Latest cam with her videos at PopScreen

How To Eat Dutch Food - Stop Motion [HD]

Vimeo 4:18

"Zoe and Joanne made an 'Informotion' about some famous food in The Netherlands during their studying in The Hague. It sure will raise your ...

DREAM WALKER III - Zakynthos [Rope Jumping - no limit expedition]

Vimeo 7:10

Dołącz do nas i skacz razem z nami w najpiękniejszych miejscach Świata! Dream Walker i nekstremalne skoki linowe dostępne dla wszystkic...

Dołącz do nas i skacz razem z nami w najpiękniejszych miejscach Świata! Dream Walker i nekstremalne skoki linowe dostępne dla wszystkich: www.dreamwalker80.com www.facebook.pl/dreamjumpnnJoin us and jump with us in the most beautiful places in the World! Dream Walker and extreme rope jumping available to everyone: www.dreamwalker80.com "Dream Walker - Around the World in 80 jumps" - extreme Dream Jump rope jumping method, in the boldest project of the last decade. Great cooperation between the Zakynthos island, professional rope jumpers and BASE jumpers have merged beauty and extreme together. With the stunning background of Navajo Beach, the breathtaking rope and BASE jumps from a 200 meters height, have amazed thousands of tourists being in love with the island, and later have amazed the whole world. For the firsttime, the World have seen synchronized rope and BASE jumps. For the first time, five sportsmen have jumped from one platform. First so impressive rope jumping system. nUnprecedented event, only possible with the support of brave partners and brands.nnBehind the scenes: https://www.facebook.com/media/set/?set=a.925072084181385.1073741841.191788584176409&type=1nnnFilm produced by: Cam-L Studionwww.cam-l.pl www.facebook.com/camlstudio nnDirector of Photography: Kamil PrzybylaknCamera: Bartłomiej Osses, Kamil Przybylak, Maciej Tomków, Michał MałyskanDrone pilot: Dawid Lewandowski nTimelapse by: Maciej TomkównSound: Łukasz KoseckinEditor: Kamil PrzybylaknAssistans: Adam Rotnicki, Bartłomiej OssesnColorist: Tomasz FrąszczaknMotion graphics: Adam RotnickinSound design: Radzimir ŁabuśnnMusic: J. SigsworthnnSpecial thanks to: (OSTRO, Ekocopter, Multimotion, Radlab, SQM Studio, Digital24, Fastmedia, DitoGear, VW Samochody Użytkowe, Xentia, Hytera, Stadion Wrocław)nnSpecial thanks to: MUNICIPALITY OF ZAKYNTHOS and DENIA VITHOULKAnnSpecial thanks for great hospitality to:nZante Magic Tours - http://www.zantemagictours.comnnVilla Spiros, Villa Daizy, Villa Phoenix, Dora Studios I, Dora Studios II,nErrieta Studios, Tropical Studios,, Astir Palace, Speira Studios, Villa SannAdreas, Zante Park Hotel, Galaxy Hotel, Ilaria hotelnnSpecial thanks for delicious catering:nMajestic Hotel and SpanAmmos Taverna & Stavros & LorenannSpecial thanks to main greek sponsors:nMunicipality of Zakynthos, Chamber of Commerce, Association of Hoteliers innLagana, Association of Studios and Apartments in Lagana, Association of Barsn& Clubs in Lagana, Air Club of Zakynthos, Stigma radio and Go Zakynthos,nChamber of Commerce in Zakynthos.nnVery big thanks to our wonderful partners:nAda Adamowicz, Olga Adamowicz, Damian Borkowski, Michał Duda, Pawel Pilarczyk, Paweł Grycel, Andrzej Paradowski, Piotr Kosmala, Dominik Opioła, Kamil Białogoński, Paweł Brożek, Kacper Drąg, Tomek Sypniewski, Stavros Kordasnnand also to spanish team:nCarlos Torija, Marta Jimenez, Guillermo Pirisnpolish team:nTomasz Zieliński, Łukasz Miłuch, Filip Domański, Przemysław Siniecki, Michał Trzajnannand to our friends - BASE Jumpers:nBASE Jumpers, Amanda Vicharelli, Brett Kistler, Cam Tracey, Kostas Stellasnnand for extra support to:nMaciej Majerczak, Ewelina Pacyna, Igor Frybes, Michał KrzemińskinnNo limit expedition. nWe belive that even the wilds ideas should come to live. Less

JOBY Action Jib Kit

Vimeo 2:41

The JOBY Action Jib Kit. Finally a truly portable jib crane solution for Action Cameras. Works with GoPro, Sony Action Cams, and Contour. Ul...

Good Friday (Easter Tilt Shift)

Vimeo 2:19

Church groups from Dursley in Gloucestershire carry a large cross to the top of Cam Peak, a steep hill on the outskirts of the town, to comm...

HERE and NOW - Official Trailer

Vimeo 2:44

4FRNT’s 6th team movie theme is centered on a world where nearly everyone’s heads are buried in a mobile device and friendships and inte...

Maggie Gyllenhaal in 'Home' | Jameson First Shot 2016

Vimeo 8:41

Jameson First Shot, in partnership with Kevin Spacey's Trigger Street Productions, presents 'Home'. A short film starring Maggie Gyllenhaal,...

VOYAGER - Indie Short Film

Vimeo 9:49

Directed into the "Supa"Internship of Supamonks Studionn"Sent in 1977, the Voyager Golden Record was intended to introduce Humanity to possi...

Directed into the "Supa"Internship of Supamonks Studionn"Sent in 1977, the Voyager Golden Record was intended to introduce Humanity to possible beings in outer space. But centuries later, Voyager is back on Earth..."nnWritten and directed by Loïc Magar and Roman Veiga.nProduced by Cynthia Zammit & the directors.nnnDirector of PhotographynMaxence MagnieznnLead 3D AnimationnDaniel Quinteronn--nnSTOP MOTIONnnMANUEL CAMnJean-Louis Padis, Mélinée BoucheronnnSet DesignnMarion ColassenMaël AlbynOdile PothiernnSpace Probe MakernJean LefevrennCamera OperatornRoman Veigann--nnCOMPUTER GENERATED IMAGERYn3D ANIMATIONnnSUPAMONKS STUDIOnKast, Peyo, Zwib, Lan12, Lâm, Marlène, Pink, Max, Amar and all the Supa great Team!nnCharacter Design, Modeling, RiggingnDaniel QuinteronnCharacter texturing, ShadingnMartyn StofkoopernnCharacter Hair nCaroline LobatonnProps LeadnJosselin ClairetnnTechnical SupervisornDaniel QuinteronnLayout 2DnArthur BodartnnCamera TrackingnElliot TesseraudnnLead Animation nDaniel QuinteronnAnimationnJean-Marie VouillonnBenoît VincentnVincent DonaznDavid VarsinThibault PissotnAdrien KedochimnSylvain de TholomèsenManon HiratnMélanie FumeynnLighting, RenderingnRachad MeyanLoïc BellotnMaud BourgeaisnnLight AdvisornCatherine RabiernnCompositingnMaud BourgeaisnLoïc BellotnLéo NattanJoceran CompointnQuentin PuiraveaunSimon BaunCyril DeclercqnnVisual EffectsnNiels PrayernDang-Vy NguyennnMatte PaintingnJulien HauvillenJosselin BaillynnEditingnLoïc MagarnnProduction ManagernCynthia Zammitnn--nnSOUNDnnAOCnLudovic Jokiel, Fabrice Smedja, Eric DelafoynnMusicnSTALnnAudio Production / MixnLudovic JokielnnSound DesignnBenoît MoranMaxime SingernLaura HaddadnnGirl's VoicenSacha ArrivénnSpace Probe's VoicenMatthew Géczynn--nnCOLOR GRADINGnnMIKROS IMAGEnnColor Grading OperatornSébastien MingamnnCoordination nCharlotte BrisebarrennnKINGSIZEFXnnColor Grading OperatornPatrick Siboninn--nnTRADUCTIONnnLycée SugernPascal StollernnFrench : Federica Parise, Thibault CombenSpanish : Marie-Thérèse Bonafous, Véronique Giraud-SintomernGerman : Anaïs Clerc-BedouetnDutch : Bob WijgmannItalian : Guiseppe SaponaronPortuguese : Amilcar VeiganRussian : Lydia Magnieu Ivanova, Miroslav Striz, Dimitri ByzovnSerbian : Bogdan Stupar, Marko DeaknNorwegian : Ellen EriksonnGreek : Maro MavropoulounTurkish : Rita DemiriznCantonese Chinese : Timmy WongnVietnamese : Thanh Trung HuynhnKorean : Sook LimnArabic : Rofaida Hadjab, Walid & Chaimaa Achtouk, Mohamed AchbriknJapanese : Miwa Arainn--nnWEBSITES nnwww.voyager-lefilm.com (by Loïc Magar)nFacebook : Voyager - Court Métrage (@Voyager.courtmetrage)nSupamonks Studio : www.supamonks.comnManuel Cam : www.manuelcam.frnAOC : www.aocprod.comnnCoproduced by Supamonks Studio, Manuel Cam, AOC nn© 2015 - Loïc Magar, Roman Veiga, Cynthia Zammit Less

Fiona Apple & Blake Mills - I Know

Vimeo 4:47

Untitled

Vimeo 0:59

Juicy J brings out Lil Wayne (Redbull 30 Days in LA)

Vimeo 6:23

Juicy J brings out Lil Wayne (Redbull 30 Days in LA)nn@DavyGreenbergnwww.DavyDOES.com

FIRST AEROBATIC FLIGHT LEA

Vimeo 3:47

My 4 years old daughter, Léa, come with me any time we have an opportunity to fly together. Today, she ask me to make some aerobatic figure...

MLTD_Trailer

Vimeo 1:35

Speed Is Not Enough - Director's Cut Full Film

Vimeo 9:48

Just thought this job deserved a few notes on its production... nnThis was a real, single day event, unscripted and with non-actors on a ver...

Just thought this job deserved a few notes on its production... nnThis was a real, single day event, unscripted and with non-actors on a very tight budget and a very international crew. We only had one shot on the track, Tough hard outs for the talent, erratic weather, and a car we didn’t even see for the first time until the night before shooting. Not to mention a track we barely had access to scout. And the car was one-of-a-kind, which meant if a driver bought it, the whole thing was a done deal. nnThe shoot had to be constructed as a decentralized, complete team effort. Everyone played a role with true opportunity for creative expression through his or her duties on set. I had complete faith in my crew and the planning that went into filming this.nnThe concept had the potential to go into a competitive, “reality TV show” kind of territory, which I thought would be a huge mistake given the nature of the track and the talent we had to work with. So instead, we treated the production like an epic race film, something between Senna and Rush. Cinematic dreams. Cinematic speed. Cinematic drama.nnThe sheer density of the day forced us to shoot multiple cameras at once, covering multiple pieces of content at any given time. The core narrative was portrayed through two cameras – one handheld operated by one of the best DP/Operators I know, Ed David, and one on steadicam. Both Cams were F55s for both its dynamic range and its ability to capture quick shifting colors. The handheld doc cam worked Nikon zooms to build a nice, archival photography feel, while the steadicam was shooting the Angeniux 15-40mm zoom for flexibility. Ed set the tone for all cams on the shoot knowing that ‘archival’ was the aesthetic we were going for.nnThe racing itself needed to be real. There were no do-overs. This meant we had to add 5 more cameras to ensure we captured that reality in a cinematic way. There were two interior cams: the rear seat mounted F55 with a Super Speed 18mm and the passenger seat profile cam, which became a Blackmagic 4K shooting a Canon 16-35mm 2.8 zoom when we found out the F55 wouldn’t fit in the space effectively. There was a helmet mounted GoPro cam set to ProTune for cheap and easy POV energy. We also used 3 more Blackmagic 4Ks on the exterior mounts – two shooting Canon 16-35mm zooms and the grill POV cam shooting an Ultra Prime 16mm. The mounts themselves were custom-made pressure mounts, since the car’s matte wrap did not allow us to use any suction cups. The grip team on this job was top rate. The talented Joachim Thörnqvist headed the Technical Photography. All Blackmagics were set to Pro Res HQ. Setting an exposure that worked over the weather-varied, 7.02km track was a crap shoot.nnWe shot these exterior mounts during the drivers’ hot, introduction laps in the morning. Pan and Parker had never raced Spa before and they needed to experience it off the clock to ensure their safety. These intro laps represent our only “Hollywood” departure from reality for the sake of some dynamic b-roll. For the actual races themselves, the two interior cams stayed put but the exterior cams were removed and placed at various, key spots on the track. Clean, powerful lines are what this car was all about and I wanted to make sure I covered it. Again, time was very limited and the races could only happen once per driver in the afternoon. The track placed cams had to function as catch-alls.nnFinally, we had a Red Dragon mounted on a drone to give us some aerial coverage of the cars hitting the Eau Rouge turn. Shortly after a few practice runs, during which we got a few aerial shots of the track, the drone blew up. The only back up we had was a smaller drone shooting GoPro. The GoPro footage gave a nice vantage point put it didn’t match our other footage well, so the solution to use it was to turn it into an on-screen hologram built into the HUD graphics. The minimal graphics were done by the ridiculously talented Important Looking Pirates in Stockholm, Sweden.nnThe weather at Spa is notorious. It rains, it’s wet, and minutes later it’s bone dry. This shoot was controlled chaos. It was intense. The rain was an enormous curveball that actually added to the story and it gave me a chance to up the drama. Real concern for the drivers, nerves, and something to prove for racing.nnAll shoots are fun but this one was pretty special. After wrapping I took a victory lap on the track riding a crappy Vespa just to follow the skid marks of some brave men and women. I’m pretty sure I set a track record.nnThe shoot was produced by B-Reel Stockholm by Leila Falkenberg and Ronald Meier for TBWA Hong Kong. Sami Thessman was the ECD, Ric Dunn was the copywriter, and Annie Reyes produced for TBWA HK. nnThe film was cut by Alex Hagon with The Circus, mixed at Red Pipe and graded by Ola at Short Cuts in Stockholm, Sweden. Less

GOOSES

Vimeo 7:34

Lucinella reconnects with her spirit animal (her sister Lore) during a fabulously dreamy Los Angeles vacation.nnThe dream becomes a subtle p...

Solange and Julez NO FLEX ZONE

Vimeo 3:12

Pound Cake Paris Morton Music 2 Ft. Jay-Z

Vimeo 7:14

[Intro: Jimmy Smith]nGood God Almighty. Like back in the old days. You know, years ago they had the A&R men to tell you what to play, how to...

[Intro: Jimmy Smith]nGood God Almighty. Like back in the old days. You know, years ago they had the A&R men to tell you what to play, how to play it and you know whether it's disco and rock but we just went in the studio and we did it. We had the champagne in the studio, of course, compliments of the company, and we just laid back and did it. So we hope you enjoy listening to this album half as much as we enjoyed playing it for you. Because we had a ball. Only real music is gonna last, all the other bullshit is here today and gone tomorrow...nn[Hook: Timbaland]nCash rules everything around menC.R.E.A.M. get the money, dolla-dolla bill y'allnn[Verse 1: Drake]nAfter hours of Il MulinonOr Sotto Sotto, just talking women and vinonThe contract like '91 Dan MarinonI swear this got Michael Rapinos boosting my egonOverly focused, it's far from the time to rest nownDebates growing 'bout who they think is the best now?nTook a while, got the jokers out of the deck nownI'm holding all the cards and niggas wanna play chess nownI hear you talking, say it twice so I know you meant itnFuck it, I don't even tint it, they should know who's in itnI'm authentic, real name, no gimmicksnNo game, no scrimmage, I ain't playing with you niggas at allnMy classmates, they went on to be chartered accountantsnOr work with their parents, but thinking back on how they treated menMy high school reunion might be worth an appearancenMake everybody have to go through security clearancenTables turn, bridges burn, you live and learnnWith the ink I could murder, word to my nigga IrvnYeah, I swear shit just started clicking dognYou know it's real when you are who you think you arenn[Hook]nn[Verse 2: Jay Z]nI had Benzes 'fore you had bracesnThe all black Maybach but I'm not a racistnInside's whiter than Katy Perry's face isnYellow diamonds in my JesúsnI just might learn to speak MandarinnJapanese for the yen that I'm handlingnInternational Hov, that's my handlenMy saint's Sean Don, light a candlenEl Gran Santo on the mantlen'Case y'all didn't know, I speak Spanish toonShout out to World Wide WesnEverywhere we go, we leave a worldwide messnYes, still Roc La FamilianSays a lot about you if you not feeling usnThe homie said "Hov, there ain't many of us"nI told him less is more, nigga it's plenty of usnn[Hook]nn[Verse 3: Jay Z]nCake, cake-cake, cake-cake, caken500 million, I got a pound cakenNiggas is fronting, that's upside-down cakenGet 'em a red nose, they clown cakesnThey shoulda never let you 'round cakenLook at my neck, I got a carrot cakenNow here's the icing on the cakenCake, cake-cake, cake-cake, uhhnI'm just getting started, oh, yeah, we got it bitchnI've done made more millionaires than the lotto didnDame made millions, Biggs made millionsnYe made millions, Just made millionsnLyor made millions, Cam made millionsnBeans'll tell you if he wasn't in his feelingsnI'm back in my bagnMy eyes bloodshot but my jet don't lagnA pair of Jordan 3's tryna chase this cashnGucci air bag just in case we crashnUh, last night was mad trillnI'm fresh out of Advil, Jesus grab the wheelnn[Part 2: Paris Morton Music 2]nn[Verse 1: Drake]nLook, fuck all that "Happy to be here" shit that y'all want me onnI'm the big homie, they still be tryna lil bro me, dognLike I should fall in line, like I should alert niggasnWhen I'm 'bout to drop something crazy and not say I'm the greatestnOf my generation, like I should be dressing differentnLike I should be less aggressive and pessimisticnLike I should be way more nervous and less dismissivenLike I should be on my best behavior and not talk my shitnAnd do it major like the niggas who paved the way for usnLike I didn't study the game to the letternAnd understand that I'm not doing it the same, man, I'm doing it betternLike I didn't make that clearer this yearnLike I should feel, I don't know, guilty for saying thatnThey should put a couple more mirrors in here so I can stare at myselfnThese are usually just some thoughts that I would share with myselfnBut I thought "Fuck it"nIt's worth it to share 'em with someone else other than Paris for oncenI text her from time to time, she a mom nownI guess sometimes life forces us to calm downnI told her she could live with me if she need tonI got a compound but I think she's straightnCause she supported since Hot Beats right before Wayne camenAnd got me out of the backroom where I was rapping with Jas over beats that I shouldn't have in the hopes for the glorynHe walked right past in the hallway, 3 months later, I'm his artistnHe probably wouldn't remember that storynBut that shit stick with menAlways couldn't believe when he called menYou never know, it could happen to younAnd I just spent four Ferrari's all on a brand new BugattinAnd did that shit cause it's something to donYeah, I guess that's just who I became dognNothing was the same, dog Less

Weight | The Pilot "Back to Reality"

Vimeo 11:40

Visit http://www.weighttheseries.com for more!nn"Razor sharp... Great premise." Andrew Wallenstein, Co-Editor-in-Chief, Varietyn"Weighty... ...

(uncensored) Your naked body is not a crime. Is nude art obscene?

Vimeo 4:57

–– Video by David Bollt with (performed by Adrial Dale) ––nnGet your FREE issue of Model Society Magazine!nbit.ly/msmag01nnReclaim y...

–– Video by David Bollt with (performed by Adrial Dale) ––nnGet your FREE issue of Model Society Magazine!nbit.ly/msmag01nnReclaim your experience of human beauty!nmodelsociety.comnn–– introduction by Editorial Director, Christa Maier ––nnMANY SOCIAL PLATFORMS CONSIDER YOUR NAKED BODY OBCENEnMy husband says, "It's just Facebook, hunny"...nnBut it is not just Facebook. This is the society that we live in. This is the climate of judgment and shame that you encounter when you share images of human nudity as art.nnIt's punishable for you to share images from classic works of art or a figure drawing class or even a mother breastfeeding her child. Censorship on Facebook is just a reflection of the bigger battle you face when you draw, paint or photograph a naked human being.nnWe do not create this body of art to shock, offend, or arouse a mindless lust. We create so that all of us may come to see our shared humanity as a miraculous work of art.nnWhat do you think? Is your naked body obscene? Is it a crime to share artistic images of naked humanity?nReclaim your experience of human beauty!nnChrista MaiernEditorial Directornn––– Video Script by David Bollt –––nnYour human body … is not a crime.nnIt’s absurd for your naked body to be hidden behind censorship squares in order for it to be seen. It’s absurd to think of your naked humanity as something unnatural… It’s absurd to think of you (exactly as you are) as anything less that a true work of art.nnYour body has been shaped by the same creative dynamics that shaped the world. Your body has come from the same collective ground as the trees and the flowers that you see shining all around you... as they stand naked … and without shame.nnYour body has come from the same collective ground as the sun … and the moon … and the stars.nThe entire universe has acted in concert — from the beginning — to create the conditions for you to be here… exactly as you are.nnThe only thing that is obscene — in the contemplation of your naked humanity — is the idea that you’re somehow obscene. The only thing that is perverted about celebrating human beauty as a work of art is the idea … that you should be ashamed to either enjoy beauty in others … or to be held as beautiful … in the eyes of others.nnWhether you believe that you’ve been been shaped by the conscious hand of god... or by the random self-organizing properties of a creative universe... either way, is it not miraculous that you’re even here? Is it not a miracle that there’s a human body through which you’re experiencing your life... right now?nnWake up from the collective hypnosis that tells you that your naked humanity should be shamed or hidden from sight. Wake up from the hypnosis that would have you ashamed of appreciating the beauty of another human being.nnWake up from the hypnosis that tells you (and has you telling yourself) that you are anything less than a miraculous work of art.nnYou have the capacity to hold an infinite number of perspectives. And with the perspectives that you choose, you shape the world.nnWhat perspectives do you choose in relation to your own naked humanity? How do you choose to see yourself and others?nnAt Model Society, we invite you to reclaim your experience of human beauty. We invite you to see humanity through our eyes as something beautiful, wondrous and extraordinary. Without censorship and without shame, we invite you to celebrate and enjoy the miracle of the human form as a true work of art.nnTo support our vision, please share this video, then go directly to ModelSociety.com to get on the list. We’ll send you a free issue of Model Society magazine that’s filled with images of humanity that are beautiful, inspiring, revealing … and honest.nn––– MODELING PHOTOGRAPHY AND ART BY –––nnBalm in Gilead Art Photography, Thomas Holm Photography, Boris Mirkin / Kaos, Michele Fatarella, Glyn Davies, Laura Dasi, Pablo, Chuck, RuthAnn, Jason Matson, Andrey Stanko, Pavel Ryzhenkov, Sasha Onyshchenko, Eldiyar Daniyarov, Lavender Moon, Sven Ellirand, Ivory Flame, Schotzart, Alex B., Moniasse, Studio Phap, John McNairn, Patrick Webster, Arshae Morningstar, Matthew Scherfenberg, Dennis Largo Schulz, Eric Boutilier-Brown, Christopher Ryan, Cheshire Scott, Raphaella, Bill Earle, AJ Kahn, DML, RAS1, Tim Pile, Terry King, Pascal Renoux, Meghan Meredith, Abandoned Dream, Raphaella McNamara, Jean Jacques Andre, Blue River Dream, Michael Bilotta, Brooke Lynne, Rosa Brighid, Cam Attree, Kevin Stiles, Lorelei Black, Dr Colin Vickers, Elizaveta Kiseleva, Horacio Vásquez, Trinh Xuan Hai, LuLu Lockhart, Karen Jones, Maria Diaz, Ben Ernst, Vinny M., Axiaelitrix, NevaehLleh, Magicc Imagery, Michael V. Messina, Earth Bound Art, A Raw Muse, Shaun Tia, Nymph, Frida, Evie, Adrian, Dan West, Sonnie Marie, Christian Melfa, William Zuback, Marcus Jake Less

Wi' Ma Big Kilmarnock Bonnet.

Vimeo 5:07

A traditional song from my hometown on the west coast of Scotland.nnCommentarynThe ballad was published by the Poet's Box, 224 Overgate, Dun...

A traditional song from my hometown on the west coast of Scotland.nnCommentarynThe ballad was published by the Poet's Box, 224 Overgate, Dundee. The reference to a railway line into Glasgow dates this ballad to 1831 at the earliest.nThis ballad is based around a common subject in Scottish writing in the eighteenth and especially nineteenth centuries, the idea that cities were dangerous and immoral places compared to the countryside. This theme was used, often humorously, by the famous Ayrshire writers Robert Burns and John Galt. The 'Kilmarnock Bonnet' of the title is a famous piece of headgear, dating back at least to 1647, when the 'Kilmarnock Corporation of Bonnet Makers' was founded.nThe Dundee Poets? Box was in operation from about 1880 to 1945, though it is possible that some material was printed as early as the 1850s. Most of the time it had premises at various addresses in Overgate. In 1885 the proprietor J.G. Scott (at 182 Overgate) had published a catalogue of 2,000 titles consisting of included humorous recitations, dialogues, temperance songs, medleys, parodies, love songs, Jacobite songs. Another proprietor in the 1880s was William Shepherd, but little is known about him. Poets? Box was particularly busy on market days and feeing days when country folk were in town in large numbers. Macartney specialised in local songs and bothy ballads. Many Irish songs were published by the Poets? Box ? many Irishmen worked seasonally harvesting potatoes and also in the jute mills. In 1906 John Lowden Macartney took over as proprietor of the Poet?s Box, initially working from 181 Overgate and later from no.203 and 207.nnIt is not clear what the connection between the different Poet?s Boxes were. They almost certainly sold each other?s sheets. It is known that John Sanderson in Edinburgh often wrote to the Leitches in Glasgow for songs and that later his brother Charles obtained copies of songs from the Dundee Poet?s Box. There was also a Poet?s Box in Belfast from 1846 to 1856 at the address of the printer James Moore, and one at Paisley in the early 1850s, owned by William Anderson.nnEarly ballads were dramatic or humorous narrative songs derived from folk culture that predated printing. Originally perpetuated by word of mouth, many ballads survive because they were recorded on broadsides. Musical notation was rarely printed, as tunes were usually established favourites. The term 'ballad' eventually applied more broadly to any kind of topical or popular verse.nnWi' ma big Kilmarnock BonnetnnResolved that I would lea' the ploonI said tae farmer BrownnThe Money that I've worked for be kind as put it downnIn Glesca toon at half past three this very day I mean to benI'm ower long a gawkie in the country.nnCHORUSnWi' ma big Kilmarnock Bonnet nAs I run tae catch the trainnI'll ne'er forget the mug that I was made by Sandy LanenSays he "Man Jock when you arrive ask for Katie Bain."nShe bides at number Eichty Street in GlescannWhen I arrived in Glesca freensnThe first chap I did meetnSays I my man would you be as kind as show me achy streetnSays he "d'ye think ye've got a mug? Take that!" an struck me on the lugnAn said my man ye'll meet yer match in GlescannRPT. CHORUSnnA bonnie lass cam' up tae menDressed in a stripped frocknShe looked me in the face and said "Hallo, is that you Jock?"n"Yer big Kilmarnock's aff the plumb, c'mon an staun us a doodle o' rumnHoo long dad you intend tae bide in GlescannI treated the lass and asked the placenShe said she'd let me seenAnd as for Katie Bain, she said "She bides right next tae me"nSays I "She kens ane Sandy Lane?" Says she "Och aye! The very same."n"C'mon wi me tae Eichty Street in Glesca."nnRPT. CHORUSnnSh'introduced me to her neighbor nBut if she was Katie BainnI only hope and trust that I may ne'er see her again nThey left me wi ma breeks and shirt, ma bonnet a' besmear wi' dirtnTae wander throughout the muckle streets o' GlescannBut my sorrow wisnae endednThere was mair tae come beside nWi me half drunk and in the dark I fell into the ClydenThey pulled me oot and swore each yin they stood and watched me jumpin innAn' got me thirty days in "quad" in Glesca.nnRPT. CHORUS (2X) Less

Hillary Clinton

Vimeo 0:32

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