A deep-green/deep-time, highly cerebral discussion of the environmental crisis, The Cross of the Moment attempts to connect the dots between...
A deep-green/deep-time, highly cerebral discussion of the environmental crisis, The Cross of the Moment attempts to connect the dots between Fermi’s Paradox, climate change, capitalism, and collapse. Interviews with top scientists and public intellectuals are woven together into a narrative that is challenging, exhausting, and often depressing as it refuses to accept the easy answers posited by other overly-simplistic climate change documentaries. No fancy graphics or distracting introductions detract from what is essentially an 80 minute constructed conversation among a group of highly informed experts on the most important topic in human history; will our species survive catastrophic climate change? The film is divided into seven chapters that start from the widest perspective, why do we appear to be alone in the galaxy, and slowly narrows its focuses through a series of topics including Rare Earth Theory, human impact on the biosphere, potential solutions, structural barriers to implementation, the possibility of the collapse of civilization, and a final call for immediate engagement at all levels of society. nnInterviewees are Don Brownlee, Roger Carasso, Robin Hanson, Mark Jacobson, Derrick Jensen, David Klein, Bill McKibben, Guy McPherson, Bill Patzert, Gary Snyder, Jill Stein, Peter Ward, and Josh Willis. Some of these are household names, other are more obscure scientists working in academia or for government institutions such as NASA. What they all share is a pressing concern for the future of our planet. Certainly more demanding on its audience than similar films, there is also present here a layer of humor and, more importantly, a deep sense of humanity. By the end the audience has not just explored our current crisis from a variety of thoughtful perspectives, but also become acquainted with these highly original intellectuals as people seeking truth as we all are.nnThe film takes its title from a stanza of W. H. Auden’s poem The Age of Anxiety, published in 1947.nnWe would rather be ruined than changed;nWe would rather die in our dreadnThan climb the cross of the momentnAnd let our illusions die. Less
