Latest Rosa Acosta Years videos at PopScreen

A 90-Year-Old and Two Reverends Cited for Feeding the Homeless in Fort Lauderdale

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At least four police cruisers and a half dozen uniformed cops were ready and waiting for Love Thy Neighbor when the group showed up at its s...

100 Years of Leica Photography: Pictures for Eternity

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History can be written – or photographed. For 100 years now, famous photographers from around the world have been capturing once-in-a-life...

GQ Men Of The Year Red Carpet 360 Time Lapse

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A 360 degree time lapse from the GQ Men of the Year 2014 red carpet arrivals shots on a Go Pro HD Hero 3 on an "egg timer" tripod head mount...

Antarctica: A Year on Ice Teaser Trailer 1

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First trailer for my feature film "Antarctica: A Year on Ice" nThe film is now complete, and hitting the festival circuit. Check out www.fro...

Antarctica: A Year on Ice trailer 2

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Second trailer for the feature film "Antarctica: A Year on Ice" nThe film is now complete, and hitting the festival circuit. Check out www....

20 Years of Madness - Trailer

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20 YEARS OF MADNESS is a documentary following the makers of a mid-90s Public Access TV show from Metro Detroit as they reunite 20 years lat...

A Visual Year

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A compilation of Rochester Institute of Technology Photojournalism student work from the year 2015. All content was gathered and edited by s...

2 year old BMX kid

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Brody learning to ride his BMX bike at 2 years old. Only had his training wheels on for 1 month before he was on 2 wheels.

AMAZING 6 year old BGIRL TERRA vs Bboy Leelou - break dances at Chelles Battle Pro, France 2013

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www.artFido.comnThis six-year-old break-dancer BGIRL TERRA destroys her opponent in this amazing break dance stunt performance. She may have...

Taipei 2014 New Years Fireworks 台北市2014跨年煙火

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A time lapse of the 2014 New Years Fireworks display in Taipei City (Taipei 101), as seen from the Guandu campus of National Taiwan Universi...

Charity Motors - TV Campaign Year End

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We need a break this year! Charity Motors is a tax deduction, car donation program that guarantees full fair market value of your donated ve...

Dictionary.com's 2014 Word of the Year

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Why was exposure selected as 2014's Word of the Year? Vulnerability and visibility were at the core of this year's most notable headlines. E...

2014 Year in Review

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At the end of each year, we reflect.nWe remember challenges and triumphs. We celebrate the moments that connect us. nTake a look back on 201...

New Years Day

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I was bored and horrifically hungover on New Years Day. So I decided to create a video about people's usually uneventful first day of the ne...

100 Years of Caran D'Ache

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Caran d’Ache the queen of colouring pencils is celebrating 100 years of vibrant creativity.nnThis short film showcases the pencils journey...

100 Years - Armenian Genocide

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In this special year 2015, we did this 3 minute animation for the centenary of the Armenian Genocide. The Turkish government denies to the d...

OBEY 25 YEAR ANNIVERSARY COLLECTION

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When I made the first OBEY sticker in 1989, I never thought I was beginning a project that would inspire and permeate most of my art career ...

When I made the first OBEY sticker in 1989, I never thought I was beginning a project that would inspire and permeate most of my art career for the next 25 years and counting.nnAt 19, I had no idea what I would be doing this a week later, much less a decade or two. Putting up stickers was fun, and that was enough to get the ball rolling. The act of getting out there for the journey without a brilliant plan or destination opened my eyes to the world as a participant, not a voyeur. Part of the success of OBEY Giant has been its organic evolution based on my constant dialogue the public and broadening perspective through my experiences. Rather than being constrained by the OBEY Giant, I’ve modeled it to reflect my personality and my interests as they’ve progressed over the years.nnWhen I was young, I bought into the typical black-and -white, us -versus-them simplification of things: provocation and silliness cant mix, a job has to be drudgery, passion is reserved for the nights and weekends and art cant be pure if it has commercial facets. All that began to seem less valid as very small accomplishment with OBEY Giant made it seem increasingly possible to do things my way.nnIt hasn’t been an easy path. Even though financial struggles, failed relationships, a lack of resources, and 16 arrests, I was always determined to keep OBEY Giant project growing. Essentially. I succeeded at building something from nothing and creating a demand for it by exploiting the semiotics of consumption.nnFrom the beginning, OBEY Giant opened my eyes to many facets of capitalism and consumer-trends psychology that revolve around supply and demand economic theory. Some examples (“I want a sticker because I like the way it looks”) are relatively straightforward while others (“I want a sticker because my rebellious friends have it’) reflect the complex irony of conforming to an image of rebellion to gain acceptance. The OBEY Giant images have raised many issues around the concept of value: as they gained more exposure and familiarity, their value increased to marketers wishing to capitalize on the rebellious outsiders who used OBEY Giant and the Variables determining who embraced or rejected it along the way has been the most valuable aspect of the project.nnI knew early on that, more than being just a vehicle for my art, commentary, and mischiefs, OBEY Giant could provide a “case study”. The hardest thing was for me to decide when I had enough material to release a complete case study, especially when the accumulation of art and experiences showed no sign of slowing. Keep your eyes and mind open, and question everything. nn- Shepard Fairey Less

100 YEARS / STYLE / EAST LONDON

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100 years of East London style in 100 seconds. Sept 13th 1911 - Sept 13th 2011.

Small Business Of The Year

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Four Day Weekend is named 2014 Small Business Of The Year by the Fort Worth Chamber of Commerce and Mayor Betsy Price.

Years & Years // An Artificial Experience Music Motion Picture

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Years & Years nnAn Artificial Experience Music Motion Picture by Brian Harrison nnIf you are someone who keeps up to date on the latest tech...

Years & Years nnAn Artificial Experience Music Motion Picture by Brian Harrison nnIf you are someone who keeps up to date on the latest technologies sweeping the planet or if you are a Sci-Fi fan, then you may have heard of Artificial Intelligence or “A.I”. In recent years, A.I. systems have begun to come of age - finding practical applications in science, business and beyond. These systems often use something called Artificial Neural Networks – real machine learning inspired by the human brain. nnArtificial Neural Networks are, just like the brain, based on interconnected 'neurons'. Given lots of data, they can learn underlying patterns, create a model of the world and predict the next steps. These types of intelligent systems are transforming human processes and perceptions in profound ways and we are on the verge of a genuine human-machine collaboration. nnWhile Artificial Intelligence gets the headlines, what you probably have not heard of is the newest application of machine learning: “Creative Artificial Intelligence” that can actually generate art and design. These systems turn Artificial Neural Networks on their head, using them to paint, dream, hallucinate, design and complete other creative tasks. nnEnter the Artificial Experience (“AE”) (artificialexperience.com) team, a new team and network, founded by Roelof Pieters and Samim Winiger.The AE team were among the first in the world to actually apply these emerging Creative A.I. technologies at scale. Specifically, the AE team states that their mission is to “extending human imagination with Creative A.I.” and bringing together leading A.I. researchers with designers and artists. A new paradigm where creative machines and humans interact as equals. nnEnter writer and filmmaker Brian Harrison, whose work generally centers around ideas of human consciousness, perception and information. When he approached the AE team about applying this cutting edge technology to a new music motion picture he was directing for the Interscope Records’ recording artist Years & Years, an international collaboration became the starting point for a new and exciting Artificial Experience exploration – a first of its kind. For this challenge, the team decided to use “DeepDream” and decided to see how far they can push the technology forward. nnFor those not familiar, “DeepDream” is an open source, artificial neural network system based on a research paper published by Google in July 2015. You know, all those strangely psychedelic photographs being posted around Twitter, Facebook and Instagram! DeepDream´s underlying technology was originally designed for image recognition tasks to be used for such things as advanced face recognition software. These networks are trained on millions of images and learn to recognize 1000+ categories of objects. It knows how an apple or a dog looks etc. The fundamental innovation of DeepDream was to turn such an image recognition network on its head. In other words, it allows us to ask the network to “dream” about what it previously learned. The results have been stunning images, the likes of which were completely unexpected and new in the world of A.I. nnFor this film project though, the filmmaking and AE teams had to invent new technologies and processes to manage the daunting task of scaling up what had been, up and until this point, only research lab technology, and apply it to real-world production under time constraints. The collaboration took the initial idea of A.I. “dreaming” and pushed its boundaries to the outer limits. Among its innovations, the AE team applied novel techniques with names like “Single Unite Dreaming” and “Guided Dreaming”. In other words, a computer dreams and the humans interact with the machines to guide to their dreams. Through this innovative collaboration, the AE team also developed the world’s first Creative A.I. visual editing software - the DeepUI (available opensource soon) - a step towards true artistic human-machine interactions. nnCreative Artificial Intelligences are enabling radical new aesthetics, processes and narratives and are connecting researchers & engineers with designers, filmmakers and artists. There is no turning back now, man and machine share a consciousness and both want to make ART!nnCREDITS:nWriter + Director + Editor: Brian HarrisonnCinematographer: Brian Charles LehrernProducer: Crysopia Pictures + Brian Harrison + Brian Charles Lehrer + Alex Bergman + Michelle AnnCreative AI Engineers: Samim Winiger + Roelof Pieters for Artificial ExperiencenAdditional VFX: Coyote Post + Timbre & Postn1st AC: Chuy Valadezn2nd AC: Jordan McNeilenKey PA: Andrew RiegernnDEDICATED TO TERENCE MCKENNA, RALPH ABRAHAM AND RUPERT SHELDRAKE. Less

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