Latest Love videos at PopScreen

UNIFY Blacks on Television & Film

Vimeo 5:02

This is a glimpse of the beautiful contributions Blacks have made to television and film. UNIFYme.tv is launching the most dynamic online pl...

Wi' Ma Big Kilmarnock Bonnet.

Vimeo 5:07

A traditional song from my hometown on the west coast of Scotland.nnCommentarynThe ballad was published by the Poet's Box, 224 Overgate, Dun...

A traditional song from my hometown on the west coast of Scotland.nnCommentarynThe ballad was published by the Poet's Box, 224 Overgate, Dundee. The reference to a railway line into Glasgow dates this ballad to 1831 at the earliest.nThis ballad is based around a common subject in Scottish writing in the eighteenth and especially nineteenth centuries, the idea that cities were dangerous and immoral places compared to the countryside. This theme was used, often humorously, by the famous Ayrshire writers Robert Burns and John Galt. The 'Kilmarnock Bonnet' of the title is a famous piece of headgear, dating back at least to 1647, when the 'Kilmarnock Corporation of Bonnet Makers' was founded.nThe Dundee Poets? Box was in operation from about 1880 to 1945, though it is possible that some material was printed as early as the 1850s. Most of the time it had premises at various addresses in Overgate. In 1885 the proprietor J.G. Scott (at 182 Overgate) had published a catalogue of 2,000 titles consisting of included humorous recitations, dialogues, temperance songs, medleys, parodies, love songs, Jacobite songs. Another proprietor in the 1880s was William Shepherd, but little is known about him. Poets? Box was particularly busy on market days and feeing days when country folk were in town in large numbers. Macartney specialised in local songs and bothy ballads. Many Irish songs were published by the Poets? Box ? many Irishmen worked seasonally harvesting potatoes and also in the jute mills. In 1906 John Lowden Macartney took over as proprietor of the Poet?s Box, initially working from 181 Overgate and later from no.203 and 207.nnIt is not clear what the connection between the different Poet?s Boxes were. They almost certainly sold each other?s sheets. It is known that John Sanderson in Edinburgh often wrote to the Leitches in Glasgow for songs and that later his brother Charles obtained copies of songs from the Dundee Poet?s Box. There was also a Poet?s Box in Belfast from 1846 to 1856 at the address of the printer James Moore, and one at Paisley in the early 1850s, owned by William Anderson.nnEarly ballads were dramatic or humorous narrative songs derived from folk culture that predated printing. Originally perpetuated by word of mouth, many ballads survive because they were recorded on broadsides. Musical notation was rarely printed, as tunes were usually established favourites. The term 'ballad' eventually applied more broadly to any kind of topical or popular verse.nnWi' ma big Kilmarnock BonnetnnResolved that I would lea' the ploonI said tae farmer BrownnThe Money that I've worked for be kind as put it downnIn Glesca toon at half past three this very day I mean to benI'm ower long a gawkie in the country.nnCHORUSnWi' ma big Kilmarnock Bonnet nAs I run tae catch the trainnI'll ne'er forget the mug that I was made by Sandy LanenSays he "Man Jock when you arrive ask for Katie Bain."nShe bides at number Eichty Street in GlescannWhen I arrived in Glesca freensnThe first chap I did meetnSays I my man would you be as kind as show me achy streetnSays he "d'ye think ye've got a mug? Take that!" an struck me on the lugnAn said my man ye'll meet yer match in GlescannRPT. CHORUSnnA bonnie lass cam' up tae menDressed in a stripped frocknShe looked me in the face and said "Hallo, is that you Jock?"n"Yer big Kilmarnock's aff the plumb, c'mon an staun us a doodle o' rumnHoo long dad you intend tae bide in GlescannI treated the lass and asked the placenShe said she'd let me seenAnd as for Katie Bain, she said "She bides right next tae me"nSays I "She kens ane Sandy Lane?" Says she "Och aye! The very same."n"C'mon wi me tae Eichty Street in Glesca."nnRPT. CHORUSnnSh'introduced me to her neighbor nBut if she was Katie BainnI only hope and trust that I may ne'er see her again nThey left me wi ma breeks and shirt, ma bonnet a' besmear wi' dirtnTae wander throughout the muckle streets o' GlescannBut my sorrow wisnae endednThere was mair tae come beside nWi me half drunk and in the dark I fell into the ClydenThey pulled me oot and swore each yin they stood and watched me jumpin innAn' got me thirty days in "quad" in Glesca.nnRPT. CHORUS (2X) Less

The Nature of God

Vimeo 4:46

I love God, the beauty of creation, and music. Combining all three together in a video, to me, is a beautiful thing.nThank you to Thomas Jo...

Ugo Gattoni : Sybille’s Bath

Vimeo 6:36

Filmed and edited by Neutre – Ben RchnMusic: “Heroes And Ghosts” by This Patch Of SkynArtist: Ugo GattoninThank you to the team at URD...

The Self Practice

Vimeo 14:21

"The Self Practice" is a short documentary, looking at the process behind Jen Mann’s artworks; colorful and vibrant oil paintings which de...

DULCE DOLOR

Vimeo 13:21

A Piñata manages to escape her destruction from a birthday party but after falling in love, she realizes that what she really wants is to b...

Destroy Them- 'S&M' by Rhianna Parody

Vimeo 4:39

DONATE $HEKELS: http://www.renegadebroadcasting.com/shiksa-goddess/nLyrics, Performance, and Video by Shiksa GodessnLYRICS: nNow, now, now, ...

MTW The Devil Inside

Vimeo 4:12

The Devil Inside is a gritty, glittery, Faustian fairytale, set firmly in the twenty-first century.nnTwo itinerant young men, James and Rich...

Sivert Høyem - Sleepwalking Man (official music video)

Vimeo 4:02

A misty norwegian road trip.nnDirected, shot & edited by Magne Strand Lyngvær & Kenneth Karlstad ( twitter.com/KennethKarlstad )nProduced b...

"DREAM FREEDOM"

Vimeo 6:50

"DREAM FREEDOM" feat. C-Rayz Walz. Apaulo Treed, L.I.F.E. Long, Young Sik The Gifted & Elohem Star. Prod by J-Hoff Soundsn•From The Upcomi...

"DREAM FREEDOM" feat. C-Rayz Walz. Apaulo Treed, L.I.F.E. Long, Young Sik The Gifted & Elohem Star. Prod by J-Hoff Soundsn•From The Upcoming Album "SHARK BY DEATH ATTACK"n•Buy The Single Now: https://crayzwalz.bandcamp.com/track/mlk-dream-freedomnnThe Immortal Legacy of Dr. Martin Luther King Jr. Lives on Thru C-Rayz Walz & The SunCycle Generals, Apaulo Treed, L.I.F.E. Long, Young Sik The Gifted & Elohem Star. Produced by J-Hoff Sounds there is not much more to say about Dr. King but these Mc's Find a way to Convey more respect & admiration for The Original "Thug of Love" who overcame The Jim Crow America that was Destroying Black Life while The Nation Watched. Dr. King is a Representative of Peace, Justice & Equality for all People not just Displaced African Kings & Queens. MLK Taught us to use our Voices & Hearts to Heal The Planet. I Hope he can hear us. Happy Born Day King. You Truly are The "DREAM FREEDOM" nn•Find & Hear C-RAYZ WALZ:nhttps://twitter.com/c_rayz_walznhttps://instagram.com/c_rayz_walznhttps://soundcloud.com/c-rayz-walznhttps://www.facebook.com/walzwinsnhttps://www.facebook.com/crayzwalznhttp://www.reverbnation.com/crayzwalznhttps://crayzwalz.bandcamp.com/merchnnC-RAYZ WALZ The charismatic NYC-mainstay Mc C-RAYZ WALZ has enjoyed a fine career. He’s recorded 3 albums on the visionary hip-hop label Definitive Jux and 30 albums on his very own SunCycle Industries Imprint. Walz is lauded as one of the most versatile and dexterous freestyle rappers on The Planet, and even had a spot on Made, the MTV reality show. (The episode scored a 2.3 on the Nielsen Ratings and is the highest-rated reality TV episode in the network's history) nLife was Experienced in New Ways from 2010 & 2014. n"Let's Just Say...I Had a Lot of Time To Really Focus & Re-evaluate Myself in every aspect of my existence" With an Unprecedented 16 New Full Lengths LP's Ready to go, C-Rayz is set to to serve appetizers to get Listeners & True Hip Hop Heads Ready for The Fresh New Soundscapes of "THE SUNCYCLE MC". Why Not? The Future is filled w/ New Energy & New Chances to do Great things In The Culture he lives for. nC-Rayz Walzn#SunCycle360IsTheLightSourcenwww.crayzwalz.bandcamp.com/merch Less

1915

Vimeo 6:43

This track is part of an on-going project about the First World War and is based on the poem 1915 by Robert Graves.nI imagined a soldier stu...

On One Inch

Vimeo 4:00

This captivating short is about three young men with an unusual passion.nThey love to rig highlines between two mountains and attempt balanc...

Between Two Worlds, The Hybrid Animation of Tiny Inventions

Vimeo 7:55

This is the story of husband & wife animation duo who choose to pursue the work that they love, combining both hand-crafted and digital aspe...

My Stuffed Granny

Vimeo 10:11

WINNER 25th McLaren Award, BEST BRITISH ANIMATION, EDINBURGH INT. FILM FESTIVAL 2014nLittle Sofía loves her grumpy granny: even though she ...

ANTHONY LISTER FEATURE

Vimeo 11:45

Anthony Lister struck Los Angeles like a hurricane hitting walls from Venice to Downtown in a whirlwind two weeks in the run up to his show ...

Fred Tomaselli: Drawing on New York Times

Vimeo 5:00

“The world is going to hell, but art is still worth making.” Hear about American artist Fred Tomaselli’s fascinating project, in which...

“The world is going to hell, but art is still worth making.” Hear about American artist Fred Tomaselli’s fascinating project, in which he manipulates The New York Times front pages by adding paint and collage onto editorial photographs.nnThe series of works ‘The Times’ began in 2005 with a picture of Bernie Ebbers (the man behind WorldCom, one of the largest accounting scandals in American history) and his wife leaving Federal District Court in New York, just after he had been found guilty of fraud. Tomaselli couldn’t get the photo out of his head, feeling that it reminded him of Masaccio’s early 15th century fresco ‘Expulsion From the Garden of Eden’, where Adam and Eve are shown in the moment they are being shut out of paradise: “They’re being driven out of their financial Eden by the camera-wielding paparazzi of the media.” This biblical image of being separated from ‘the Garden’ seemed parallel to the story of the ousted WorldCom CEO, and Tomaselli proceeded to paint eyes and dots on top of Ebbers head as well as an aureole around the pair’s hands.nn“They have made decisions on what to spotlight, and what to ignore… so I have this love-hate relationship with The (New York) Times – mostly they’re trying, but then they fuck up every now and again.” Doing the project enables Tomaselli to “talk back” to the newspaper, but at the same time he becomes a new subjective voice as well as a form of editor. The often surreal, abstracts compositions provide him with a space to respond to a variety of regional as well as global issues.nn“I guess my political ideology informs my work from time to time.” Tomaselli, who describes himself as being “pretty left of the Democratic party”, doesn’t feel that what he’s doing can affect a meaningful political change. What it can do, however, is to support the belief that “there's still something beautiful that is worth keeping… or worth keeping faith in.”nnFred Tomaselli (b. 1956) is an American artist. His paintings include medical herbs, prescription pills and hallucinogenic plants alongside clips from books and magazines, creating a collage suspended in gleaming layers of clear, polished, hard resin. Tomaselli has held solo exhibitions at venues such as James Cohan Gallery and Whitney Museum of American Art in New York, White Cube in London, Fruitmarket Gallery in Edinburgh, Site Santa Fee in New Mexico and Albright-Knox Gallery of Art in Buffalo, New York. His work can be found in the public collections of prominent venues such as the Museum of Modern Art, Whitney Museum of American Art and the Brooklyn Museum in New York and the Museum of Contemporary Art in Los Angeles.nnFred Tomaselli was interviewed by Kasper Bech Dyg at his studio in New York City in November 2014. In the video Tomaselli discusses his series ‘The Times’, which features manipulated New York Times front pages.nnCamera: Klaus ElmernProduced and edited by: Kasper Bech DygnCopyright: Louisiana Channel, Louisiana Museum of Modern Art, 2016 Less