Scenes by Sweetgrass Productions

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Watch the full film here: https://vimeo.com/141041381nnPresented by Philips Ambilight TV nIn Association with Specialized and TomTom Bandit ...

Watch the full film here: https://vimeo.com/141041381nnPresented by Philips Ambilight TV nIn Association with Specialized and TomTom Bandit ActionCamnSupported by Freefly Systems (MOVI), Bike Magazine, and CLIF BarnnGo behind the scenes with Sweetgrass Productions on the set of DARKLIGHT. Starting in early months of 2015 Sweetgrass assembled a crew of 27 and over 15000 lbs of lighting equipment from 4 states across the Western US. During their time on set, the team had to over come the struggles of 106 degree building conditions, rattle snake bites, 3 weeks of nocturnal living, and the mountains of logistics to keep 178 light fixtures running throughout the night. nnDirector - Mike BrownnExecutive Producer - Zac Ramras nAssistant Director - Matt O'Connor nProduction Manager - Rachel FranksnAssociate Producer - Sterling Lorence, Matt O'Connor nAssistant Producer - Max Santeusanio nCinematography - Mike Brown, Jason Mannings, Zac Ramras, and Leo Zuckerman nEditor - Mike BrownnGaffer - Mark StuennKey Grip - Kyle MetzgernElectrics - Brant Beland, Scotty Frazer, Brandon Wilson nMountain Techs - Carston Oliver, Shane Treat, Jordan Seldin nLead Trailer Builders - Luke Beers and Ron Penney nFirst AC - Max SanteusanionStill Photography - Sterling Lorence nDrone Pilot - Nick Wolcott nAerial Cinematography - Zac Ramras and Nick Wolcott nDIT - Bobby Gressel nCaterer - Sierra Gourmet Backcountry Catering nEMT- Blake Doss, Shelly Shugart, Polk County Fire Dept.nBTS Unit - Jason Mannings nProduction Assistants - Trevor Akimoto, Logan Bonwell, Ben Shumlin nPost Supervisor - Joel Bringmark nSound Design - Jeff Yellen nColor - Erik Lindahl nAgency Ahlstrand & WållgrennAccount Director - Ulf AhlstrandnCreative Director - Joakim WållgrennAccount Manager - Louise Ekman nArt Director - Johan SchonfeldtnAgency Producer - Marcus Sundqvist, ColonynnThe DARKLIGHT film was developed in partnership with Philips TV to show the power of Ambilight and how adding light to an already great experience can enhance it even further.nnLearn more about Philips Ambilight TV and the technology: http://www.philips.com/ambilight or follow http://www.facebook.com/PhilipsTV Less

Acer P7500 High-Brightness 1080P Productive Enterprise Projector Review

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To Learn More About The Acer P7500 High-Brightness 1080P Productive Enterprise Projector Click Here ))) http://www.videoprojectorsreviews.co...

Production Reel

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This is a production reel of all of my latest work.

Juicy girl | ART.IRBIS Production (By Khusen Rustamov)

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FuturePerfect Productions 2016: Between Music's "AquaSonic"

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FuturePerfect is a New York-based interdisciplinary production company focused on the intersection of live performance, media, visual art an...

FuturePerfect is a New York-based interdisciplinary production company focused on the intersection of live performance, media, visual art and technology. Wayne Ashley, the former Director of Arts in Multimedia at Brooklyn Academy of Music (BAM), founded the company in 2008. futureperfectproductions.orgnnFuturePerfect develops works through close and often long-term relationships with some of today’s most interesting artists, scientists, researchers and organizations. Through ongoing collaborations FuturePerfect generates and supports new directions in performance and visual culture through commissions, touring, consulting, residencies, presentations, and conferences.nnAquaSonic is the most ambitious project to date from Danish musicians Laila Skovmand and Robert Karlsson, in collaboration with members of their ensemble Between Music. The work presents five performers who submerge themselves in glass water tanks to play custom-made instruments and sing entirely underwater. Transformed inside these darkly glittering, aquatic chambers, they produce compositions that are both eerily melodic and powerfully resonant. AquaSonic is the culmination of years of research into the exciting possibilities of submerged musical performance, breaking barriers and challenging existing paradigms. The artists conducted countless experiments in collaboration with deep-sea divers, instrument makers and scientists to develop entirely new, highly specialized subaqueous instruments. These include an underwater organ or hydraulophone, crystallophone, rotacorda, percussion and violin. The team also perfected a distinctive vocal technique for underwater singing. The result is a concert experience completely out of the ordinary; a deep dive into a magical new universe of images and sounds.nnThe 2016 tour begins in Rotterdam, Holland at the Operadagen Festival of contemporary music. If you are interested in presenting Between Music's AquaSonic please contact info@futureperfectfestival.org. Less

Naturalelixirs.biz provides herbal private labelling on its products

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Naturalelixirs.biz is pleased to offer herbal private labelling on all of its herbal health products. We make sure the best natural health p...

Gehwol Products

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Gehwol offers the complete feet care line for diabetics, cracked feet, dry and chapped feet, circulatory, or any problematic feet conditions...

Production of the future - Vision 2025

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What if the next big thing isn't a big thing at all?nnWhat will the production world of the future look like? The main indicator which chara...

Energy productive art storage facility NL

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LIAG architects and building advisors has conducted a study for an art storage building in The Netherlands commissioned by the Rijksmuseum A...

LIAG architects and building advisors has conducted a study for an art storage building in The Netherlands commissioned by the Rijksmuseum Amsterdam. The building had to fulfil several contra dictionary aspects like safety of the goods which can't cope with daylight and the wish for an open building. Another request was to run the facility with a minimum use of energy and at the same time keep the temperature range within a very narrow range in the conditioned area.nnLIAG designed a simple yet sophisticated volume to house the facilities. The main feature of the building is a clear and rather dramatic entrance. It is emphasised by a golden metal coated arch shape which opens the building towards the adjacent train station. This way the building is open and inviting without giving away its inner organisation. Though the safety of the facilities can be guaranteed without creating a hostile or even rejecting impression. nnThe inner organisation of the layout is based on optimized work circumstances with the shortest routing. Also transportation of the artefacts is kept as short as possible in case transportation is needed. This resulted in a very compact volume which can easily be extended in the future if necessary. On all three floors there is one single corridor from which all spaces are reachable. This way the risk of damage by transportation can be minimized. This structure also allows a simple yet very effective extension of the building in the future. nnFor the building an innovative façade system has been developed. As result an energy productive building is made possible which would produce a total of 1,3 kWh. Next to the production of energy the facade elements would create an ever changing impression of the building due to reflection of light. This means the building's appearance changes during the seasons and along every day from a closed black box to a light open building all depended on the angle and amount of the light. This effect is achieved by the use of a specially coated reflective material which at the same time avoids glare. nnAt the same time the amount of energy needed for cooling / heating the facilities is reduced by a thoroughly insulated skin and the help of energy stored in the ground. Also the different spaces are stacked in a way that meets their climatic requirements. The studios and offices are placed at the top floor. To allow perfect work circumstances the studios get light from the north. All workspaces are connected with each other to enable short information transfer. nnArchitect: LIAG, The Hague NLnLocation: Amersfoort, The NetherlandsnLIAG Design Team: Thomas Bögl, Maja Frackowiak, Jordy Aarts, Erik Schotte, Arie Aalbers, Jeroen Moerman, Anna Gunnink, Clemens Rothleitner, Jose Reviriego Machío.nClient: Rijksmuseum AmsterdamnArea: 29.000 sqmnnCopyright: LIAGarchitects 2016 Less