Latest Project Kuca videos at PopScreen

SAINT LAURENT MUSIC PROJECT / CURTIS HARDING

Vimeo 5:20

INTRODUCING CURTIS HARDING nNEXT TIME / BURGER RECORDSnSAINT LAURENT MUSIC PROJECTnCURTIS AND GRACE nLOS ANGELES nJANUARY 2014nnMORE ON http...

Gaia Project - Moscow

Vimeo 5:30

Production Company: DrivenDirector: Luke LoseynLead Artist: Ben MasonnMusic: Paul HartnolnC4D: Stuart Wallace and Jonathan ShinennAs lead ar...

TightLight: Automatic 3D Projection Mapping Method

Vimeo 6:05

TightLight is the codename for an automatic 3D projection mapping method devised by (me) Grady Sain. It's a fast, accurate, cheap, and depen...

Learn More about Project Haiti

Vimeo 5:39

Learn more about Project Haiti

Chicago Timelapse Project - Windy City Nights

Vimeo 6:06

Windy City Nights is the result of a two year journey through Chicago at night. I started this timelapse project back in April of 2012 afte...

Windy City Nights is the result of a two year journey through Chicago at night. I started this timelapse project back in April of 2012 after getting inspired by a video I saw posted on Vimeo titled “We are Chicago” by Ross Gerbasi. The video contained several night timelapse sequences that were captured in Chicago. Just prior to this, I had been shooting timelapses and started practicing the art on a regular basis. I had been shooting a lot of sports photography since 2005 and just really started to enjoy the art of timelapse. I have always enjoyed the challenge of night time photography and long exposures. There is something about the lights at night and the passage of time that is really captivating and what better place to capture this than the City of Chicago. Chicago is a really unique city, it has great architecture, the Chicago River and is surrounded by Lake Michigan. There is so much happening all the time and the lights at night here are truly amazing. nnDuring this project, I have shot over 200,000 exposures, of raw digital files. With the raw files, exports and renders this accumulated to about 8 Terabytes of storage data. So the process of managing the files and backing up the data was a project in itself. I also had to choose which rendered sequences were going to be in the final movie. I had so many shots which did not make it in due to trying to keep the time of the movie around 6 minutes. nnThere were a lot of challenges with this project. The first is that I had a full time job and family. So finding the time to get down to the city and shoot was hard. About two years ago, I had scouted all the locations for my shots and wrote them down on a list. I set goals and went off my list. Navigating around Chicago can be a process when working primarily by myself and transporting a lot of gear around. When not transporting the motion control gear, it was pretty easy to get around on foot or my mountain bike I custom fit with heavy duty bags attached. When I transported my slider, I used pelican cases and a hand truck to move everything around. nnThe gear I used in making this movie were three Canon Cameras. One 5D Mark III, one 5D Mark II and one 1DX. I used a variety of Canon lens’ including the 24mm f/1.4, 24-105mm f/4, 14mm, f/2.8 and 70-200mm f/2.8. I used motion controlled equipment from DitoGear including the OmniSlider, both of 1 and 2 meter versions as well as the OmniHead. I also used the eMotimo TB3. nnI would like to thank Cite Restaurant, Lake Point Tower, Wyndham Grand (Hotel 71), Willis Tower Skydeck, John Hancock Observatory, Mel Dumanlang, Ross Gerbasi and Raj Tank for their location support and assistance as well as my family for putting up with me during my time away from home. nnA special thanks for Vic Garcia for providing the title work for this project. A very talented guy! http://huemanelement.com/nnFor licensing inquires, over the next two weeks, I will be uploading the majority of these sequences to my Nimia profile here: https://app.nimia.com/profile/apapics/p/1nnI am in the process of re-working my personal website and I can be found here:nhttp://www.photoalbumarchives.com/nor twitter:nhttps://twitter.com/apapicsnnI will be writing a more in depth blog post about this project this week and I will post it on my website if anyone wants to know more specifics and details. nnThe music in the video had been licensed from the Music Bed and the links to the audio tracks are below.nhttp://www.themusicbed.com/#!/The-Fathers-Heart-3988/nhttp://www.themusicbed.com/#!/Reanimation-Instrumental-2885/nhttp://www.themusicbed.com/#!/Perpetual-3976/ Less

Helvetica - the graphic remix project / mr.seeb

Vimeo 10:31

Explained in it's name: Hevetica - The Graphic Remix Project.nConsist in a post production work, realized re-editing graphically the beautif...

: flux : // projection mapping

Vimeo 5:27

Projection mapping, 3d, compositing and sound design: Nicola Gastaldi.nThanks to: Guido Ruggeri, Giulia Voltini, Acid Studio.nnwww.gasta.org

Akira Project - Storyboard Animatic

Vimeo 6:30

Over a year ago I got involved with Cineground to provide the storyboards for their live action "Akira Project" fan trailer. I banged these...

Project Abaddon Score Version

Vimeo 4:12

Project Abaddon Score Version

Share The Word Project - ep.4 Bogotá

Vimeo 13:58

Share the Word Project is a worldwide art project mixing graffiti, photography and film, and using art to create bridges between cultures. L...

Project: Flight (International Wingsuit Collaboration)

Vimeo 7:10

Project: Flight was an effort to create a montage video consisting of all wingsuit footage submitted by wingsuit pilots from all over the wo...

About the Rome Sustainable Food Project

Vimeo 8:18

The Rome Sustainable Food Project provides the community of the American Academy in Rome with a collaborative dining program that nourishes ...

Dezeen music project: Red and blue graphics represent an emotional journey in Um de Nós music video

Vimeo 4:41

See more music videos at dezeen.com/tag/music-videosnnBrazilian director Fabricio Lima's animated music video for Marcelo Jeneci's track Um ...

See more music videos at dezeen.com/tag/music-videosnnBrazilian director Fabricio Lima's animated music video for Marcelo Jeneci's track Um De Nós depicts a journey of emotional realisation using red and blue tones (+ movie).nnThe collaboration came about after Lima first heard Brazilian composer Marcelo Jeneci's album while living in Buenos Aires in 2013, and felt a personal attachment to Um de Nós – which translates from Portuguese to "one of us".nn"I asked if he would be interested in creating a music video for that track," Lima told Dezeen. "He was thrilled with the idea, we met up in person in São Paulo and it all started."nnThe animation follows the journey of a broken-hearted man, who begins the video upset and travels down an escalator that represents depression.nnHowever, the next part of journey sees him take a cable car up into space – symbolising his lifting mood as he starts to get over the heartache.nn"Since this song was so heartfelt and personal for us both, I wanted to explore these feelings," Lima said. "I wanted to highlight the feeling in forgetting someone you love to finally then be okay with yourself and to heal from a tough heartbreak."nnThroughout the video there is a strong focus on blue and red tones, which were used to highlight the difference between worry and realisation that are presented in the song.nn"It was to show this transition, from sadness to acceptance," said Lima. "Going down on the escalator, and going up in the stratosphere; a limited perspective at the beginning then the entire galaxy towards the end."nnEach frame in the video was drawn by hand, and Lima studied human movement to replicate the full range of motion that he desired. The sequence of drawings was then compiled into an animation using Adobe After Effects software.nn"It was very organic, and not very planned to be honest," he said. "The decisions regarding colour, some animated bits and even 'what will happen next' was being decided as I was working."nnThe project took 10 months to complete while Lima was in between jobs, and travelling around Argentina, Brazil and New Zealand. However it was a personally driven project for the director, who has long admired Jeneci's music.nn"I've been a huge fan of his work for sometime, and getting to know him better, I realised how alike we were, in our own artistic mediums," said Lima.nnUm de Nós is taken from Jeneci's 2013 album De Graça. Less

Full Length / Live Face Projection Mapping with Kat Von D

Vimeo 9:25

First-ever real-time face tracking and projection mapping performed at a live event, on stage. ALL images recorded live, No post-production ...

The LB Project

Vimeo 7:14

The LB Project is a european art project through skateboarding.nnIt has been created to bring people together for a good cause. nSharing ski...

Virtual Depictions: San Francisco / Public Art Project

Vimeo 4:41

Public art commission for 350 Mission Building in City of San Francisco, California.nn‘Virtual Depictions:San Francisco’ is a public art...

Public art commission for 350 Mission Building in City of San Francisco, California.nn‘Virtual Depictions:San Francisco’ is a public art project by media artist Refik Anadol consist of series of parametric data sculptures that tell the story of the city and people around us within a unique artistic approach for 350 Mission’s media wall in collaboration with Kilroy Realty Corporation / John Kilroy and Skidmore, Owings & Merrill LLP Architects.nnThe main idea of ‘Virtual Depictions:San Francisco’ is to bring 21st century approach to public art to define new poetics of space through media arts and architecture and to create a unique parametric data sculptures that has an intelligence, memory and culture. Through architectural transformations of media wall located in 350 Mission’ lobby, home of Salesforce, main motivation with this seminal media architecture approach is to frame this experience with a meticulously abstract and cinematic site-specific data-driven narration. As a result, this media wall turns into a spectacular public event making direct and phantasmagorical connections to its surroundings through simultaneous juxtapositions. The project also intends to contribute to contemporary discourse of public art by proposing a hybrid blend of media arts and architecture in 21st century.nnWhen creating this public artwork my goal was to make the invisible visible by embedding media arts into architecture to create a new way to experience a living urban space.n_nMedium: 6mm LED Media WallnDimensions: 20' x 40'nCustom Software (VVVV), 90 minutes long dynamic visual experience in 12 chapters.n8 Channel sound.n_nShot ,edit and color-correction: Refik AnadolnMusic: Goldmund - Threnody (Unseen-Music)nSound Design: Kerim Karaoglun_nhttp://www.refikanadol.com/works/virtual-depictions-san-francisco/nn_nCREDITSnVirtual Depictions: San Francisco By Refik Anadoln_nCommissioned by: Kilroy Realty CorporationnJohn B. Kilroy, Jr.n_nIn cooperation with:nThe City of San FrancisconMayor Ed LeenJohn Rahaim, Director of Planningn_nProject Partners:nArupnSensory InteractivenSansi North AmericanSkidmore, Owings, and Merrill LLPnWebcor BuildersnWSP | Parsons Brinckerhoffn_nArt Consultant:nDPA Fine Art ConsultingnDeanna Postil Krawczyk – Michelle Isenbergn_nRefik Anadol Studios: Refik Anadol / Efsun Erkilic / Raman K. MustafanKian Khiaban / Toby Heinemann / Rob Tom Browning / Bahadir Dagdelen / Yusuf Emre KucurnDaghan Cam / Sebastian Neitsch / Johannes Timpernagel / Sebastian Huber / Kerim KaraoglunStudio Management by DG Hunt & Associates, LLCn_nSpecial Thanks: Nicole Stromsness / Sarah MacIntyre / Douglas Giesey / Craig HartmannMichael Fukutome / Eric Cole / Josh Cushner / Eric Covrig / Jason Cox / Pat GreennJulie Goodwin / Amanda Brownlee / Shannon Knuthn_nVVVVnhttp://vvvv.org/nnDX11.Pointcloudnhttp://vvvv.org/contribution/dx11.pointcloudnnEvvvvil Tweet Enginenhttp://vvvv.org/contribution/evvvvil-tweet-engine Less