Latest athlete profile videos at PopScreen

BEACH HOUSE "Wishes"

Vimeo 4:47

BEACH HOUSE - "WISHES" - Directed by ERIC WAREHEIM (Official Video)nn"Wishes" appears on the Beach House album BloomnDirected by Eric Warehe...

Wake Forest Football 2006 ACC Championship Highlight Video

Vimeo 6:18

This a segment from the official highlight video DVD of Wake Forest's 2006 ACC Championship football season, which Kitay Productions produce...

MEGAN ADAMS (of the Poppy Girls) - TRAVELLIN' SOLDIER (TRAVELIN' SOLDIER)

Vimeo 5:46

Video for Megan Adams' first solo single, "Travellin' Soldier", following her success with the Poppy Girls in 2013, when she appeared in the...

SoundWorks Collection: The Sound of Tomorrowland

Vimeo 8:07

In this exclusive SoundWorks Collection sound profile we talk with Sound Designer Kyrsten Mate and Re-recording Mixer Gary Rydstrom from Sky...

SoundWorks Collection - The Sound of Jurassic World

Vimeo 9:34

In this exclusive SoundWorks Collection sound profile we talk with Sound Designer and Re-recording Mixer Pete Horner and Supervising Sound E...

Hudson Mohawke - Warriors (Director's cut)

Vimeo 4:44

Director: Stef&IvonProducer: Alasdair MitchellnProduction Company: Zebrafish MedianCommisioner: Rik GreennAssistant Producer: Coral Ernst-R...

SoundWorks Collection - The Sound of Inside Out

Vimeo 9:30

In this exclusive SoundWorks Collection sound profile we talk with Director Pete Docter and Producer Jonas Rivera and Supervising Sound Edit...

The Road to WMC Fest: Our Host's Journey

Vimeo 4:03

How did our host, Aaron Sechrist, end up gaining the will to inspire an entire nation of Weapons of Mass Creation just like you? nnWatch and...

Highly Suspect - Lydia (Official Video / Dir. Cut)

Vimeo 4:19

Hold your breath... this is an experiential video, shot entirely underwater. Everything you see is 100% authentic. nComments are welcome. Fi...

Hold your breath... this is an experiential video, shot entirely underwater. Everything you see is 100% authentic. nComments are welcome. Finer details below:nnHighly Suspect - Lydia (Dir. Cut)nDownload Mister Asylum - http://smarturl.it/MisterAsylumnstarring: Marina Kazankova (http://www.marinakazankova.com/en/)nndirected by: TS&Rnproduced by: Pier Pictures (@pierpictures / www.pier-pictures.com)nproduction designer: Rudie Schaefernunderwater camera operator: Pascal Combes-Knokenunderwater coordinator: Robert Trussellnlead safety diver: Grant Gravesngrip and safety divers: Bobby Settlemire, Jeff Kincheloenmakeup artist: Christina Cofranncamera tech: Tom Jordannproduction assistant: Ben Hausdorffnfilmed at: Acton Scuba Services (http://actonscuba.com/)ncolorist: Kath Raisch nnSpecial Thanks:nLinden WolbertnIKAN (http://ikancorp.com/)nHD Planet Cameras (http://www.5kcamerarentals.com/)nHydroflex (http://hydroflex.com/)nAlley Cats (http://www.alleycatsprops.com/)nnHowever unsettling, this experiential project was carefully created with the intention of rolling a single-take in a single-location, with one character facing a dire, life-or-death situation. If you can make it to the end, the unbroken nature of the sequence enables the action on screen to come alive. Focusing on real sensations and emotions associated with love and its loss, in any form, our exploration was in seeking to create just that, real feelings. We'll leave it to you to decide how this moves you, we only ask that you take note that it has... you're probably not alone. This is the power of cinema.nnThe athletic feat of our talent, world champion freediver, Marina Kazankova, is 100% authentic. It took us a few years, meeting new aquatic friends within the underwater freediving community, to eventually find these fine people and field-experts who made this concept come to life. It would not have been possible without all-of-everyone aforementioned, and the talents of those listed above.nnShot on: REDdragon 6KnFilmed at 60fps over the course of a 5-minute take.n24fps timeline (real-time action). Less

4130bikecompany / Del Ghetto a la Pecera trip 2015.

Vimeo 8:23

Ya tenemos disponible del ultimo viaje que hicimos por el norte, con una buena ruta la primera parada fue en Logroño en la Jam Ghetto sida ...

Now I See

Vimeo 4:46

WATCH TILL VERY END FOR COMPARISONS!nnRead the "evolving review of the Sony A7s" here: gopb.co/a7snnAny use of the tip jar to help fund thes...

WATCH TILL VERY END FOR COMPARISONS!nnRead the "evolving review of the Sony A7s" here: gopb.co/a7snnAny use of the tip jar to help fund these reviews is always gratefully welcomed! Thank you!!nnEveryone had been saying the just out Sony A7s is a low light monster of a camera. There was only way to find out. To try it out!nnI had a think about what I could do that could show it off and blow people's socks off. After all if it could do what people were saying...nnTo be able to shoot at crazy high ISOs is not about just seeing in the dark, At times I am shooting "night for day" here and for the most part it's not something I would actually ever want do. I want night to be dark....but doing this here really does show just how much the sensor can see. nnThe biggest benefit for me with this camera's sensitivity will be shooting in low light situations where normally you are at the top of your camera's ISO before it gets hideous and also wide open at F1.4. This sort of shallow depth of field may look pretty but it's not much fun trying to keep moving people in focus! To have a camera that could shoot in these conditions, have a clean image AND have a nice depth of field to solve focus headaches? This could be a very valuable tool indeed. nnJames Miller and I went down to our favourite shooting haunt, Brighton with our matching A7s to see what we could get and try out different profiles. James shot mostly S-Log. I mostly shot various Cine gamma modes. nnPointing away from practical lights so I could push the ISO up to see just how far you could push it. Just how much can you see in the dark?nnBrighton Beach has no lights on it of course. There are lights on the promenade but there are a lot of people who sit out there in the dark that you can barely see with your eyes. This camera though? Well take a look!nnI shot most of the daylight stuff at ISO 100 in Cine Gamma 4 and S-Gamut colour. A very flat image, not quite S-Log but close. nnMy glass was: Canon 24-70 F2.8II, Canon 70-200mm F2.8 IS II, Sigma 35mm ART F1.4, SIgma 50mm ART F1.4nnI used the Small HD DP4 as a monitor/ viewfinder, additionally I had a Tiffen variable ND filter and my Really Right Stuff tripod with FH-350 head. To top if off I also had my new Special Edition Kessler Crane "Burl Wood" Pimipn' edition for the odd slider move!nnWith the shots where in goes from dark to light and vice versa, these dark parts are what I could see with my eyes. They were all shot with high ISOs and graded down to show you what I could see and what the camera could see if it was set to around 800-1600iso as opposed to what I actually was shooting at. At night between 6,400-80,000!nnIt was incredibly dark out there so even though I could see everything way better than my eyesight could some of the shots with dark area in them were just too noisy not to fix. I used the ever marvellous Neat Video to get these results. nnSo there is no cheating here by grading it dark. I made it look exactly as it would do and to prove it watch after the credits for a shot where I cycle through the ISOs!nnMusic is "Now I See" (so apt for this film I took it for the title too!) by Dario Lupo from The Music Bedngopb.co/musicbednnGraded with Colorista II. FIlmConvert and custom LUTS from James Miller. n10% off Colorista II at gopb.co/redgiant with code bloom10n10% off FIlmConvert with code bloom at gopb.co/filmconvertnnCustom LUTS coming soon! :) Less

Swimming with Seals (Wilder)

Vimeo 4:00

SWIMMING WITH SEALS is a short documentary profiling wild swimmer Gill as she swims with seals near her home on the Isle of Skye, and deeply...

'The Black Line'

Vimeo 4:09

The Black Line responds to the photography of Joseph Briggs-Price and his desire to honour the athletes in his series "Why Do We Fall?" The ...

Idlefon - Absorbed

Vimeo 6:19

This one is performed by the Tehran based computer musician Hesam Ohadi a.k.a Idlefon (http://www.facebook.com/idlefon). This is "Absorbed" ...

Recovering the Mindset

Vimeo 4:39

"Recovering the Mindset" intercuts the three different interpretations of Thomas Harris' novel Red Dragon; Manhunter by Michael Mann, Red Dr...

V&A Dundee and The Travelling Gallery take "Design in Motion" on the road.

Vimeo 6:42

Can you spot your school, college or town in this extended video documenting the journey of "Design in Motion"?nnDesign in Motion was the th...

AD Sports TV - Behind the scenes

Vimeo 9:52

Les Folies Design Haus in Dubai, UAE commissioned Frame to create eight over the top idents for the re-launch of the Abu Dhabi sports channe...

Les Folies Design Haus in Dubai, UAE commissioned Frame to create eight over the top idents for the re-launch of the Abu Dhabi sports channel AD Sports TV.nnIn a collaboration with Obeida Sidani, Executive Creative Director at Les Folies, Director and Creative Director Anders Schroder at Frame came up with the idea of having top athletes of various sports performing in the streets with the iconic buildings of night-time Abu Dhabi as the backdrop. As they are performing the surroundings would transform into their respective playing fields.nnThe team at Frame creative directed, conceptualized and animated the transforming floors under the athlete and the particle systems around him.nnAnders wanted to explore what the opposite of the ever so popular organic film look using handheld, vintage lenses to create shallow depth of field and flat grading would look like. He wanted to achieve a look that was almost synthetic and videogame-like with extreme angles and razor sharp infinite focus but all achieved in-camera. A look that would be synonymous with high performance rather than the performers themselves.nnBeing fascinated by the HDR look typically associated with commercial sports photography, Anders suggested to re-create this look BUT in live action. The technique is based on the idea of shooting with multiple exposures and then combine them in post. Furthermore, Anders wanted to shoot high-speed with zero motion blur and considering this was a night shoot which added tremendously to the difficulty.nnTogether with DP Zubin Mistry they asked themselves: How do we shoot fast paced action high-speed, everything in focus, no motion blur, at night, with both the buildings and the sky and athlete fully exposed?nnThe answer was motion control, a monstrous lighting package, Master Primes wide angles, Phantom Flex 4K, and lots of compositing. Using the motion control rig they filmed each shot in several passes moving the massive light rigs out of the shot each time background and buildings were being shot. The motion control rig enables the team to be able to squeeze in another cool gimmick; slow motion athletes in the foreground and time lapse cityscapes in the backgrounds – in the same shot!nnThe result is a spectacular and hyper-real look that feels almost CG-like even though most of it was shot in camera.nnCheck out the Director Cut here:nnhttps://vimeo.com/137808158 Less

Master/Mind

Vimeo 9:12

The human brain is the most complex object in the universe. Our understanding of its inner workings has been shrouded in mystery…until now...

The human brain is the most complex object in the universe. Our understanding of its inner workings has been shrouded in mystery…until now. New technologies are beginning to unlock the brain’s true potential, but at what cost to our humanity?nn#mastermindfilmnnCREWnnDirector, Producer, Editor: Francesco Paciocco http://francescopaciocco.com, https://twitter.com/fpaciocco nCinematography: Will Atherton http://www.willathertonfilms.com, Megan Jolly http://www.meganjolly.com, Francesco PaciocconMusic: Luke Atencio http://lukeatencio.com, Marmoset https://www.marmosetmusic.com, Tracey Chattaway http://www.traceychattaway.com, Steven Gutheinz http://www.stevengutheinz.com nSound Design & Mixing: Jeff Seelye http://digitaudio.com nColorist: Sam Gursky http://irvingharvey.com nArtwork: Greg Dunn http://www.gregadunn.com, photographed by Will Drinker http://willdrinker.com nnFEATURINGnnAlan Watts http://alanwatts.com/collections nBarack Obama https://www.barackobama.com nThomas R. Insel MD http://www.nimh.nih.gov/about/director/bio/index.shtml nSebastian Seung PhD http://web.mit.edu/~bcs/people/seung.shtml nCecilia Abadie https://twitter.com/cabadie nJoel Murphy & Conor Russomanno http://www.openbci.com nRussell Hanson PhD & Jason Fuller http://www.brainbackups.com nArthur Caplan PhD http://www.med.nyu.edu/pophealth/faculty/caplaa01 nLydia Fazzio MD http://www.biohackersnyc.com nRaymond Kurzweil http://www.kurzweilai.net nPaul Begley http://www.paulbegleyprophecy.com nNick Bostrom PhD http://www.nickbostrom.com nPeter R. Breggin MD http://www.breggin.com nnMADE POSSIBILE WITH THE WORK OFnnAutoNOMOS Labs http://autonomos-labs.com nBastien Didier & David GueznBrainGate http://www.braingate2.org nCicret http://www.cicret.com nDeisseroth Lab, Stanford University http://web.stanford.edu/group/dlab nDr. Kavian Shahi http://www.snamg.comnEmotiv Inc. https://emotiv.com nEric Mika https://github.com/kitschpatrol nEyeBorg http://eyeborgproject.com nEyeWire https://eyewire.org nFitbit https://www.fitbit.com nGoogle Glass https://research.google.com nImperial Tissue Bank, Imperial College London (Professor Steve Gentleman, Dr. Ilaria Bravi) http://www1.imperial.ac.uk/tissuebank nLichtman Lab, Harvard University http://lichtmanlab.fas.harvard.edu nMartin KellynMax Planck Institute for Medical Research (Moritz Helmstaedter, Winfried Denk) http://www.mpimf-heidelberg.mpg.de/en nMike Vella http://www.neuroscience.cam.ac.uk/directory/profile.php?vellamike nNASA https://www.nasa.gov nSensoMotoric Instruments http://www.smivision.com/en.html nTakao Someya Group, University of Tokyo http://www.ntech.t.u-tokyo.ac.jp/en nTED https://www.ted.com nThe Johns Hopkins University Applied Physics Laboratory http://www.jhuapl.edu/employment/default.asp nThe Johns Hopkins University School of Medicine (Hamm, Huganir, Zhang) http://www.hopkinsmedicine.org/som nThe Smith Laboratory, Stanford University http://smithlab.stanford.edu/Smithlab/Smithlab_Home.html nThe White House https://www.whitehouse.gov nWellcome Collection http://wellcomecollection.org nWyss Institute, Harvard Biodesign Lab at Havard University http://wyss.harvard.edu nnSPECIAL THANKSnnSarah BaltanAlesa Blanchard-NelsonnGlenn FarrellnMartha HensonnHolly StorynAmy RobinsonnMark WattsnJessica WiconBrain BackupsnOpenBCInMount Sinai Medical CenternNYU School of MedicinennEQUIPMENTnnBlackmagic Pocket Cinema Camera (primary camera)nCanon C300 (secondary camera)nPanasonic LUMIX G 20mm f/1.7 II ASPHnZeiss ZE primes, 35mm and 85mmnCanon EF 70-200mm f/2.8LnCanon EF 24-70mm f/2.8LnCanon EF 16-35mm f/2.8L IInMetabones Canon EF Lens to BMPCC Speed BoosternEdited with Adobe Premiere Pro, graded with DaVinci Resolve and sound mixed in Avid Pro Toolsnn© 2015 Terramare Films, LLC Less