(Make sure "Annotations" is ON to see section labels)nnI. Allegro con brio @0:03nII. Andante con moto @7:19nIII.Allegro @16:18nIV. Allegro @...
(Make sure "Annotations" is ON to see section labels)nnI. Allegro con brio @0:03nII. Andante con moto @7:19nIII.Allegro @16:18nIV. Allegro @20:57nnSymphony No. 5 in C minor,Op. 67nArturo Toscanini, NBC Symphony Orchestra 1952nnFor a more detailed analysis with live performance, check out this link:nhttp://lvbandmore.blogspot.com/p/symphonies-1-through-5-analyzed.htmlnnNote: at this time the annotations will not appear on mobile devices, so if possible please watch from a computer.nnFor more videos of this type see: nColor-Coded Analysis of Beethoven's Music (INDEX):nhttp://lvbandmore.blogspot.com/p/color-coded-analysis-of-beethovens-music.htmlnnArrangement for Electric Rock Band:nhttp://www.youtube.com/watch?v=29HS-zBzNHgnnIntroduction to Sonata Form:nhttp://lvbandmore.blogspot.com/p/about-sonata-form-and-analysis.htmlnnMy Analysis Cheat Sheet:n-SONATA FORM: Most common form, almost always in the 1st movement and often last movement of a work. The basic sequence is Intro, Exposition, Development, Recapitulation and Coda.n-EXPOSITION: Main theme(s) are presented, usually in the home key and then a modulated keyn-THEME / THEME GROUP: musical "paragraph". These can be broken down into 1 or more "tunes". These are grouped according to key and end on cadences. The 1st Theme Group is in the home key. The 2nd Theme Group is in the dominant or other key.n-CLOSING/CADENCE SECTION: a theme group which closes the Expo or Recap (it follows the 2nd theme) and revives Theme 1 to provide closure.n-MODULATING BRIDGE/TRANSITION: material to get from 1 key/theme group to another, often w sequencing.n-DEVELOPMENT: free-form "working out"/"fantasia" section where earlier themes are subjected to variations and atomizations. Possibly a new theme is introduced ("Eroica").n-RECAPITULATION: Repeat of the Expo, except that this section remains in the same key throughout and there can be theme variations from the initial Expo versions of themes.n-CODA: Follows the Recap, kind of a second development designed to finish off the work.n-SEQUENCING: repeating a phrase on different starting notes (keys)n-TERNARY FORM: 3-part form in A-B-A, usually a Scherzo or Minuetn-SCHERZO/MINUET: 1st pt. of a 3-pt. Scherzo form, usually AA.BA'.BA' in 3/4 time. Lively.n-TRIO: Middle section of a Scherzo movement, slower, broader than the Scherzo sectionn-RONDO: Similar to Sonata form except that the Development is replaced by a new section and there is less transition material. A principal theme (A) alternates with contrasting themes (BCD...). (Ex.ABACABA.)n-FUGUE: form in which a subject(s) undergoes canonical permutationsn-VARIATION: repeat of a theme with variationn-CADENZA: unaccompanied instrumental solon-BINARY FORM: Structure in AB. 2-Part Song form.n(Disclaimer: I do not have a music degree, all of the above is purely from memory and observation)nnSymphony 5nI. Allegro con brio (sonata form) starting from (0:03)nExposition:n-1st Th.(BLUE)n-2nd Th.(MAROON)n-Closing CadencenExposition (rpt)nDevelopment:n-1st Th.(PURPLE)n-2nd Th.(PURPLE)nRecapitulation:n-1st Th.(BLUE)n-2nd Th.(MAROON)n-Closing CadencenCoda (based on 1st Th.) (PURPLE)nnII. Andante con moto Th.and vars. starting from (7:19)n(dif colors for each section)nTh.n1st var.n2nd var.n3rd var. (based on 1st var.)n4th var.n5th var.n6th var. (based on 1st var.)n7th var.n8th var.n9th var.n10th var. (coda)nnIII.Allegro (Ternary, ABA) starting from (16:18)nA:n1st Th.(MAROON)n2nd Th./1st/2nd (BLUE)nBoth 1st and 2nd Th.s (PURPLE)nB (Trio):nPt 1 GREEN)nPt 2 (GREEN)nA:n1st Th.(var.) (LT MAROON)n2nd Th.(var.) (LT BLUE)nBoth 1st and 2nd Th.s (var.) (LT PURPLE)nCoda (transition) (LT GREEN)nnIV. Allegro (Sonata form) starting from (20:57)nExposition:n-1st Th.(BLUE)n-2nd Th.(MAROON)n-3rd Th.(BROWN)n-Closing Cadence (OLIVE)n1st Development:n-3rd Th.(PURPLE)n-2nd Th.(reprise of Mvmt III 2nd Th.) (VIOLET)nRecapitulation:n-1st Th.(BLUE)n-2nd Th.(MAROON)n-3rd Th.(BROWN)n-Closing Cadence(OLIVE)n2nd Development (or Coda):n-3rd Th.(PURPLE)n-2nd Th.(PURPLE)n-Closing Cadence(PURPLE)n-1st Th.(PURPLE) Less
