Latest Andy Biersack Arrest videos at PopScreen

State Opening of Parliament

Vimeo 1:05

Amid the full pomp and circumstance of the all the Queen's horses and all the Queen's men, police surround a quiet and peaceful man and arre...

5 Signs You Might Be A Terminator

Vimeo 4:03

You're terminated.nnNew video every Monday!nnburgerfiction.comnntwitter.com/burgerfictionnnCreated by Andy Schneider and Jonathan Britnellnn...

Mr Director

Vimeo 6:50

A short film by Andy Martin - http://www.andymartin.infonFind out more about the film including behind the scenes footage and imagery at htt...

Van Halen Finish What You Started

Vimeo 4:21

Dir: Andy MorahannEd: Mark Alchin

Suffocation

Vimeo 2:01

The 2015 International ANDY Awards Richard T. O'Reilly Award for Outstanding Public Service was awarded to Leo Burnett London for its "Suffo...

En Route Cascadia

Vimeo 9:57

En Route Cascadia follows Andy Mahre, Bryce Phillips and Eric Pollard on a road trip through Washington's best ski resorts; Crystal Mountain...

The Story of Jonas Mekas

Vimeo 20:38

We had the unique pleasure of meeting the great avant-garde filmmaker Jonas Mekas, who never goes anywhere without his camera. Mekas here sh...

We had the unique pleasure of meeting the great avant-garde filmmaker Jonas Mekas, who never goes anywhere without his camera. Mekas here shares his fascinating personal story and shows us around his workspace in Brooklyn, New York.nnMekas feels that he grew up in Paradise until the Soviets came: “… they brought hell, and my paradise ended.” The Russian tanks began rolling in the very same week that Mekas got his first still camera, and his first picture was thus of these Russian tanks - until a lieutenant took his camera and smashed it: “That was the beginning of my film and photography career – my first image ended up under the Russian soldier’s boot in the dust of my village.”nnEven though Mekas has experienced ten years of hell during and following World War II, he does not want his movies to reflect this: “Why should I represent and show in my movies any of the hell, which we see already in life…” Mekas and his brother arrived in New York in 1947: “We came like empty sponges ready to absorb anything that was there.” After a couple of years they realized that cinema was more than the Hollywood cinema they had been exposed to back home, and the footage that Mekas had initially just made as a form of practice, was eventually transformed into his first diary film, ‘Walden.’nn“Chance has it’s own logic.” In the 1960’s, when no one wanted to distribute or finance Mekas’ films, he and a group of other filmmakers – including Robert Frank – created The Film-Makers’ Cooperative, which provided them with the freedom to create whatever they wanted. This came to have a great impact on the community of independent filmmakers, as it proved that money wasn’t the most important factor when trying to make interesting movies. It was also in connection to The Film-Makers’ Cooperative that Mekas met Andy Warhol, who hung out in the loft, where the filmmakers met, and whom he later made a movie with: “I did not know him at all. There were people sitting on the floor, and he was there on the floor like everybody else. But then somebody said: “You don’t know Andy Warhol? He’s been in your loft for a month – and you don’t know him?” So I was introduced to him, and that’s how we met.”nnJonas Mekas (b. 1922 in Lithuania) is an experimental filmmaker and poet. He has filmed artists such as Andy Warhol and Allen Ginsberg, and his movies include ‘The Brig’ (1963) – which won him the Grand Prize at the Venice Film Festival the same year –, ‘Walden’ (1969), ‘Lost Lost Lost’ (1976), ‘Scenes from the Life of Andy Warhol’ (1990), ‘As I was Moving Ahead I Saw Brief Glimpses of Beauty’ (2000) and ‘Sleepless Night Stories’ (2011). Since 2000, he has expanded his work into the area of film installations, exhibiting at prominent venues such as the Serpentine Gallery, the Centre Pompidou, Musée d’Art moderne de la Ville de Paris, Moderna Museet, PS1 Contemporary Art Center MoMA and the Venice Biennale. Mekas is also responsible for the legendary Movie Journal (from 1958) in the Village Voice, and in 1964 he founded the Filmmakers’ Cinematheque, which eventually grew into Anthology Film Archives, one of the world’s largest and most important repositories of avant-garde cinema and screening venue. Moreover, he is one of the co-founders of New American Cinema Group. Mekas currently lives and works in New York City. For more about him see: www.jonasmekas.comnnJonas Mekas was interviewed by Kasper Bech Dyg in his home in Brooklyn, New York in November 2014.nnCamera: Pierce Jackson, Kasper Bech Dyg and Jonas MekasnProduced and edited by: Kasper Bech DygnCopyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015nnSupported by Nordea-fonden Less

Jonas Mekas: Advice to the Young

Vimeo 1:49

The godfather of American avant-garde cinema, filmmaker and poet Jonas Mekas, whom we met in his Brooklyn-home, has a clear piece of advice ...

The godfather of American avant-garde cinema, filmmaker and poet Jonas Mekas, whom we met in his Brooklyn-home, has a clear piece of advice for aspiring filmmakers: “Don’t go to film school. Get a camera.”nnIf you have the necessary funds, film school is a nice place to meet like-minded people and make friends. Apart from that, it makes more sense to look into the specific things that you take special interest in – such as lenses – rather than to simply study everything: “Why do you need everything? Maybe you’ll never need it for what you want to do.”nnJonas Mekas (b. 1922 in Lithuania) is an experimental filmmaker and poet. He has filmed artists such as Andy Warhol and Allen Ginsberg, and his movies include ‘The Brig’ (1963) – which won him the Grand Prize at the Venice Film Festival the same year –, ‘Walden’ (1969), ‘Lost Lost Lost’ (1975), ‘Scenes from the Life of Andy Warhol’ (1990), ‘As I was Moving Ahead I Saw Brief Glimpses of Beauty’ (2000) and ‘Sleepless Night Stories’ (2011). Since 2000, he has expanded his work into the area of film installations, exhibiting at prominent venues such as the Serpentine Gallery, the Centre Pompidou, Musée d’Art moderne de la Ville de Paris, Moderna Museet, PS1 Contemporary Art Center MoMA and the Venice Biennale. Mekas is also responsible for the legendary Movie Journal (from 1958) in the Village Voice, and in 1964 he founded the Filmmakers’ Cinematheque, which eventually grew into Anthology Film Archives, one of the world’s largest and most important repositories of avant-garde cinema and screening venue. Moreover, he is one of the co-founders of New American Cinema Group. Mekas currently lives and works in New York City. For more about him see: www.jonasmekas.comnnJonas Mekas was interviewed by Kasper Bech Dyg in his home in Brooklyn, New York in November 2014.nnCamera: Pierce JacksonnProduced and edited by: Kasper Bech DygnCopyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015nnSupported by Nordea-fonden Less

British Library Sound Archive

Vimeo 17:04

The Wire takes a tour of the British Library's Sound Archive, deep below its London residences on the Euston Road, to talk about sound conse...

How to make 'Mountain Dew' Hot Dog & 'Jiffy Mix' Buns

Vimeo 7:23

Subscribe at CookingwithAndy.com! Fourth of July has come early with a special episode of Cooking with Andy. What better way to celebrate...

TOXIC MEGA FADE - Random Acts

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Directors - Andy Baker & Kyle PlattsnnIllustrator - Kyle PlattsnnAgency - It's Nice That / Channel 4nnAnimators - Andy BakernnMusic - Suki S...

SNL Band Audition

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Starring:nnAIMEE MANNnANDY KINDLERnDC PIERSON nDANIEL RALSTONnnWRITER/DIRECTOR - DANIEL RALSTONnPRODUCER - ED DOUGHERTYnEXEC PRO - TAREK KUT...

The Cage | Filmsupply Originals

Vimeo 14:57

Behind the Scenes: www.vimeo.com/205217816nTeaser: www.vimeo.com/205127347nDirecting Non-Actors: https://blog.musicbed.com/articles/directin...

Behind the Scenes: www.vimeo.com/205217816nTeaser: www.vimeo.com/205127347nDirecting Non-Actors: https://blog.musicbed.com/articles/directing-non-actorsnDirecting for VFX: https://blog.filmsupply.com/articles/directing-for-special-effects-on-the-cagenLicense the footage from Filmsupply: flmsp.ly/thcgftgnnWritten & Directed by: Ricky StaubnExecutive Producer: Dan WalsernProduced by: Jon Applebaum & David RaynornDirector of Photography: Minka Farthing KohlnProduction Designer: Tim StevensnAssociate Producers: Staci Hagenbaugh, Andrew Joffe, Marisa Taylor, Andrew WilliamsnOriginal Score: Kevin Matley - www.KevinMatley.comnEditor: Ricky StaubnVisual Effects Supervisor: Jeremy FernslernOn-Line Conform: Steve PerrongnSound Design: 1-Louder (Dublin) - www.1-Louder.comnDesigners: Jonathan WarenBuster CottamnColor: Company3nColorist: Jaime O’BradovichnProducer: Tom GehringnZeke Casting: House Casting NY / Mary CallahannnCASTnZeke: William LeenZeke’s Mom: Iesha EdwardsnZeke’s Father: Michael “OG Law” TabonnZeke’s Friends: Eric Drummond, Hakim Fairia, Hasheem LesternMiss Margaret: Ms. Margaret WellsnCoach: Edwin GonzaleznMan Giving Testimony: Blake NewtonnPastor: Mel WellsnMom at Arrest: Faith JacksonnMan in Bedroom: Steven LeenCrew Leader: James “Heat” Sloane Jr.nCrew: Rafiq Archie, Justin David, Michael Jackson, Khalil Opher, Rojelio RamosnMan in Wheelchair: Barry SweeneynZeke’s Sister: Jayan BishopnCops: Kirke Gardner, Sean McCabe, Kelly LynnnAssistant Coaches: Andre Wright, Steve Barnett, Al PrattnnCREWnRigging Supervisor: Tricia McMinimentnScript Consultant: Nako Adodoadjin1st Assistant Camera: Gino Varisano, Andy Hensler, Luke Rihln2nd Assistant Camera: Ryan Baldwin, Darby IrrgangnSteadicam Operator: Martin WhittiernDIT: Steve PerrongnStill Photographer: Scott ToepfernCamera Production Assistant: Rich BatesnSound Mixer: Sean HoffmannGaffer: Andrew JoffenBest Boy Electric: Zac KindnRigging Gaffer: Shane MoorenRigging Electrics Will Dejessa, Paul Hinson, Austin LociceronSwing: Zach Van HeelnKey Grip: Kevin GallaghernGrip: Mike FaresnKey Rigging Grip: Jozef JozefowskinRigging Grips: Pedro Cunillera, Bill KirnernSwing: Conor O’MaranLocation Manager: Staci HaggenbaughnLocation Support: Andre Wright, George WinnnStylist: Michele WildermannProduction Accountant: Rachel CourtneynProducers Assistant: Anna PruettnSet Decorator: Kate GaffigannSet Dressers: Katie McGregor, Michael Mizrahi, Bill WilletsnGreens: Jenn SancheznGreens Assistant: Chris RaabnArt Support: Nic Justice, Pen, Alessandra Nicole, Marquis Sims, Lynnae Stine, Jamie Stratton, Tara WilkinsonnKey Production Assistant: Zach RosenSet Production Assistants: Kristopher Chain-Harris, Justin Remer Hoffman, Ryan UngernSet Support: Anastasia Anderson, Matt Canon, Llewellyn Dryfoos, Sasha Klugar, Quynh Le, Karl Leisch, Morgan Perry, Katie Salamon, Levi Sherman, Patrick Smith, Tiyana Smith, Austin Smock, Heather Treston, Noorman Wicaksono, Eurica YunOn-Set VFX Assist: Chris Cerrone, Ian Hartman, Tighe RzankowskianWilliam Lee Acting Coach: Nako AdodoadjinVoice Over Written by: Ricky Staub & Micah BournesnCatering & Craft Service: Taste the DifferencenChef: Terri DavisnCooks: Cheryl Fleet-Hopkins, Sue Fields, Martha TaverasnHead Security: James A. Sloane Sr.nSecurity Supervisors: Denise Sloane, James A. Sloane, Jr. nSecurity Guards: Jeffrey Barnes, Mark Bassknight, Arjene Carter, Eric Jones, Eric SmithnDigital Effects Artist: Jeremy Fernsler, Chris Cerrone, Ian Hartman, Tighe RzankowskinAudio Mix: 1-Louder / LAB-3nFoley: 1-LoudernVocals: Chelsey MatleynCello: Eli WeinbergernViolin: Brian EichelbergernBehind the Scenes: Vita Brevis FilmsnDirector: Skylar Nielsonn1st Camera: Lance Claytonn2nd Camera: Josh FletchernSplinter Unit BTS: Frank ApollonionnSONG CREDITSn“I’m Aktive”nLyrics by Heater GoongangnBeats by Sonofike (drizygitbizy”nPerformed by Heater Goongangnn“Scary Sight”nLyrics by Heater GoongangnBeats by Sonofike (drizygitbizy”nPerformed by Heater Goongang Less