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Highpoint Pool

• Vimeo 12:00

Set in the 1980's a young boy makes a final plea to President Reagan, on behalf of his love interest, to stop the building of a tract home d...

Set in the 1980's a young boy makes a final plea to President Reagan, on behalf of his love interest, to stop the building of a tract home development that will replace their existing community pool. nnShot 35mm anamorphic in 1999, Highpoint Pool was eventually completed in 2013 after being on hold for over a decade. After sitting in film storage for 13 years, the negative was pulled, scanned, edited and completed with generous help from friends, some additional ADR from our own kids (now the same age of the kids acting in the film) and a couple small personal loans.nnWritten, Produced and Directed - Dayla KennedynProduced and Edited - Colin KennedynDirector of Photography - Paul Stec   Less

Highlights: The Disciplines Series: Evaluation, Value, and Evidence Genes, Children, and Ethics

• Vimeo 5:31

Rayna Rapp, Professor of Anthropology at New York University, and Faye Ginsberg, David B. Kriser Professor of Anthropology at New York Unive...

Rayna Rapp, Professor of Anthropology at New York University, and Faye Ginsberg, David B. Kriser Professor of Anthropology at New York University, will present a talk titled, "Screening Disabilities: Visual Fields, Public Culture and the Atypical Mind in the 21st Century." The talk will be based on their work together on cultural innovation in special education in New York City and their work on brain research about learning, memory, childhood psychiatric diagnoses, and epigenetics. Kinship relations also lie at the heart of their project, and they are interviewing families across a wide array of social locations who have had the experience of having a child diagnosed with special educational categories and services.nnMichael Bérubé's talk as part of this event will focus on "Genotypes, Phenotypes, and Stereotypes," and the variability of "expression" in Down syndrome. The idea being that if trisomy-21 is so (ostensibly) indelible at the genetic level, and yet so unpredictable with regard to the actual bodies, minds, and lives of people with Down syndrome, we should deploy such genetic evidence with great caution-- and we should distinguish the genetic evidence of disability from genetic evidence of disease. Part of Bérubé's discussion will cover Michael Sandel's The Case Against Perfection and Jonathan Glover's Choosing Children. Bérubé will argue that we can rely neither on Sandel's idea of the norm nor on Glover's construction of disability.nnThe discussion will be chaired by Rachel Adams, Professor of English at Columbia University.nnFree and open to the public. Seating is limited and first-come, first-served.   Less

Glasvegas - Later...When the TV Turns to Static (Directors Cut)

• Vimeo 5:58

Director - Ruskin KylenProducer - Rob JelleynProducer @ Kode - Jack GoodwinnDOP - Edgar Dubrovskiyn1st AC - Ryan Parkins
n2nd AC/DIT - Tas...

Director - Ruskin KylenProducer - Rob JelleynProducer @ Kode - Jack GoodwinnDOP - Edgar Dubrovskiyn1st AC - Ryan Parkins
n2nd AC/DIT - Tash MullannGaffer - 
Ayoub LamraninSpark - 
Harry GaynArt Director - Joe Fitz-GeraldnArt Dept - Seb Pietrovito
nSound Recordist - Marc SpecternHair & Makeup - Gemma StaffordnRunner - Phil Wood nEditor - Dan DaviesnGrade - Mat Troughton @ Met Film PostnSound Design - Marc SpecternCommissioner - Faye Purcellnnnn©2013 Kode Media Ltd.nwww.kodemedia.co.uk   Less

LIFE

• Vimeo 4:05

We Should Be Working presentsnnKEVIN HEFFERNAN as THE RUNNERnnWRITTEN & DIRECTED by ROD BLACKHURSTnCINEMATOGRAPHY by COLTON DAVIEnORIGINAL S...

We Should Be Working presentsnnKEVIN HEFFERNAN as THE RUNNERnnWRITTEN & DIRECTED by ROD BLACKHURSTnCINEMATOGRAPHY by COLTON DAVIEnORIGINAL SCORE by ERIC D. JOHNSONnnwith STEVE LEMMEnnEXECUTIVE PRODUCERS - Stephanie Baldwin, Roger WoolmannPRODUCED by ROD BLACKHURST, DAVID EBELTOFT for FRANK + PAUL FILMS, JOSH MURPHY for UNPARALLELED PRODUCTIONS and TREVOR EILER for WE SHOULD BE WORKINGnnwww.rodblackhurst.comnwww.weshouldbeworking.comnwww.frankandpaulfilms.comnwww.upproductions.comnn1st AC - MACK FISHERnAssistant Director - ANDREW CRAWFORDnCostume Designer - RACHEL WEIRnMakeup Artist - GENEVIEVE LAMBnColorist - BRIAN KAHOVEC @ FOTOKEMnFoley and Sound Design - JAMES DUNNnSound Mixer - CABEL ADKINSnPackaging and Fonts - TREVOR EILERnnExtra Special Thanks - Tyler Strickland, Jeff Linsenmaier, Bryce McGuire, Walt Rose, Perry Suppa, Matthew Wade Jordan, Carrie Clifford, Vimeo, Vimeo Staff, Vice MagazinennRead about the production of LIFE on Cinematographer Colton Davie's blog: http://coltondavie.com/on-set/shooting-broken-lizard-on-super-16mm/nVice.com profile on Rod + the film - http://www.vice.com/read/im-short-not-stupid-presents-lifennTo our Kickstarter backers, thank you. You made this possible: nPhil Abendroth, Giulia Alagna, Brandon Bagley, Aleksandar Belovski, Timothy Binder, Dwight Bishop, Mary Blackhurst, Jessi Brown, Joseph T Brown, Brett Brownell, Nick Butler, Kevin Cayton, Christian Chalklen, Gilbert Chilvas, Benjamin Chokron, Sean P. Collins, Sean Conaty, Christian Corley, David Dalcourt, Matthew Davis, Michael Dewhirst, Heather Disco, Marc Dole, Ben Dolenc,Joshua Drexler, Roscoe Fay, Wil Fernandez, Michael Fishman, Matt Freeth, Steve Gayler, Mark Gillan, Juliette Gillies, David D. Green, Mark Grieco, Alex Insch, Raj Jawa, Jonathan Kalbfeld, Matthew Koellner, Brenda Kolb, Stuart Langfield, Goran Lowkrantz, Julia Luangrath, Tristan Luyks, Adam McDaid, Daniel McGauley, Brian McGinn, Scott McLaughlin, Lisa Mecham, Steven Mentzel, Nathaniel Michniacki, Alexander C Miller III, Siavash Mojarrad, Paul Osterberg, William Cole Paddock, John-Paul Panelli, Andrew Parr, Justin Power, Nathan Rector, Danny Jaye Rubio, Will Slap, Jeremy Snead, Fred Sommer, Remy Stieglitz, Phillip Tallack, Michael Taylor, Michael Timson, Nick Van Cleef, Paul Watson, Amy Watts, Camden Watts, Matthew Philip Wee, Tieg Zaharia   Less

The Wolverine Previs Reel

• Vimeo 8:55

The WolverinenDirected by James MangoldnnPrevis SupervisorsnClint G. ReagannAJ BrionesnnPrevis ArtistsnBuffy BaileynPaul C. BerrynBryan Choj...

The WolverinenDirected by James MangoldnnPrevis SupervisorsnClint G. ReagannAJ BrionesnnPrevis ArtistsnBuffy BaileynPaul C. BerrynBryan ChojnowskinWebster ColcordnSteve DeanenKenny DiGiordanonSimon HalpernnKirsten JelliffenDedipya KapilanSpencer KelseynBrian MagnernAlexandre MenardnDaniel McCuenMike L. MurphynGrant OlinnTodd PattersonnDavid PritchardnTravis YeenZachary WongnPaolo Joel ZiembanJerry Zigouankis   Less

The Beatles in America - Ed Sullivan Show - First Presentation (February 9, 1964)

• Vimeo 13:10

The Beatles' first appearance on prime time television in North America was on the Jack Parr Show in January of 1964. It was a taped present...

The Beatles' first appearance on prime time television in North America was on the Jack Parr Show in January of 1964. It was a taped presentation of the lads playing "She Loves You." Parr allegedly derided the performance as "the downfall of British civilization." Of course, nothing was farther from the truth.nnIn February of 1964, The Beatles had begun gathering momentum as America's newest craze, and it was their first performance on The Ed Sullivan Show that solidified their popularity in North America.nnEd Sullivan, the poker-faced TV American variety-show host, spotted the Beatles in a scene of pandemonium at London's Heathrow Airport the previous October.nn"Who the hell are the Beatles?" he'd apparently asked his associates.nnHe would quickly discover that they were Britain's newest fascination, and he decided to bring them over to play his show.nnThe Ed Sullivan Show was taped in the CBS studios in New York City. The studio had a seating capacity of 703. The CBS offices received over 50,000 requests for tickets. But only a small portion of these were delegated to Beatles' fans. The Ed Sullivan Show was family fare, and although Sullivan never shied away from acts that were controversial, such as Elvis Presley, James Brown and other impending rock stars, Sullivan was always clearly more comfortable with the "establishment " of the entertainment world. In fact, his pet act was a mouse puppet called Topo Gigo, a silly parody of Italian cultural stereotypes.nnStill, Sullivan knew that The Beatles were something special, and he had them on his show in one form or another nine times.nnOn Sunday, February 9, millions of North Americans waited in front of small black and white television sets in anticipation of seeing this new phenomenon from Britain. The audience for that show alone is estimated to be over 70 million people.nnOn their first appearance on The Ed Sullivan Show, the Beatles played five songs in two sets. The first set included All My Loving, Till There Was You, and She Loves You. Later in the second half of the show, the Beatles played I Saw Her Standing There, and I Want To Hold Your Hand.nnEach song was well rehearsed and went off without a hitch. The audience, at least that section that was reserved for young Beatles' fans was reserved beyond belief until prompted by stage managers to scream their hearts out. That was a part of the deal, it seems. Sullivan had made a pact or a "promise" as he called it, with the "youngsters" in his audience to refrain from over exuberance until the music ended. This was, after all, television, not some local night club. And while The Beatles may have been headliners that night, Sullivan was equally proud of the fact that he was presenting the Broadway cast of "Oliver" -- featuring Georgia Brown and Davy Jones who went on to become one of The Monkees -- Frank Gorshen (comedian, doing impressions of celebrities), Mitzi McCall & Charlie Brill (comedy team), Tessie O'Shea (singer, medley of show tunes), Fred Kapps (magician), and Wells & the Four Fays (acrobats, doing physical comedy).nnAt the beginning of the February 9 show, Sullivan read a congratulatory telegram from Elvis Presley, the king of the rock movement in the United States. Some describe this as a "torch-passiong" of sorts. The King was far from dead at that time, but his heirs were certainly present that evening in the CBS studio. This was not to say that there were no detractors. Having lived through the hulla hoop and the dance craze called "The Twist", most parents saw The Beatles as simply another momentary fad. Even Sullivan's musical director reportedly said "I give them a year." But it was more than the beginning of some brief love affair with four lads from Liverpool. It was the beginning of Beatlemania, a change in the cultural fabric that would last and continue through today.   Less

Femmes Fatales: Bad is better (Movie montage)

• Vimeo 9:09

My tribute to my favorite femmes fatales in cinema (70 FILMS, EDITED IN 2008).nnMUSIC (in order of appearance):n- "Minnie the Moocher" by th...

My tribute to my favorite femmes fatales in cinema (70 FILMS, EDITED IN 2008).nnMUSIC (in order of appearance):n- "Minnie the Moocher" by the Blues Brothers,n- "Nature boy" by Miles Davis,n- "Baby did a bad bad thing" by Chris Isaak,n- Several tracks from the score of "Dangerous Liaisons" by George Fenton, the score of "Basic instinct" by Jerry Goldsmith and the score of "U Turn" by Ennio Morricone,n- "Something wicked this way comes" by Barry Adamson.nnHere you'll see some of the most evil, conniving women in cinema history; some pretty girls that can't tell the difference between right and wrong; a lot of mysterious, cold ladies that have a bad smoking habit; and other dangerous creatures, not necessarily bad, but the kind of woman that can manipulate a man without him realizing.nn - Brigitte Helm in "Metropolis" (1927)n - Marlene Dietrich in "Der blaue engel" (1933)n - Mae West in "I'm no angel" (1933)n - Mary Astor in "The Maltese Falcon" (1941)n - Barbara Stanwyck in "Double indemnity" (1944)n - Gene Tierney as "Laura" (1944)n - Lauren Bacall in "To have and have not" (1944)n - Rita Hayworth as "Gilda" (1946)n - Lana Turner in "The postman always rings twice" (1946)n - Lauren Bacall in "The big sleep" (1946)n - Rita Hayworth in "The Lady from Shanghai" (1947)n - Jean Simmons in "Angel face" (1952)n - Simone Signoret in "Les diaboliques" (1955)n - Kim Novak in "Vertigo" (1958)n - Sue Lyon as "Lolita" (1962)n - Faye Dunaway in "Chinatown" (1974)n - Kathleen Turner in "Body heat" (1981)n - Jessica Lange in "The postman always rings twice" (1981)n - Nastassja Kinski in "Cat people" (1982)n - Sean Young in "Blade Runner" (1982)n - Daryl Hannah in "Blade Runner" (1982)n - Catherine Deneuve in "The Hunger" (1983)n - Anjelica Huston in "Prizzi's Honor" (1985)n - Isabella Rossellini in "Blue Velvet" (1986)n - Cathy Tyson in "Mona Lisa" (1986)n - Theresa Russell in "Black Widow" (1987)n - Jamie Lee Curtis in "A fish named Wanda" (1988)n - Kathleen Turner in "Who framed Roger Rabbit" (1988)n - Glenn Close in "Dangerous Liaisons" (1988)n - Alison Doody in "Indiana Jones and the Last Crusade" (1989)n - Madonna in "Dick Tracy" (1990)n - Marcia Gay Harden in "Miller's Crossing" (1990)n - Virginia Madsen in "The hot spot" (1990)n - Uma Thurman in "Final analysis" (1992)n - Sharon Stone in "Basic instinct" (1992)n - Drew Barrymore as "Posion Ivy" (1992)n - Mia Kirshner in "Exotica" (1994)n - Madeleine Stowe in "China Moon" (1994)n - Linda Fiorentino in "The last seduction" (1994)n - Nicole Kidman in "To die for" (1995)n - Famke Jansen in "Goldeneye" (1995)n - Juliette Lewis in "Strange days" (1995)n - Jennifer Beals in "Devil in a blue dress" (1995)n - Jennifer Tilly in "Bound" (1996)n - Patricia Arquette in "The Lost Highway" (1997)n - Jennifer López in "U Turn" (1997)n - Kim Basinger in "L.A.Confidential" (1997)n - Connie Nielsen in "The Devil's advocate" (1997)n - Susan Sarandon in "Twilight" (1998)n - Embeth Davidtz in "The gingerbread man" (1998)n - Helena Bonham Carter in "Fight Club" (1999)n - Lena Olin in "The ninth gate" (1999)n - Nicole Kidman in "Eyes wide shut" (1999)n - Sophie Marceau in "The world is not enough" (1999)n - Catherine Keener in "Being John Malkovich" (1999)n - Carrie Anne Moss in "Memento" (2000)n - Halle Berry in "Swordfish" (2001)n - Laura Harring in "Mulholland Dr." (2001)n - Jennifer Garner in "Catch me if you can" (2002)n - Rebecca Romijn in "Femme Fatale" (2002)n - Catherine Zeta Jones in "Intolerable cruelty" (2003)n - Ludivine Sagnier in "Swimming Pool" (2003)n - Robin Wright in "The singing detective" (2003)n - Connie Nielsen in "The ice harvest" (2005)n - Scarlett Johansson in "Match Point" (2005)n - Nora Zehetner in "Brick" (2005) n - Marley Shelton in "Sin City" (2005)n - Eva Green in "Casino Royale" (2006)n - Cate Blanchett in "The good German" (2006)nnAnd these are some movies I really wanted to include but finally discarded for editing reasons (my priority as a video editor is the evolution of the montage to a climax, and these movies, despite being great, couldn't help me get there): The Big Lebowski, Cat people (1942), Johnny Handsome, Leave her to heaven, Mulholland Falls, Munich, The Blue Dahlia, The graduate, The Sting, The Glass Key, The Grifters, Detour, Shattered.nnMovies I left out on purpose: "Cruel intentions" and De Palma's "Black Dahlia" cause I don't like them; and "Niagara", cause it didn't feel right to mix sweet Marilyn with all these evil ladies.   Less

DANNY AND THE WILD BUNCH - Short Film

• Vimeo 5:26

A children’s book author is told that her new manuscript needs to be “darker”, but when her revisions piss off the characters in the b...

A children’s book author is told that her new manuscript needs to be “darker”, but when her revisions piss off the characters in the book, they come back to make some changes of their own.nnWinner "Best Short Film" - Las Vegas Film FestivalnWinner "Best Animation" - Catalina Film FestivalnWinner "Best Animation" - Asheville Film FestivalnWinner "Honorable Mention" - LA Underground Film FestivalnOfficial Selection - Bahamas International Film FestivalnOfficial Selection - Golden Door Film FestivalnOfficial Selection - Asheville Cinema FestivalnOfficial Selection - Catalina Film FestivalnOfficial Selection - Las Vegas Film FestivalnOfficial Selection - Cucalorus Film FestivalnOfficial Selection - Indie Memphis Film FestivalnOfficial Selection - Atlanta Shorts FestnOfficial Selection - LA Underground Film FestivalnOfficial Selection - Cinequest Film FestivalnOfficial Selection - Sedona International Film FestivalnOfficial Selection - Cleveland International Film FestivalnOfficial Selection - Beverly Hills Shorts FestivalnnCredits:nnWritten and Directed by: Robert Rugan @robertrugannProduced by: Molly Mayeux @mayeuxfrombayounExecutive Produced by: Adam SchlossbergnDirector of Photography: Pete Konczal nStarring: nRob Tepper as Danny @teptepnNora Zehetner as Miranda nScript Supervisor: Heather BrunernAssistant to the Producer: Belle Jiaon1st Assistant Camera: Jon CoopernGaffer: Eric HoranBest Boy Electric: Trevor FieldsnKey Grip: Chad BattinellinSet Photographer: Justin TylernCostumer: Jackie McCoubreynHair/Make-up: Faye LaurennProduction Designer: Niki AzevedonProp Master: Taylor DerwinnSound Mixer: Jon MendelnOriginal Score: Brooks BallnVFX Supervisor: Dave ThomlisonnCharacter Designer: Tad LambertnAnimation Supervisor: Laura Skowronski NattamnTechnical Directors: Angel Negron, Chris CovellinModeling/Rigging: Chris Covelli, Angel Negron, David Alonso, Dave ThomilsonnLead Animator: Frank PattersonnAnimators: David Alonso, Laura Skowronski Nattam, Nick Martinelli, David Damm, Eric Lampi, Chris Covelli, Dave ThomilsonnLookDev: Angel Negron, Chris CovellinTracking: Dave Thomilson, Todd Alan Peleg, Patrick Arrington, Tinizsi Gadegbeku, Nick Martinelli, Chris CovellinAdditional Modeling: Domel Libid, Brandi DiminonLead Compositor: Adrian WinternColorist: Sal MalfitanonLead Color Assistant: Tom TomilsonnFinishing Producer: Jason Farber   Less

Being Dennis

• Vimeo 9:35

"BEING DENNIS"nWritten and directed by nTRISH SIEnnCAST & CREW:nnDennisnDEREK MEHN nnMomnNATALIA REAGANnnDadnTOM LOMMELnnWalternWALTER SIEnn...

"BEING DENNIS"nWritten and directed by nTRISH SIEnnCAST & CREW:nnDennisnDEREK MEHN nnMomnNATALIA REAGANnnDadnTOM LOMMELnnWalternWALTER SIEnnBernardnBERNARD SIEnnThe Man In BrownnJF PRYORnnThe Dark Lord nROE SIE nnProducernSCOTT PUTMANnnExecutive ProducersnTK KNOWLESnJOHN O'GRADYnCHUCK RYANTnnDirector of PhotographynERIC ZIMMERMANnnEditor nJASON MORANnnProduction Designers nMICHELE YUnCINDY CHAOnnComposernJEFF CARDONInnCostume Designer nNANCY DOBBS OWENnnRe-recording MixernADAM WADEnnProduction Supervisor nORIANA McGEEnnFirst Assistant Director nALLISON RUSHTONnnSecond Assistant Director nCOLIN O'ROURKEnnSteadicam Operator nJESS HAASnnFirst Assistant Camera nSCOTT KASSENOFFnnDigital Image Technician nBRETT SUDINGnnSound Mixers nSTEVE MORROWnMIKE O'HENEYnnEnd Credit Songn"Love Crazy" by JULES LARSONnnBoom Operator nMICHAEL KALETAnnGaffer nBRIAN LOFTHOUSEnnBest Boy Electric nSTEVEN "JEETAH" BRYANT nnKey Grip nNICK LUNDSTROMnnProduction AssistantsnBRENT ARMSTRONGnANDREW DEMIRDJIANnERICA PRIBBLEnKRITTEKA GREGORYnnTrucknSHAUL DVIRnnSpecial thanks to...nnMarjorie & Damian KulashnThe Kin FamilynBlake, Indu & Nikolai Subaiya RobinnRich MentonBob IndustriesnKathleen CusternNancy WildingnKathy NiklasnRoyal Studios LAnMel MathisnKeslow CameranBrad at Direct LightingnBraxton at LA GripnQuixotenn©Trish Sie 2015   Less

Sen. Ted Kennedy's "Robert Bork's America" Speech

• Vimeo 8:28

Both Bork’s role in the Saturday Night Massacre and his philosophy of originalism came under fire when Reagan nominated Bork to the Suprem...

Both Bork’s role in the Saturday Night Massacre and his philosophy of originalism came under fire when Reagan nominated Bork to the Supreme Court. On the first day of congressional hearings, Ted Kennedy gave a speech describing an America governed by Bork’s legal philosophies. Later that same day in a nine-minute statement Bork described his legal philosophy. But Kennedy’s speech was the one America remembered.nn“There was not a line in that speech that was accurate,” Bork later said. But the speech worked. The Senate rejected Bork by the widest margin in history and the seat went to Judge Anthony Kennedy (no relation to Ted Kennedy) instead.   Less

DCDC

• Vimeo 8:13

What started as the DC Downhill Club (DCDC) has grown into DC Drain and Clean - a group of skateboarders from the Washington, DC area who ha...

What started as the DC Downhill Club (DCDC) has grown into DC Drain and Clean - a group of skateboarders from the Washington, DC area who have made it their mission to seek out backyard pools to drain and skate - making unique friendships along the way.nnShot on Red Epic Dragon, Leica R lenses and Duclos 11-16mm. Plus a few shots on the Scarlet.nnSpecial thanks to Anthony and the DCDC crew for allowing us to document their work.nnProduced by RUN RIOT FILMSnDirected and Edited by CHRIS TUSSnCinematography - DAVE ADAMSnAdditional Cinematography - BRIAN STANSFIELDnAerial Pilot - BRYAN HARVEYnAdditional Audio Recording - JOSIE SWANTEKnProduction Assistants - KYLE BILLER, EMMA ASHER, KATIE BRYDENnColor Correction - SAM GURSKY, Irving HarveynSound Design / Mix - ROB FRITTS, Shine CreativenMusic - MUSIC BED, CHUCK FAY, HOLDFAST   Less

Therefore I Am

• Vimeo 6:37

A mysterious encounter between a man who claims to be from the future and the man that he claims is his former self. A surreal psychological...

A mysterious encounter between a man who claims to be from the future and the man that he claims is his former self. A surreal psychological thriller about loss and regret. All set within the framework of a time travel story that loosely operates in accordance to the paradox-less MWI (many-worlds interpretation) in quantum mechanics.nnhttp://www.facebook.com/ThereforeIAmFilmnhttp://twitter.com/ergo_sum_filmnhttp://www.imdb.com/title/tt4902636/nhttp://mccoubreybrothers.comnnPRESS:nFILM SHORTAGE - http://filmshortage.com/shorts/therefore-i-am/nnFILM FESTIVALS:nNITEHAWK SHORTS FESTIVAL - Brooklyn, NY November, 2015 nnCheck out our previous short film and Vimeo Staff Pick 'The Grey Matter' https://vimeo.com/112527960nnSTARRINGnOlder Herberts - KEVIN BREZNAHAN (Superbad, Winter's Bone) http://www.imdb.com/name/nm0108362nYounger Herbert - JD TAYLOR http://www.imdb.com/name/nm3682650nnDirected by THE MCCOUBREY BROTHERS http://mccoubreybrothers.comnWritten by PETER MCCOUBREY http://www.imdb.com/name/nm1203494nProduced by CODY RYDER http://www.imdb.com/name/nm2291162nDirector of Photography LUKE MCCOUBREY http://www.lukemccoubrey-dp.comnnMusic & Sound Design RON PATANE http://www.imdb.com/name/nm1219505/nProduction Designer LATISHA DUARTE http://www.latishaduarte.comnCostume Designer JACLYN MCCOUBREY http://www.jaclynmccoubrey.comnMake Up FX & Hair ANNA BEARMAN http://www.imdb.com/name/nm3900655/nCasting Directors FAYE GRANDE & DAVID MORRIS http://grandemorriscasting.comnMake Up Assistant TALYSHA HAZLETON http://tallyhoe1025.wix.com/moneemakeup#!contact/c175rn1st Assistant Camera nCLAIR POPKIN http://www.imdb.com/name/nm2422752/ nERIC SCHWAEGER http://www.imdb.com/name/nm4035914/nnSound Mixer ALBERTO LEON http://www.imdb.com/name/nm4032359/nGaffer ADAM LUKENS http://www.imdb.com/name/nm1935022/nMotion Control Tech NICK MIDWIG http://www.imdb.com/name/nm3541831/nStills Photographer MIKE NOGAMI http://www.mikenogami.comnProduction Assistants nJASON GREY http://www.imdb.com/name/nm3830114/ nED LOUIS https://www.linkedin.com/pub/ed-louis/13/71b/992nColorist TIM ZIEGLER http://www.imdb.com/name/nm2513648/nRe-Reording Mixer DAN TIMMONS http://www.imdb.com/name/nm3535024/nnn©2015 McCoubrey Films LLC   Less

comp kickstarter

• Vimeo 4:21

DesignnAron Faynaronfay.comnnVideonBrandon Kuzmankuzmafilms.comnnMusic nEdo Van Breemennedovan.comnnVoice overnMichael Pollock  

LOUIS BERRY - RESTLESS

• Vimeo 4:24

A music video full of distractions. nnDirector/Editor: Finn KeenannnProducer: John McKeownnnExecutive Producer: Natalie ArnettnnDirector of ...

A music video full of distractions. nnDirector/Editor: Finn KeenannnProducer: John McKeownnnExecutive Producer: Natalie ArnettnnDirector of Photography: Eoin McLoughlinnnFocus Puller: Joseph IngersollnnCamera Asst: Sarah Dunphynn1st AD: Craig Kennynn3rd AD: Stephen FullernnArt Direction: Noelle SlackennArt Asst: Paula McQuillannnSet Construction: Shane CarrollnnSet Asst: Joe DohertynnGaffer: Kevin FoxnnAsst Gaffer: Padraig ConatynnSparks: Stephen McCarthynnGrip: Stephen O BriennnPlayback Op: Paul FarnannnMake Up: Michelle LeggettnnCatering: Aisling FaynnEquipment House: Vast ValleynnLighting House: Teach SolaisnnShot on Red Epic with Kowa Anamorphics.   Less

THE LIGHT

• Vimeo 5:00

'THE LIGHT' is a short film exploring our connectedness in life and death, to not only the world around us, but ultimately to ourselves. Dar...

'THE LIGHT' is a short film exploring our connectedness in life and death, to not only the world around us, but ultimately to ourselves. Darkness, movement, and clarity, have a tendency to confirm or deny a desire to know, and be known.nnThe film is a collaboration between Brandon Bray and Tim Sessler, experimenting with the use of light in new and abstract ways and combining revolutionary tools like the new Freefly MoVI PRO, RED Helium 8K and our custom built high powered LED drone lighting system. nnBlog Post: http://www.brooklynaerials.com/blog/nnBTS Video: https://vimeo.com/190018521nn____________________________nnStarring: Jamar FlowersnnDirector, Editor and SFX: Brandon BraynCo-Director and Director of Photography: Tim SesslernnCamera Op: Soren Nielsen and Brad MeiernDrone Operator: Brad Meier - Aerial EdgenAC: Jaime Medrano and Filipp PensonnnGaffer: Brian Stansfield - Apollo Lighting & Grip nGrip: Paul Trujillo nnBTS: Stephan Hawk, Joey Diaz, Sam HicksnnProduction: Freefly Systems, Brooklyn Aerials, Decade.isnProduction Manager: Wyatt Angelo nnComposer: Michael Marantz nViolin / Chello Performer: Daniel BoventernnSound Design: Brandon BraynSound Mix: Drew EnglishnnPost house: RCOnColorist: Seth RicartnnCamera Support by RED Digital Cinema, Jarred Land, OffHollywood and The Diamond Bros.nnCatering: Cindy Kay and Autumn Kay BrookmirennSpecial thanks to CPT Rentals, Andrew Voegeli, Faye Storms and Already Alive.nnThe score for this piece can be found here: https://soundcloud.com/michaelmarantz/sets/the-light-soundtrack   Less

We Sleep: On the Enduring Propheticism of John Carpenter's THEY LIVE

• Vimeo 13:12

John Carpenter's cult classic THEY LIVE (1988) was certainly a movie for its moment. It's also quite resonant today...and probably will be f...

John Carpenter's cult classic THEY LIVE (1988) was certainly a movie for its moment. It's also quite resonant today...and probably will be for the foreseeable future.nn---nCREDITSnnMaterials:n- THEY LIVE (1988) by John Carpentern- THE PERVERT'S GUIDE TO IDEOLOGY (2012) by Sophie Fiennesn- "The Making of THEY LIVE" (1988) by Larry Sulkisn- "Alamo Drafthouse - THEY LIVE w/ John Carpenter" (June 7, 2011) by Alamo Drafthouse (https://www.youtube.com/watch?v=bAOyt37Mi5I)n- "Morning in America" (1984) by Ronald Reagan's Presidential Reelection Campaignn- CAPITALISM: A LOVE STORY (2009) by Michael Mooren- "Donald Trump Presidential Campaign Announcement" (June 16, 2015) by C-SPANn- "Trump/They Live" T-Shirt Design ("Make America Great Again") by Mitch O'Connell (http://mitchoconnell.blogspot.ca/2015/09/the-real-donald-trump-revealed-youll-be.html)n- "Trump Pledges to Renew American Dream" (November 9, 2016) by Reutersn- Coverage of Republican Vice Presidential Candidate Paul Ryan's Campaign Stop in Danville, VA (September 19, 2012) by CNNn- “Wealth Gap” (July 13, 2014) by Last Week Tonight with John Oliver (https://www.youtube.com/watch?v=LfgSEwjAeno)n- "Inequality for All: Robert Reich Warns Record Income Gap Is Undermining Our Democracy" (September 13, 2013) by Democracy Now! (https://www.democracynow.org/2013/9/13/inequality_for_all_robert_reich_warns)n- "Jobs, But No Homes: Meet the Working Homeless" (March 24th, 2014) by TODAY (http://www.today.com/video/today/54761848)n- "Keith David on Being Homeless in THEY LIVE" by Shout! Factory (https://www.youtube.com/watch?v=kZ-SsuO0Vzs)n- The July 19, 2012, episode of Piers Morgan Live by CNN n- "Noam Chomsky: ‘Spending Money is Not Speech’" (March 26, 2014) by Abel Collins (https://www.youtube.com/watch?v=n9uD4bkx-JM)n- "43 Million Americans Live in Poverty, Worry About Future" (February 3, 2017) by VOA News (https://www.youtube.com/watch?v=xrvfA5BT63o)n- "Lawrence Lessig Talks About the Corrupting Influence of Money on Politics" (March 1, 2011) by KUT Austin (https://www.youtube.com/watch?v=J4GOx4Y3ouM)n- "Bill Moyers Essay: The United States of Inequality" (April 11, 2013) by Moyers & Company (https://www.youtube.com/watch?v=5An1Ek8RVIc)n- "Baltimore: 'This is What Poverty in the US Looks Like'" (March 1, 2017) by BBC News (https://www.youtube.com/watch?v=qytbhMlXltI)nnMusic:n- "Wake Up" by John Carpenter and Alan Howarth from the soundtrack of THEY LIVEnn---nDISCLAIMER: This video essay contains copyrighted material, the use of which has not always been specifically authorized by the copyright owner. This material is being used in an effort to advance understanding about the art and craft of filmmaking. I believe this constitutes a “fair use” of any such copyrighted material as provided for in section 107 of the U.S. Copyright Law. In accordance with Title 17 U.S.C. Section 107, this video essay is distributed without profit for educational use only. If you wish to use copyrighted material from this video essay for purposes of your own that go beyond “fair use,” you must obtain permission from the copyright owner.   Less

Crow Puppets - Shadow on a Hill

• Vimeo 4:09

Directed and Edited by: Faye WestnMusic: Crow PuppetsnCreated by: Faye West, Cara Roxanne and Emma Marshallnnhttp://www.crowpuppets.com  

Bill Nye Film- Light Sail Test Launch

• Vimeo 4:51