Latest Hot Shot videos at PopScreen

StarBenders - Time Stops

Vimeo 3:49

The music video was created by Dominar Films for Atlanta based band, StarBenders. The video was shot entirely in an abandoned 1920's train c...

Kite and Shadow

Vimeo 4:10

Directed shot and edited by Hanna HamiltonnCostumes by Hanna HamiltonnnSong:nKite and ShadownHot GutsnWilds 2014

CHRIS feat Luxury Zay Cant Lie

Vimeo 3:11

in-studio video shot by @gilvideos nrec room boston nnew age empire #ThePlan

Too much Love...For LOVEA

Vimeo 1:48

Too much Love... for LOVEA (Shot in BMCC) nSUMMER IS COMING ....and it s gonna be HOT nnhttp://toomuchloveforlovea.com/nhttp://my-summer-is...

Stay High (Model: Leanna Decker)

Vimeo 2:00

From my April 2014 shoot with the lovely, Leanna Decker, shot here in Dallas, TX. (Music: "Stay High (Habits Remix)" by Tove Lo) http://www....

Chloe Amour - 100 Issue Celebration

Vimeo 1:45

Chloe Amour shot by Santodonato for Striplv Magazine performs a sexy strip tease.

The Cinder Cone

Vimeo 15:56

In the Spring of 2014 a small group of close friends broke ground on a building project in Skamania County, Washington in the Columbia River...

Desire

Vimeo 3:07

Shot downtown Seattle with models Crystal Louey and Stephanie LazaronnShot with Sony A7sII, with Zeiss 55mm 1.8nDJI Ronin MnPP7 Slog 2, Colo...

Rain In The Moat

Vimeo 1:09

Hi guys. This is just the experimental fast cut edit. Hope you will like it. The shots were filmed in Kefalonia, Greece. To check out full f...

BORED GAME™

Vimeo 1:28

Bored Game™ - the greatest board game NEVER made.nnStarring The Technodrome, Hot Shots Electronic Basketball, Boglins, a GoPro mounted to ...

Flight Facilities - Sunshine feat. Reggie Watts (Official)

Vimeo 5:54

Sunshine featuring Reggie WattsnTaken from Flight Facilities debut album 'Down to Earth' October 27th worldwideniTunes: http://smarturl.it/D...

Sunshine featuring Reggie WattsnTaken from Flight Facilities debut album 'Down to Earth' October 27th worldwideniTunes: http://smarturl.it/DownToEarthiTunesnnReleased in collaboration with Future Classic & Glassnote Records.nhttp://flightfacilities.com/nnVideo Made by Uncle Friendlynhttp://www.unclefriendly.comnnPLAYERSnReggie Watts LA ProducernCouch Carrier James LyellnCouch Carrier Hugo GruzmannCheerleader Alexandra SpencernFootball Hot Shot Darin EppichnHair Pick Girl Jenna AshleynnMAKERSnWriter/Director Uncle FriendlynCinematograher Micheal MalagonnProducer Darin EppichnProducer Rhett Wade-FerrellnProducer Carla De Menezes RibeironArt Director Uncle FriendlynGrip Jose IbarranBest Boy Samuel BecknBoombox Operator Hugo GruzmannExecutive sign holder James LyellnParking Tech James BaileynVibe Council YimmyayonPersonal Assistant Coby ConnellnnPOSTnEdited by Luca CappellinColourist Fergus RotherhamnOffline Edit Facility BIRDnOnline METHOD STUDIOS SYDNEYnOnline Producer James E RosenAfter Effects Warran WrightnSpooky Title Design Jonathan KwoknnSpecial Thanks Sam Longn Celia Nicholasn Nathan McLayn Ed Sholln Olivia Wingaten Kelly Van Valkenburgn Avalon, USAn Canon C100n Division Camera, Los Angelesn Community of Venice Beachn Darin’s Couchn Darin’s Car Less

Cody Jumps Skip

Vimeo 0:25

Shot at the 2014 Cameron Air ShownPilot: Skip StewartnRider: Cody Elkinsnwww.pixelworkers.tvnwww.aeromediagroup.com

Big Freedia :: Azz Everywhere

Vimeo 2:59

This was a great opportunity: A chance to shoot with the new Nikon D7000 in an extremely low-light environment (most of this footage was sho...

CHROMAT SS16 | MOMENTUM RUNWAY

Vimeo 4:27

The Chromat Spring/Summer 2016: MOMENTUM Sportswear Collection empowers the body to be stronger, faster and perform at optimum levels.nnPREO...

Mario Wanger full part 2015

Vimeo 3:28

This is Mario Wanger and his full part from the latest TFA flick called "Medium Raw" !nMost of the the footage is filmed in his hometown Tir...

ROCKSMITH: SEVEN DEADLY SINS (BTS)

Vimeo 1:08

The Philippines—a tropical island gem full of beautiful people—is also known for its danger, debauchery, and deadly sins: Lust, Gluttony...

Steam 1886 Fashion Film

Vimeo 5:02

Directed by ADRIAN LAZARUS and Co directed by NICKY FELBERTnnFind us both at www.mercuryproductions.co.zannI hope you all enjoy this short v...

Directed by ADRIAN LAZARUS and Co directed by NICKY FELBERTnnFind us both at www.mercuryproductions.co.zannI hope you all enjoy this short video I made a few months ago with the help of my amazing team!nnIt all came about after weeks of mulling over an idea to shoot a Steam Punk fashion video right before the summer production season hots up in Cape Town. I had the idea, but no location to shoot it in.nI then walked into David Donde's new Truth Coffee shop in Cape Town, and knew that it was the perfect location for the video.nnDavid is really into Steam Punk and already had most of the costumes available - these were made by the Little Hattery.- find them at www.thelittlehattery.comnI quickly assembled my team together who helped pull this video together in a week.nnI asked Jack Gallagher to start creating the opening sequence in 3D Animation - he jumped at the opportunity and put together the modelling and animation - he can be contacted at jackgal@telkomsa.netnnLyal Seba is the most fabulous prop stylist and hunted down the most amazing gadgets and props available. She can be found at www.lyalseba.comnnThe rest of the wardrobe and styling I left in the capable hands of Tegolin Markham - she was an amazing help on the project.nnSebastian Voigt was responsible for the lighting of each set and did a superb job, given that we completed the whole shoot in 8 hours!nnFor the hair and make up, I relied on a wonderful team - Nathaline Renaud, Antoinette Pugh and Irene Tamashenka - they did a super job.nnI need to thank both Darja at Dmangement and Donne at Ice Genetics for help in casting such wonderful talent. Both modelling agencies are in Cape Town and have the greatest selection of talent available. Please check them out at www.icegenetics.co.za and www.dmanagement.co.zannI contacted the mobygrattis.com website who kindly gave me the license to use Moby's music - thanks so much guys! Love your music!nnThe piece is a fantasy video showcasing the fashion, the hats, the gadgets and the lifestyle that could have been the future of 19th Century steam culture, set in the future. Fantastic to see the Little Hattery still keeping this fashion alive.nThe decadent nature of this steam era video, is portrayed with strong gun-slinging women, and rough grizzly men.nThe music from Moby suits the piece perfectly.nnI shot the video on a Canon 7D and edited it in After Effects and Edius 6.nnJack did the 3D and Animation with 3D Studio Max by Autodesk.nnIn all we spent under $1000 dollars to realize the project.nnThanks to all who helped make this video a reality!nnAdrian Less

Partly Cloudy Redux

Vimeo 4:57

A remix of some of our favorite moments from Partly Cloudy... and more than a few that didn't make the cut! This edit, originally put toget...

A remix of some of our favorite moments from Partly Cloudy... and more than a few that didn't make the cut! This edit, originally put together for the Dew Tour Recognize Film Fest took home the award for Viewers Choice- thanks to all our fans for the support and stoke!nnInterested in seeing more? Partly Cloudy, our 14th annual award-winning film is now available in a variety of formats and platforms for your viewing pleasure!nnAvailable on DVD and BluRay: level1productions.com/products.cfm?CatID=40nAvailable on Vimeo: vimeo.com/ondemand/partlycloudynAvailable on iTunes: itunes.apple.com/us/movie/partly-cloudy-level-1/id708760175?ls=1nnPartly Cloudy Awards: n"Best Jib Movie" - IF3 (International Freeskiing Film Festival) Montreal, QCn"Rookie of the Year" Lucas Stal-Madison - IF3 (International Freeskiing Film Festival) Annecy, Francen"Viewer's Choice" - Dew Tour Recognize Film FestnnPartly Cloudy Nominations:n"Best Movie" - IF3 (International Freeskiing Film Festival) Montreal, QCn"Best Editing" - IF3 (International Freeskiing Film Festival) Montreal, QCn"Best Cinematography" - Powder Video Awardsn"Best Man Made Air" - Powder Video Awardsn"Best Jib Segment" Chris Logan, Will Wesson - F3 (International Freeskiing Film Festival) Montreal, QCn"Best Single Shot" - IF3 (International Freeskiing Film Festival) Annecy, FrancennAbout Partly Cloudy: nEverything is baked. The snow has turned to mush and that burn is starting to peel. Fortunately, for those seeking cover from the glare there is a reset on the way. Hot on the heels of Level 1’s award-winning film Sunny comes a slightly different forecast. No major disturbances or low-pressure fronts, just a healthy mix of skiing, music, and personality with a low ultraviolet index. Partly Cloudy.nnFeaturing:nChris Logan, Will Wesson, Ahmet Dadali, Parker White, Adam Delorme, Tanner Rainville, Wiley Miller, LSM, Tim McChesney, Banks Gilberti, LJ Strenio, Torin Yater-Wallace, Josh Bibby, Niklas Eriksson, Logan Imlach, Sammy Carlson, Sig Tveit, Magnus Granér… and friends.nnShot on Location in: nUtah, Sweden, Whistler Blackcomb, Alaska, Colorado, Wisconsin, New York, British Columbia, Les Arcs France, Kansas, Minnesota, Wyoming, Montana, Finland, Sun Valley Idaho, Mt. Bachelor Oregon Less

The Ballerina

Vimeo 2:51

After spending a long and hot - albeit amazing - month filming dancers in Johannesburg, South Africa, I met Ruth. It was my last day before ...

Speed Is Not Enough - Director's Cut Full Film

Vimeo 9:48

Just thought this job deserved a few notes on its production... nnThis was a real, single day event, unscripted and with non-actors on a ver...

Just thought this job deserved a few notes on its production... nnThis was a real, single day event, unscripted and with non-actors on a very tight budget and a very international crew. We only had one shot on the track, Tough hard outs for the talent, erratic weather, and a car we didn’t even see for the first time until the night before shooting. Not to mention a track we barely had access to scout. And the car was one-of-a-kind, which meant if a driver bought it, the whole thing was a done deal. nnThe shoot had to be constructed as a decentralized, complete team effort. Everyone played a role with true opportunity for creative expression through his or her duties on set. I had complete faith in my crew and the planning that went into filming this.nnThe concept had the potential to go into a competitive, “reality TV show” kind of territory, which I thought would be a huge mistake given the nature of the track and the talent we had to work with. So instead, we treated the production like an epic race film, something between Senna and Rush. Cinematic dreams. Cinematic speed. Cinematic drama.nnThe sheer density of the day forced us to shoot multiple cameras at once, covering multiple pieces of content at any given time. The core narrative was portrayed through two cameras – one handheld operated by one of the best DP/Operators I know, Ed David, and one on steadicam. Both Cams were F55s for both its dynamic range and its ability to capture quick shifting colors. The handheld doc cam worked Nikon zooms to build a nice, archival photography feel, while the steadicam was shooting the Angeniux 15-40mm zoom for flexibility. Ed set the tone for all cams on the shoot knowing that ‘archival’ was the aesthetic we were going for.nnThe racing itself needed to be real. There were no do-overs. This meant we had to add 5 more cameras to ensure we captured that reality in a cinematic way. There were two interior cams: the rear seat mounted F55 with a Super Speed 18mm and the passenger seat profile cam, which became a Blackmagic 4K shooting a Canon 16-35mm 2.8 zoom when we found out the F55 wouldn’t fit in the space effectively. There was a helmet mounted GoPro cam set to ProTune for cheap and easy POV energy. We also used 3 more Blackmagic 4Ks on the exterior mounts – two shooting Canon 16-35mm zooms and the grill POV cam shooting an Ultra Prime 16mm. The mounts themselves were custom-made pressure mounts, since the car’s matte wrap did not allow us to use any suction cups. The grip team on this job was top rate. The talented Joachim Thörnqvist headed the Technical Photography. All Blackmagics were set to Pro Res HQ. Setting an exposure that worked over the weather-varied, 7.02km track was a crap shoot.nnWe shot these exterior mounts during the drivers’ hot, introduction laps in the morning. Pan and Parker had never raced Spa before and they needed to experience it off the clock to ensure their safety. These intro laps represent our only “Hollywood” departure from reality for the sake of some dynamic b-roll. For the actual races themselves, the two interior cams stayed put but the exterior cams were removed and placed at various, key spots on the track. Clean, powerful lines are what this car was all about and I wanted to make sure I covered it. Again, time was very limited and the races could only happen once per driver in the afternoon. The track placed cams had to function as catch-alls.nnFinally, we had a Red Dragon mounted on a drone to give us some aerial coverage of the cars hitting the Eau Rouge turn. Shortly after a few practice runs, during which we got a few aerial shots of the track, the drone blew up. The only back up we had was a smaller drone shooting GoPro. The GoPro footage gave a nice vantage point put it didn’t match our other footage well, so the solution to use it was to turn it into an on-screen hologram built into the HUD graphics. The minimal graphics were done by the ridiculously talented Important Looking Pirates in Stockholm, Sweden.nnThe weather at Spa is notorious. It rains, it’s wet, and minutes later it’s bone dry. This shoot was controlled chaos. It was intense. The rain was an enormous curveball that actually added to the story and it gave me a chance to up the drama. Real concern for the drivers, nerves, and something to prove for racing.nnAll shoots are fun but this one was pretty special. After wrapping I took a victory lap on the track riding a crappy Vespa just to follow the skid marks of some brave men and women. I’m pretty sure I set a track record.nnThe shoot was produced by B-Reel Stockholm by Leila Falkenberg and Ronald Meier for TBWA Hong Kong. Sami Thessman was the ECD, Ric Dunn was the copywriter, and Annie Reyes produced for TBWA HK. nnThe film was cut by Alex Hagon with The Circus, mixed at Red Pipe and graded by Ola at Short Cuts in Stockholm, Sweden. Less

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