PopScreen - Video Search, Bookmarking and Discovery Engine

ChopChop.domains interview with Daniel Chen, Chairman at 190.com

• Vimeo 29:01

Interview conducted on 22 March 2016 with Daniel Chen, Chairman of 190.com, at their office in Shenzhen, China. Courtesy of www.ChopChop.dom...

Interview conducted on 22 March 2016 with Daniel Chen, Chairman of 190.com, at their office in Shenzhen, China. Courtesy of www.ChopChop.domains --- Find & buy Chinese domain names easily at ChopChop.domains. nnMr. Chen stated that in 2015 they spent about $20 million acquiring domain names, and in particular acquired about 7,000 non-vowel LLLL.com names.nnQuestions/topics raised during the interview:nnHow did you get started in the business?nTell us about your acquisition activity in 2015.nIs the market for your names global or just for Chinese consumers?nWhere is your U.S. office going to be located?nWhat you going to do with all those LLLL.coms? nWhere do you see pricing and the market going in the next year or so?nWhy the rapid growth in prices last year?nDo you find value in ccTLDs because they are 2 character vs. new gTLDs with longer names? Does the TLD not matter to Chinese?nMIIT regulations and ICPnHow did you arrive at 190.com as the name for your company?nnINTERVIEWER: nMr. Pinkard 'Pinky' Brand 柏平凯nV.P. 副总裁, TLD Registry Ltd. 域通联达nnINTERPRETER: nMr. Jin Wang 王瑨 nG.M. China 中国区总经理 , TLD Registry Ltd. 域通联达   Less

Peter Zumthor: Different Kinds of Silence

• Vimeo 1:1:47

We visited Peter Zumthor – one of the world’s leading architects – in his studio in Switzerland. In this extensive and rare biographic...

We visited Peter Zumthor – one of the world’s leading architects – in his studio in Switzerland. In this extensive and rare biographical video interview he tells the captivating story of his childhood, his studies in NYC and his parents’ strong influence.nnZumthor – who works from the small town of Haldenstein in Switzerland – likes being outside the big centres of the world, as it frees him of having to consider the opinions of his fellow colleagues: “If you work like an artist, you need your own separate space.” He does, however, also work well in the “anonymous sound” of a city, where it is also possible to find calm in “a protective ocean of sound.” There are, Zumthor feels, different kinds of silence, and finding one’s mental silence – being able to concentrate – is what is most important in order to work well.nn“There’s nothing I’m not interested in.” Zumthor loves literature and music, but prides himself in taking an overall interest in different things, as it fuels him: “It’s a nourishing ground.” His constant appetite for learning gives him the tools to be able to understand whatever place or landscape he needs to work in, and being able to “feel a space” and having an idea how to react as an architect, is essential. When he designs his innovative architecture, Zumthor furthermore puts great emphasis on connecting the old with the new, rather than breaking with history. Likewise, he feels that all architects have a great social responsibility when it comes to creating buildings, which are both well crafted and sustainable.nnAnything can be considered art as long as it’s done with personal devotion to the making of it, Zumthor argues: “I never decided to become an architect.” Starting out as an industrial designer, it was not until 1968 that he made the decision of becoming an architect and began participating in competitions, thinking to himself: “I can do this better.” As for the first competition he entered, he was kicked out in the first round – a pivotal experience that made him aware of the need to always improve.nnPeter Zumthor (b. 1943) is a Swiss architect. Among his best-known projects are the Kunsthaus Bregenz in Austria, the thermal baths in Vals in Switzerland, the Swiss Pavilion for Expo 2000 in Hannover (an all-timber structure intended to be recycled after the event) and the Kolumba Diocesan Museum in Cologne. Zumthor is the winner of several prestigious awards such as the 1998 Carlsberg Architecture Prize, the Mies van der Rohe Award for European Architecture (1999), the Praemium Imperiale (2008), the 2009 Pritzker Architecture Prize and the 2013 RIBA Royal Gold Medal. He lives and works in Switzerland.nnFor more about Peter Zumthor see: http://zumthor.tumblr.com/nnPeter Zumthor was interviewed by Marc-Christoph Wagner at his studio in Haldenstein, Switzerland in May 2015.nnCamera: Klaus ElmernEdited by: Klaus ElmernProduced by: Marc-Christoph WagnernCopyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015nnSupported by Nordea-fonden   Less

Yan Lianke: Understand the Enemy

• Vimeo 21:54

“I think that my fate cannot be separated from literature.” Meet award-winning Yan Lianke – one of China’s greatest novelists – wh...

“I think that my fate cannot be separated from literature.” Meet award-winning Yan Lianke – one of China’s greatest novelists – who here shares the story of his balancing act in relation to Chinese censorship and how he has risked his life in order to write. nn“Feeding myself through writing made me fall in love with literature.” In 1979 a war between China and Vietnam broke out, and Lianke – who worked as a writer for the army – feared being drafted. This fear, which he also experienced in his comrades, made him question the stories of his country’s national literature: “At this moment, when you feel death is near, you will suddenly start to think that the cultural revolutionary literature that you’ve read is all a lie.” As a consequence his writing changed, and he started depicting people who like himself experienced unease. One of these novels (‘Xiariluo’) was banned and Lianke had to do one year of “self-criticism” (written or verbal statements detailing one’s ideological errors and affirming a renewed belief in the government line). This experience came to shape him as a writer: “Now I realised how real literature should be written.”nn“If there are a lot of people who don’t like me it means that my whole being is of great value.” Writing stories like the ones Lianke wrote 30-35 years ago meant risking your life. Back then, the Chinese writing environment could, according to Lianke, be compared to the current writing environment in North Korea. Though there are indeed many great contemporary Chinese writers, Lianke feels that most Chinese literature – due to China’s meticulous censorship – lacks the profound criticism of people, society, the system and the authorities, which define the great masters such as Dostoyevsky.nnYan Lianke (b. 1958) is a Chinese author, who has written a vast number of novels and short story collections. Due to the subject matter of his stories, such as AIDS, sex, political abuse and suicide, some of his books have been banned in China. Among his most well known publications in the course of his 30-year writing career are ‘Enjoyment’ (2004) (also published as ‘Lenin’s Kisses’ in 2012), ‘Serve the People’ (2008) (first published in 2005), and ‘Dream of Ding Village’ (2011) (first published in 2005). Lianke is the recipient of prestigious national as well as international awards such as the Lu Xun Literary Prize in 2000, the Lao She Literary Award in 2004 and the Franz Kafka Prize in 2014. ‘Dream of Ding Village’ was furthermore shortlisted for the 2011 Man Asian Literary Prize and the 2012 Independent Foreign Fiction Award.nnYan Lianke was interviewed by Laura Dombernowski in connection to the Louisiana Literature festival at the Louisiana Museum of Modern Art, Denmark in August 2015.nnCamera: Jakob SolbakkennEdited by: Klaus ElmernProduced by: Marc-Christoph WagnernCopyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015nnSupported by Nordea-fonden   Less

The Story of Jonas Mekas

• Vimeo 20:38

We had the unique pleasure of meeting the great avant-garde filmmaker Jonas Mekas, who never goes anywhere without his camera. Mekas here sh...

We had the unique pleasure of meeting the great avant-garde filmmaker Jonas Mekas, who never goes anywhere without his camera. Mekas here shares his fascinating personal story and shows us around his workspace in Brooklyn, New York.nnMekas feels that he grew up in Paradise until the Soviets came: “… they brought hell, and my paradise ended.” The Russian tanks began rolling in the very same week that Mekas got his first still camera, and his first picture was thus of these Russian tanks - until a lieutenant took his camera and smashed it: “That was the beginning of my film and photography career – my first image ended up under the Russian soldier’s boot in the dust of my village.”nnEven though Mekas has experienced ten years of hell during and following World War II, he does not want his movies to reflect this: “Why should I represent and show in my movies any of the hell, which we see already in life…” Mekas and his brother arrived in New York in 1947: “We came like empty sponges ready to absorb anything that was there.” After a couple of years they realized that cinema was more than the Hollywood cinema they had been exposed to back home, and the footage that Mekas had initially just made as a form of practice, was eventually transformed into his first diary film, ‘Walden.’nn“Chance has it’s own logic.” In the 1960’s, when no one wanted to distribute or finance Mekas’ films, he and a group of other filmmakers – including Robert Frank – created The Film-Makers’ Cooperative, which provided them with the freedom to create whatever they wanted. This came to have a great impact on the community of independent filmmakers, as it proved that money wasn’t the most important factor when trying to make interesting movies. It was also in connection to The Film-Makers’ Cooperative that Mekas met Andy Warhol, who hung out in the loft, where the filmmakers met, and whom he later made a movie with: “I did not know him at all. There were people sitting on the floor, and he was there on the floor like everybody else. But then somebody said: “You don’t know Andy Warhol? He’s been in your loft for a month – and you don’t know him?” So I was introduced to him, and that’s how we met.”nnJonas Mekas (b. 1922 in Lithuania) is an experimental filmmaker and poet. He has filmed artists such as Andy Warhol and Allen Ginsberg, and his movies include ‘The Brig’ (1963) – which won him the Grand Prize at the Venice Film Festival the same year –, ‘Walden’ (1969), ‘Lost Lost Lost’ (1976), ‘Scenes from the Life of Andy Warhol’ (1990), ‘As I was Moving Ahead I Saw Brief Glimpses of Beauty’ (2000) and ‘Sleepless Night Stories’ (2011). Since 2000, he has expanded his work into the area of film installations, exhibiting at prominent venues such as the Serpentine Gallery, the Centre Pompidou, Musée d’Art moderne de la Ville de Paris, Moderna Museet, PS1 Contemporary Art Center MoMA and the Venice Biennale. Mekas is also responsible for the legendary Movie Journal (from 1958) in the Village Voice, and in 1964 he founded the Filmmakers’ Cinematheque, which eventually grew into Anthology Film Archives, one of the world’s largest and most important repositories of avant-garde cinema and screening venue. Moreover, he is one of the co-founders of New American Cinema Group. Mekas currently lives and works in New York City. For more about him see: www.jonasmekas.comnnJonas Mekas was interviewed by Kasper Bech Dyg in his home in Brooklyn, New York in November 2014.nnCamera: Pierce Jackson, Kasper Bech Dyg and Jonas MekasnProduced and edited by: Kasper Bech DygnCopyright: Louisiana Channel, Louisiana Museum of Modern Art, 2015nnSupported by Nordea-fonden   Less

Film Friday Episode #29: Captain America Civil War

• Vimeo 23:21

In this first episode of season two of Film Friday, we take a look at one of the biggest film releases of the year so far in Captain America...

In this first episode of season two of Film Friday, we take a look at one of the biggest film releases of the year so far in Captain America Civil War. There's also animated fun in Ratchet & Clank, the harrowing Son Of Saul, and the new Jake Gyllenhaal movie, Demolition.   Less

This Is Home

• Vimeo 22:03

Two years ago Leon Bridges was working in a restaurant and as a regular on the open mic scene of his hometown Fort Worth, Texas. Since then ...

Two years ago Leon Bridges was working in a restaurant and as a regular on the open mic scene of his hometown Fort Worth, Texas. Since then his rise to fame has been meteoric, emerging as an acclaimed soul artist after captivating audiences around the world with his personal style and throwback sound.nnNow the singer of ‘Coming Home’ is doing just that, and he brings with him legendary rock photographer Danny Clinch. In THIS IS HOME, a short documentary created in partnership with Squarespace, we see Leon reflect on being away, hear how it’s changed him, and see him reconnect with the people and places that made him.   Less

Science Goes to the Movies: Season 2, Episode 1: Antman

• Vimeo 26:46

In episode #201 of Science Goes to the Movies, series co-hosts Dr. Heather Berlin and Faith Salie are joined by Nadrian C. Seeman, Margaret ...

In episode #201 of Science Goes to the Movies, series co-hosts Dr. Heather Berlin and Faith Salie are joined by Nadrian C. Seeman, Margaret & Herman Sokol Professor of Chemistry at NYU, and Ruojie Sha, a Post-Doctorate Senior Research Scientist, also at NYU, to discuss nanotechnology as represented – and misrepresented – in the 2015 Marvel film Ant-Man. nn A quotation from biochemist and sci-fi writer Isaac Asimov, about the implausibility of a tiny brain in a man the size of an insect, starts a discussion about fictional “shrink ray” technology. Seeman explains the immutability of the size of an atom, as well as the fact that they can’t be made to be any closer together. What degree of smallness qualifies as “nano” is the next subject, and how the outside world views the work of nanotechnologists. Sha makes the point that all the technologies depicted in Ant-Man are of the optical microscope scale – and therefore too large to be considered “nano.” nSeeman talks about the work he does with synthetic human DNA, as compared to the work of well-known theoretical physicist Richard Feynman, considered by some to be the founder of nanotechnology. Seeman then describes his initial interest in exploring the other uses to which the information within DNA might be put, including defining the structures of fabricated molecules on the nanometer scale and assembling, like Legos, structurally well-defined units into such molecules as the truncated octahedron that Seeman created 20 years earlier. nn Next Seeman explains the career trajectory that led him to this work. When the topic of “branch DNA” came up via a person working in a neighboring lab, he was inspired to begin the work that would lead, with a little additional inspiration from M.C. Escher’s woodcut Depth – which depicts three-dimensional flying fish – to his current research on creating 3-D multi-armed molecules. nn What role self-replication, or self-fabrication, plays in Seeman’s work comes next, including how he got a small piece of DNA to replicate itself. Whether or not “nanobots” are alive is carefully considered, as well as the “sticky ends” of DNA that enable Seeman to connect molecular structures. How the two “backbones” of a strand of DNA relate to one another - in fact, the “antagonism” between them – is assessed in terms of its importance to the function of the DNA strand overall.nn Nano-electronic components are mentioned as a possible application of Seeman’s research, as well as pharmaceutical usages that would allow scientists to look at how a “drug lead” interacts with a receptor within the body, work which bears a lot in common with how Protease inhibitors were discovered to combat the HIV virus. nnWritten and Produced by Lisa Beth Kovetz.nnnScience Goes to the Movies is made possible by generous support from the Alfred P. Sloan Foundation.   Less

Martin Scorsese - Honored Speaker at Tisch Salute 2014

• Vimeo 32:07

Martin Scorsese (’64/’68/Hon. ’92) was the honored speaker at NYU Tisch School of the Arts Salute to the Class of 2014 at Radio City M...

Martin Scorsese (’64/’68/Hon. ’92) was the honored speaker at NYU Tisch School of the Arts Salute to the Class of 2014 at Radio City Music Hall on May 23, 2014. nnDean Mary Schmidt Campbell addressed 1,275 members of the Tisch School of the Arts Class of 2014. Special performances included "Harm of Will" choreographed by Kendra Portier and "Ragtime" presented by students from the New Studio on Broadway. Kiah Victoria ’14 (BFA, Recorded Music) performed "Aurora" as a special tribute to Dean Campbell, who after 23 years of leadership stepped down as dean on June 1.nnMr. Scorsese represents the gold standard that many of our students aspire to achieve. To support the next generation of talented storytellers, please visit http://bit.ly/1w9uDq7.nnYour gift of scholarship will help our efforts to ensure that the world's most promising young storytellers have an opportunity to fully develop their voices for the audiences of tomorrow. Thank you!   Less

SURF IN SIBERIA ARCTIC OCEAN 5

• Vimeo 24:40

эпизод 5 «Арктический океан. Тундра» Фильм рассказывает о жизни российских с...

эпизод 5 «Арктический океан. Тундра» Фильм рассказывает о жизни российских серферов и о катании в условиях крайнего севера. Только единицы пробовали заниматься серфингом в Северном Ледовитом океане и ещё меньше людей пробовало сделать это в России. Съёмки проходили в течении года в различных местах Мурманской области. Съемочная команда застала различные сезоны, условия и настроения этих мест. Преодолев все трудности и проникнувшись настроением герои делятся своими впечатлениями об этих местах, о прошлом нашей страны и своём детстве. nnРежиссёр и оператор постановщик Константин КокоревnОператоры Елисей Гладников, Александр ФетцовnСерферы Константин Кокорев, Сергей Расшиваев, Николай РахматовnФотографы Татьяна Елизарьев, Андрей Артюхов, Константин КокоревnСаунд дизайн Андрей ЧерныйnnEpisode 5 "The Arctic ocean. Tundra." The movie tells us about the Russian surfers riding in the severe conditions of The Far North. Only few ones have tried surfing at this latitude, even fewer have tried it in Russia. The movie's been shot during one year at different locations in the Murmansk region. The camera crew has filmed different seasons, conditions and moods of those sites. Having overcome all of the difficulties and having been inspired by the northern spirits, our heroes share their impressions about the places they've visited, the past of our country and their childhood.nnDirector - DOP Konstantin KokorevnOperators Elisey Gladnikov, Alex FetsovnSurfers Konstantin Kokorev, Sergey Rasshivaev, Nikolay RahmatovnPhotographers Tatiana Elisarieva, Andrey Artukhov, Konstantin KokorevnSound design Andrey Cherniy   Less

SoundWorks Collection: The Music of X-Men Apocalypse with Composer John Ottman

• Vimeo 22:42

In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer John Ottman about his recent work on the Marvel fil...

In this exclusive SoundWorks Collection sound profile Jon Burlingame talks with Composer John Ottman about his recent work on the Marvel film, X-Men ApocalypsennSince the dawn of civilization, he was worshiped as a god. Apocalypse, the first and most powerful mutant from Marvel’s X-Men universe, amassed the powers of many other mutants, becoming immortal and invincible. Upon awakening after thousands of years, he is disillusioned with the world as he finds it and recruits a team of powerful mutants, including a disheartened Magneto (Michael Fassbender), to cleanse mankind and create a new world order, over which he will reign. As the fate of the Earth hangs in the balance, Raven (Jennifer Lawrence) with the help of Professor X (James McAvoy) must lead a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction.nnFor more exclusive videos check out www.SoundWorksCollection.comnJoin the SoundWorks Collection Vimeo Channel: vimeo.com/channels/soundworkscollectionnSoundWorks Collection Mailing List: bit.ly/15lOelUnnNOTE: Feel free to re-embed and share this SoundWorks Collection video, but please do not download source video and repost without permission.   Less

SOTT Earth Changes Summary - May 2016: Extreme Weather, Planetary Upheaval, Meteor Fireballs

• Vimeo 22:00

SOTT 'Earth Changes' video summary for May 2016: extreme weather events, environmental indicators of 'planetary upheaval' (seismic, volcanic...

SOTT 'Earth Changes' video summary for May 2016: extreme weather events, environmental indicators of 'planetary upheaval' (seismic, volcanic, etc), and Near-Earth Objects in the form of meteor fireballs.nnMore and more people are starting to notice that something unusual is going on with the weather (and the planet as a whole). While vaguely acknowledging that all these extreme weather events occurring simultaneously points to their being somehow connected, mainstream media reporting about this, however, remains mired in complete absurdity. CNN, for example, recently reported that "[2016 was] the second year in a row Texas has been hit by one-in-500-year floods."nnLast month, more volcanoes erupted during one week than would typically erupt during an entire year in the 20th century. Hailstones the size of tennis balls fell across southeast Asia, while the Indian subcontinent roasted in a record-breaking heatwave for the second year running. Europe experienced record-late snowfall in many places, followed by tornado outbreaks, devastating flash-floods and hailstorms that required snowploughs to clear streets. Wildfires raged across vast expanses of sub-Arctic regions, notably in central Canada, where the population of an entire city was forced to flee.nnMonth after month, the rain falls harder, the winds blow stronger, and the meteors come closer. Devastated homes can't be rebuilt fast enough before the next waves of natural disasters hit. The leaders of the free world, while waging more wars, plundering ever more resources, and causing ever more death and suffering, are telling us we've never had it so good.nnBased on this snapshot of global environmental upheaval in May 2016, Mother Nature apparently begs to differ... nnIf you like this video, please share!nnSend us your photos and videos to sott@sott.netnnVisit our website: http://sott.netnnConsider a donation to keep the SOTT.net lighthouse shining: http://www.sott.net/page/3-Support-Sott-net nnLike us on Facebook: http://facebook.com/SOTT.NETnnFollow us on Twitter: http://twitter.com/SOTTnetnnMusic used: 'Escape from the Temple' by Per Kiilstofte: http://www.machinimasound.com/music/escape-from-the­-temple/nnLicensed under Creative Commons Attribution 4.0 International: http://www.creativecommons.org/licenses/by/4.0/   Less

Lee Kang-hyo 'Onggi Master'

• Vimeo 35:12

Our documentary tells the story of one of the most respected Korean potters, Lee Kang-hyo and his search for a beautiful life, through his w...

Our documentary tells the story of one of the most respected Korean potters, Lee Kang-hyo and his search for a beautiful life, through his work with clay and the love of his family. Set against the backdrop of his South Korean studio, it gives an insight into the spiritual journey that plays a vital part in his artistic practice. nnLee is world-famous for mastering the traditional Korean technique called Onggi - a technique that allows him to make enormous, often man-sized pots. Watch him constructing three of these giant Onggi pots over a five-day period, culminating in an exciting explosion of glaze and colour as Lee sets about decorating them in his inimitable fashion. nnHis work is exhibited all over the world in major national museums such as the Victoria & Albert Museum, The British Museum, the Museum of Fine Arts in Boston, the Art Institute of Chicago and the International Ceramic Museum in Italy.nnView and buy pots by Lee Kang-hyo on Goldmark's website: http://bit.ly/1EJtEwZnnWhat is Goldmark Gallery?nnA family business, we've been selling art from the Goldmark Gallery in Uppingham, UK for over 40 years and hold over 50,000 items in stock. Explore a wide range of the very best art and ceramics available to you through our website (http://www.goldmarkart.com) where you'll also find scholarship pages, books, online catalogues and even GoldmarkTV! Enjoy your visit here: http://bit.ly/18ZF7Lv   Less

SLAP - BAFTA Nominated Short Film

• Vimeo 25:34

National Film and Television SchoolnFirst Year Film Project nBudget- £4000 / Shooting days - 4 / Rolls of film - 8nnNominated - "Best Short...

National Film and Television SchoolnFirst Year Film Project nBudget- £4000 / Shooting days - 4 / Rolls of film - 8nnNominated - "Best Short Film" EE BAFTA Film Awards 2015nNominated - "Best British Short" British Independent Film Awards 2014nWinner - "Best Short Film" Edinburgh International Film Festival 2014nWinner - "Best Narrative Short Film" Cinequest Film Festival 2015nOfficial Selection - AFI Fest 2014 nOfficial Selection - Palm Springs ShortsFest 2014nOfficial Selection - Sleepwalker Film Festival 2014nOfficial Selection - London Short Film Festival 2015nOfficial Selection - Prague Short Film Festival 2015nOfficial Selection - Nashville Film Festival 2015nnJoe Cole/ Elliott Tittensor/ Skye Lourie/ Stephen Bent/ Adam CraigmilennContact: sam@troikatalent.comnntwitter.com/SlapThefilmnfacebook.com/slapfilmnimdb.com/title/tt3654278/   Less

Bodega Cold Kutz Show 6-10-16 "Remembering PH aka Pumpkinhead"

• Vimeo 2:22:00

The BCK crew remembers one of our own a year after his passing.PH wasn't just one of our hosts he was family so we sat around & remembered s...

The BCK crew remembers one of our own a year after his passing.PH wasn't just one of our hosts he was family so we sat around & remembered some of the good times we shared. #RipPH #RipRobertDiaz nnThe Bodega Cold Kutz Show airs every Friday from 5-8pm OnnnWWW.BODEGACOLDKUTZNYC.COM   Less

Edgar Wright Music Reel (2001-2014)

• Vimeo 24:56

A selection of musical sequences and music videos by writer/director Edgar Wright over the last 14 years. nnSPACED 'GONE' - (TV) 2001n'BLUE ...

A selection of musical sequences and music videos by writer/director Edgar Wright over the last 14 years. nnSPACED 'GONE' - (TV) 2001n'BLUE SONG' - MINT ROYALE - (MUSIC VIDEO) 2002n'AFTER HOURS' - THE BLUETONES - (MUSIC VIDEO) 2002nSHAUN OF THE DEAD - (FEATURE) 2004nHOT FUZZ - (FEATURE) 2007nSCOTT PILGRIM VS THE WORLD (FEATURE) - 2010nTHE WORLD'S END - (FEATURE) 2013n'GUST OF WIND' - PHARRELL WILLIAMS feat DAFT PUNK - (MUSIC VIDEO) 2014   Less

A Forgotten Future - Act 1: Pillar of Fire

• Vimeo 56:04

A Forgotten Future: three dark plays of tomorrow by Ray BradburynnAct 1: "Pillar of Fire" - Directed by Brooke JenningsnAct 2: "The Veldt"...

A Forgotten Future: three dark plays of tomorrow by Ray BradburynnAct 1: "Pillar of Fire" - Directed by Brooke JenningsnAct 2: "The Veldt" - Directed by Luke Medinan& "Kaleidoscope" - Directed by David MurakaminnDirector's Note:nFive days before my show was scheduled to open, I sat at my computer as I am now, racking my brain for something to say other than the silly motto "I'm feeling BarnStorm so hard right now." Though I find it incredibly presumptuous to call myself an artist, it is an ideal I strive for. I see art as a means to communicate, a way for our thoughts and dreams to break past what can be easily said or written. Imagine a world where we all were telepathic; what would be the point of art? When I submitted A Forgotten Future to BarnStorm five months ago, I confessed that I had no idea if it would work. There were no tutorials to follow or books to be read, as it had never been done before. Five days before my show, as I tried to write this statement, I confess to you that my answer had not changed. For 18 hours a day, every day, I threw myself at this challenge, repeating in my head that art does not come at the intersection of talent and opportunity, but of human limitation and human perseverance. Then I received a text. In an instant, the Barn had been shut down by my old enemy, UCSC Risk Management (vimeo.com/murakami/confession) and I was given the chance to quit. After all, it took five weeks of non-stop work to hang and 3D-map the projections, how could we be expected to do it in five days? To be honest, it would have been a relief to have an excuse to surrender, to save face from the embarrassment of my expected failure. As I paced around the empty DARC Theater, faced with an impossible turn of events, one thought drowned out all others:n- Nothing has changed. It was impossible before, and it's impossible now. -nDarcStorm had begun. Within 20 minutes, we had a plan, within 2 hours we had stormed the barn and retrieved all my equipment, within 5 hours we were re-rendering the 1800+ layers of video which comprised the show, and within 24 hours thanks to the supreme talent and generosity of the Theater and DANM departments, including Lyle Troxel, Joe Weiss, David Cuthbert, Eric Mack (who ensured we didn't all die in a fire), and countless others, we had projectors calibrated and a white stage. Four days later our show opened, a bit rough around the edges, but complete. By the final performance, the media and sound were perfect.nAs I contemplate this note and what I want to say, I realize I lack the words to do so. The true joy of being a Director is finding and working with people whom I can trust without hesitation to speak for me, as I have found during this project. Do I talk about the message of my show? Do I warn against the dark and violent themes? Do I discuss the technology which was invented as we went? Only this: as I am primarily a film director and an artist fascinated with how technology affects performance, the Digital Arts Research Center was a technological Mecca I could only dream of working in, but it still wasn't the Barn. Though we joked about it being "DarcStorm," for me, the name didn't sound right. I embraced my transplant to the DARC with the enthusiasm that the situation required of me, and like Orpheus climbing up the walls of the underworld, to save my small piece of the Barn, I could not look back. With A Forgotten Future behind me, however, my now unused key to the Barn weighs heavily my pocket as I consider its own forgotten future. It's old, a bit smelly, awkwardly built, and plagued now with rats, mites, and structural problems, but BarnStorm is an opportunity which can not and must not be lost. As much as I would like to think that I am a unique or somehow gifted artist at this school, I know there are countless others like me who crave for an outlet and would blossom when given the chance I received. BarnStorm is the chance to stand up and call yourself an artist without being laughed out of the room. BarnStorm is not caring about what will be successful, but about what could be possible. BarnStorm is sifting through the proposals and picking the one that will most likely fail just to dare it not to. As I prepare to leave UCSC behind, my only wish is that students will continue to have the chance to feel BarnStorm so hard right now, as I have.n "Hold my drink; I'm going to try something."n- David MurakaminnBarnStorm:nArtistic Director - Kathryn WahlbergnManaging Director - Marissa PutnicknProduction Manager - Chris WatersnnSpecial Thanks to:nSarah Cowell, UCSC media Services, Joe Weiss, UCSC Digital Arts and New Media, Eric Mack, Hailey Shapiro, Lyle Troxel, Tina Hand, David Lee Cuthbert, Brent Foland, John & Jan Reehl, Jessi Bond, and Night Owl Cookiesnn“First you jump off the cliff, and build your wings on the way down.” – Ray Bradbury   Less

Tobias Frere-Jones: Break Things Deliberatly

• Vimeo 21:45

About this presentationnnAs one of the world’s leading typeface designers, and this year's 99U Alva Award winner, Tobias Frere-Jones belie...

About this presentationnnAs one of the world’s leading typeface designers, and this year's 99U Alva Award winner, Tobias Frere-Jones believes that the best way to learn a new skill is to "break things down deliberately” to understand how it’s really done. nnIn this talk, we learn to see the beauty in taking risks. Frere-Jones explains that in order to do our best creative work, we must not just permit moments of confusion, but actually go chase them. “When trying to figure out a problem, pause for minute, and see if you can make it worse,” he says. “A structure can really describe itself as it falls apart.”nnAbout Tobias Frere-JonesnnOver the past 25 years, Tobias Frere-Jones has established himself as one of the world’s leading typeface designers, creating some of the most widely-used typefaces, including Interstate, Poynter Oldstyle, Whitney, Gotham, Surveyor, Tungsten, and Retina.nnTobias received a BFA in Graphic Design from the Rhode Island School of Design in 1992. He joined the faculty of the Yale University School of Art in 1996 and has lectured throughout the United States, Europe, and Australia. His work is in the permanent collections of the Victoria & Albert Museum in London and the Museum of Modern Art in New York. In 2006, The Royal Academy of Visual Arts in The Hague awarded him the Gerrit Noordzij Prijs for his contributions to typographic design, writing, and education. In 2013 he received the AIGA Medal in recognition of exceptional achievements in the field of design.   Less

No Needle, Just A Haystack

• Vimeo 39:44

Nick Zammuto spent over ten years as one half of the popular indie band The Books, before the group split up in 2012. 'No Needle, Just A Hay...

Nick Zammuto spent over ten years as one half of the popular indie band The Books, before the group split up in 2012. 'No Needle, Just A Haystack' is a new short documentary that follows Nick and his family as he launches a new band and reflects on his unusual path to becoming a musician.nngarretharkawik.comnzammutosound.comnnFollow the film:n@garretharkawik on twitter   Less

The Trials of Jacob Mach

• Vimeo 23:59

A 24-minute documentary follows a Lost Boy who, 12 years after leaving Sudan, has found that the dream of a better life is both all around a...

A 24-minute documentary follows a Lost Boy who, 12 years after leaving Sudan, has found that the dream of a better life is both all around and just outside his grasp.nnClick here to follow us: vimeo.com/newyorktimesnWatch more videos at: nytimes.com/video   Less

De Passage

• Vimeo 23:32

A surf film I directed for Reef a few years back. Just realized I did have the master online, so decided I would post. Such an amazing colla...

A surf film I directed for Reef a few years back. Just realized I did have the master online, so decided I would post. Such an amazing collaboration with Mark Tesi, the Creative Director that I Directed this alongside. Shot on location in Tahiti, South Africa, Australia, Indonesia, and Bali, the film was inspired by me sitting digging way too deep into Jaques Cousteau documentaries from the 60's... hence the creative direction and sound sampling.nnDirected by: Russell Brownley and Mark TesinCinematography by: Russell Brownley, Chris Bryan, Paul Daniels, Bali Strickland, Nic McleannProduced by: Shea PerkinsnEdited by: Russell Brownley and Noah CarlsonnColor by: Matt FezznnMusic: Grimes, Ty Segal, Big Data, Carryok   Less

Gravers & Files

• Vimeo 36:39

Rarely is something so important and so valuable available for free. If you’re a typophile, typographic educator or design student, Canadi...

Rarely is something so important and so valuable available for free. If you’re a typophile, typographic educator or design student, Canadian designer, Carl Dair’s film on the lost art of type punch cutting is something you can watch – and own – at no cost. Initiated by Rod McDonald and Sheridan College in Canada, and narrated by Matthew Carter, this 45-minute film is remarkably insightful and probably the only documentary of a master engraver cutting a punch.nnThe film was made in 1957 when Carl Dair studied type making under master letter-engraver P. H. Rädisch at the Joh. Enschedé en Zonen Type Foundry in Holland. After Dair’s death, the film was archived for almost 60 years before Carter and McDonald became aware of it and agreed that it was an important part of typographic history and should be restored. Monotype, through Fonts.com, is now making the film available at no cost.   Less

The Cure - Live In Orange (France - 1986)

• Vimeo 1:49:18

Tracklist:nIntroductionnShake Dog ShakenPiggy in the MirrornPlay for TodaynA Strange DaynPrimarynKyoto SongnCharlotte SometimesnIn Between D...

Tracklist:nIntroductionnShake Dog ShakenPiggy in the MirrornPlay for TodaynA Strange DaynPrimarynKyoto SongnCharlotte SometimesnIn Between DaysnThe WalknA Night Like ThisnPushnOne Hundred YearsnA ForestnSinkingnClose to MenLet's Go to BednSix Different WaysnThree Imaginary BoysnBoys Don't CrynFaithnGive Me Itn10.15 Saturday NightnKilling an Arab   Less

collective:unconscious (2016)

• Vimeo 1:17:44

Five of independent film's most adventurous filmmakers join forces to adapt each other's dreams for the screen. The results are, "like nothi...

Five of independent film's most adventurous filmmakers join forces to adapt each other's dreams for the screen. The results are, "like nothing you've ever seen with your eyes open." (Rolling Stone).nnDOWNLOAD THE DELUXE VERSION FOR FREE: https://bundle.media/bundles/collective-unconscious, featuring the dreams each film was based on, liner notes, deleted scenes, a 41-song mixtape, a remix of the entire film meant to fall asleep to, and much more.nn00:04:31 Black Soil, Green Grass (Directed by Daniel Patrick Carbone // Dreamt by Lauren Wolkstein)n00:23:22 First Day Out (Directed by Josephine Decker // Dreamt by Lily Baldwin)n00:33:45 Beemus, It'll End in Tears (Directed by Lauren Wolkstein // Dreamt by Frances Bodomo)n00:45:36 Everybody Dies! (Directed by Frances Bodomo // Dreamt by Josephine Decker)n00:55:41 Swallowed (Directed by Lily Baldwin // Dreamt by Daniel Patrick Carbone)nnAnimation & Credits By: Maya EdelmannnOfficial Selections: SXSW, Maryland Film Festival, BAMcinemaFest, Cleveland International Film Festival, IFP Screen Forward, Atlanta Film Festival, Ashland Independent Film Festival, Dallas International Film Festival, Nashville Film Festival, Independent Film Festival Boston, Montclair Film Festival, Galway Film FleadhnnFind Out Why We Decided To Give Our Film Away for Free: www.indiewire.com/2016/08/dan-schoenbrun-gives-movie-collective-unconscious-away-free-1201712250/nn“Like nothing you’ve ever seen with your eyes open” -Rolling Stonenn“The American indie scene has rarely looked so creative.” -Brooklyn Magazinenn“The most ambitious and unnerving horror films to be released so far this year.” -Slantnn“Envelops you in five different dream worlds, each with distinct style and bracing originality.” -Screen Slatenn"Among the most potent and original of recent political films." -Richard Brodynn“The most complex and cohesive anthology film since Fantasia 2000.” -The Austin Chroniclenn“This kind of ambition and willingness to play and experiment gives me hope for the future of indie film in America.” -Screen Anarchy   Less

A.I. Winter @ electro-music 2014

• Vimeo 22:24

Michael O’Bannon (Atlanta, GA) and Mark Mosher (Boulder, CO) first met at Electro-Music 2010. Throughout the years they’ve collaborated ...

Michael O’Bannon (Atlanta, GA) and Mark Mosher (Boulder, CO) first met at Electro-Music 2010. Throughout the years they’ve collaborated loosely with Mark on the music side and Michael on visuals. For the first time, Michael and Mark will be joining forces as a musical duo to offer the soundtrack of a cautionary tale considering the risks of super-human artificial intelligence. Michael is a psychologist who explores sound design, the interplay of visual and sound stimuli in performance, and multimedia programming with Max6. Mark, who’s been going deep with Octatrack and Absynth, will be exploring sonic expression via dynamic sampling, real-time morphing and complex granular manipulations.   Less

Episode 3 - Art of Reshaping Reality - Let Me Be Frank

• Vimeo 24:20

Originally we had planned to do a documentary about Frank's life and work because we have so much footage and so many photographs. But we di...

Originally we had planned to do a documentary about Frank's life and work because we have so much footage and so many photographs. But we did not want to do a "normal" talking head style documentary. We realized that Frank had already written a biography of sorts in his book, "Art of a Shaman" so we decided to try to use that as the "script" for the video. We decided to see if we could get people who were important to Frank and had played a part in his life to each read a chapter of the book. After drafting the email and sending it out we were blown away at the immediate response and the project took off. We assigned chapters to readers using the random principle ... as Frank loved to do ... pulling a piece of paper with a chapter number written on it from a bag as we read a person's name.nnOnce we had all of the recordings of the readings and added up the time, the documentary was going to be at least 3 hours long ... and it was going to take a really long time to put together. We then had a eureka on a walk one day.... we could put each chapter out on the web as we create them ... as episodes!n nSeveral musicians are now creating "background music" for each episode.nnWay back at the beginning, when we first had the thought of even doing a documentary about Frank, we asked Vinnie Spit Santino if he would write a song for it, without any idea how we would use it ... or what we were even doing with the documentary. Vinnie wrote the amazing "Let Me Be Frank" that will be the opening song for each episode ... and the title of the series! nnThumbnail photo by Les Barany.nn"Art Of A Shaman" Chapter 3 text: http://www.eroplay.com/Cave/ArtShaman/artsham3.htmlnnFollow the Let Me Be Frank Channel: https://vimeo.com/channels/letmebefranknnReading by: nMichael LaBashnnMUSICn(in order of appearance)nnOpening music:nPiano by Frank Moore.nAn excerpt from a live performance,n"Sing Along, Jam Along, Play Along, Dance Along,nRub Along, Move Along with Frank Moore"nfor Leslie Baker's Salon, Montreal, Quebec, Canada via Skype.nRecorded March 10, 2012.nnn“Let Me Be Frank” (the song)nwritten, arranged, performed and produced bynVinnie Spit Santinonrecorded, mixed and mastered at Vinali Creative Group, Van Nuys, CA bynVinnie Spit SantinonnVinnie Spit Santino - lead vocals, all guitars, bassnFrank Moore - vocals on bridgenRebecca Kyler Downs - backing vocals and all harmoniesnGary Ponder - drumsnDrake Peterson - trumpetnTony Rinaldi - trombonennChapter title animation music:nby Michael LaBashnnBackground music:nby Sander Roscoe Wolffnn“Day of The Tomorrow Men”nWritten, arranged and produced by Vinnie Spit Santinonfrom the album, “At War With Nature”nnExcerpt from “Water Music III”nby Michael LaBashnnClosing credits music:n“Mad Funk Jam at Frank Moore’s House"nwritten by Jerome T. Youngmannperformed by Mutant Pressn500 Pound Weasel Recordsnn“To Be Free”nwritten and performed by Tha ArchiveznLonghorn EntertainmentnnPhotos by:nJim AppletonnLes BaranynKen JenningsnSteve JenningsnTracy Kauffman-WoodnEric KrollnMichael LaBashnDaniel LorenzenLinda MacnAlexi MalenkynDiana MeyernDebbie MoorenColleen NeffnDave PatricknKevin RicenAnnie SprinklenDavid SteinbergnMary SullivannnIllustrations by:nDavid HochbaumnLee KaynMichael LaBashnFrank MoorenJustin PagenJohn SeaburynnAdditional footage:nDave Swan’s Dog HousenBetty Boop: “Minnie The Moocher” by Max Fleischer [Public Domain]nBetty Boop: “I Heared” by Max Fleischer [Public Domain]nThree Stooges: “Disorder In The Court” [Public Domain]nOne Got Fat: Bicycle Safety (1963) [Public Domain]nFirst Year Anniversary of the Berlin Wall (1962) [Public Domain]nOne World or None (1946) [Public Domain]nThe Cabinet of Dr. Caligari (1920) directed by Robert Wiene [Public Domain]nThe Night Of The Living Dead (1968) by George A. Romero [Public Domain]nnEditing, Animation, and Title Design:nMichael LaBashnnProduced bynLinda Mac & Michael LaBashnnDirected bynFrank MoorennThanks to all of the readers so far ...nTha ArchiveznKenneth AtchleynAttaboynDr. Susan BlocknPaul CouillardnSteve DavisnStephen EmanuelnPaul EscrivanBarbara GoldennFred HattnJohn the BakernDr. Richard KerbavaznMichael LaBashnLobnKirk LumpkinnLinda MacnAlexi MalenkynJake McGeenKayla MoonnCorey NichollnCarl OffnVinnie Spit SantinonErika Shaver-NelsonnRussell ShuttleworthnLinda Carmella SibionGerald SmithnMegan SorianonAnnie SprinklenDavid SteinbergnVeronica VeranMartha WilsonnnAnd thanks to all of the musicians who have created music for this project so far …nK. AtchleynStephen EmanuelnBarbara GoldennPhog MasheeennVinnie Spit SantinonSander Roscoe WolffnnThanks to the crew at Coffee Conscious for keeping us going!nnThanks to Vinnie Spit Santino for the title!nnSee other episodes atnwww.eroplay.com/letmebefranknn© 2016 Inter-Relations   Less

Yuko Shimizo: We Can't Win Everything, But We Can Help Each Other

• Vimeo 21:43

About this presentationnnAs creatives, we're often put to the test of makin tough decisions and sacrifices for our work. However, according ...

About this presentationnnAs creatives, we're often put to the test of makin tough decisions and sacrifices for our work. However, according to Yuko, our biggest decision needs to happen at the beginning of our career asking ourselves: "What kind of artist do [we] want to be?" and having a clear picture of what that looks like. nnIn this talk, Yuko distills insights from her own personal story of being fired just days before her 99U appearance, gives advice on learning to say no, her thoughts on personal work, and tying it all back to the reality that while we might not win every job or shine on every project, sometimes it's for the best. nnnAbout Yuko ShimizonnYuko Shimizu is an award-winning Japanese illustrator based in New York. Her work has appeared on the pages of the New York Times, TIME, and Newsweek, on the covers of DC Comics, Penguin, Abrams and Random House books, on the Gap and Nike T-shirts, and on Pepsi cans.nnHer monograph Living with Yuko Shimizu will be published this spring. A Wild Swan, her collaboration with Pulitzer-winning author Michael Cunningham, came out in 2015. She was chosen as Newsweek Japan's "100 Japanese People World Respects" in 2009.   Less

SOTT Earth Changes Video Summary - August 2016: Extreme Weather, Planetary Upheaval, Meteor Fireballs

• Vimeo 22:11

While TV audiences were distracted by the Summer Olympics in Rio de Janeiro and the farcical build-up to the US presidential election, the r...

While TV audiences were distracted by the Summer Olympics in Rio de Janeiro and the farcical build-up to the US presidential election, the relentless pace of increasing extreme weather events around the world continued in August. Among the trends in environmental upheaval last month, we observed...nnA record-breaking number of tornadoes in the US for AugustnAnother '1-in-1,000-year flood event', this time in LouisiananA destructive earthquake in central ItalynThe fastest comet ever recordednLots more lightning deaths, including an entire herd of reindeer in southern NorwaynThree massive sinkholes opening up to swallow (and kill) people in ChinanIntense storms hitting many world capitals, including record rainfalls in Macedonia and MoscownRaging wildfires across the western Mediterranean and western USnnThese were just some of the signs in August 2016...nnIf you like this video, please share!nnSend us your photos and videos to sott@sott.netnnVisit our website: http://sott.netnnConsider a donation to keep the SOTT.net lighthouse shining: http://www.sott.net/page/3-Support-Sott-net nnLike us on Facebook: http://facebook.com/SOTT.NETnnFollow us on Twitter: http://twitter.com/SOTTnetnnMusic used: 'Escape from the Temple' by Per Kiilstofte: http://www.machinimasound.com/music/escape-from-the­-temple/nnLicensed under Creative Commons Attribution 4.0 International: http://www.creativecommons.org/licenses/by/4.0/   Less

BOOT (2015)

• Vimeo 21:06

A cynical, burnt out police Sergeant leaving the force is faced with a dilemma when his rookie partner is killed and he has to tell the rook...

A cynical, burnt out police Sergeant leaving the force is faced with a dilemma when his rookie partner is killed and he has to tell the rookie's abusive father about his son's demise. Unfortunately, the sickly old man mistakes the Sergeant for his own son and the veteran cop is stuck between a rock and a hard place - Continue the mistaken identity ruse and dupe the father, or break his silence and the elderly man's heart in the process.   Less

GoPro: The Last of the Rhinos

• Vimeo 23:26

To donate visit: goo.gl/GRpW11nnDereck and Beverly Joubert answer the call to save a group of rhinos from poachers in South Africa. Join us ...

To donate visit: goo.gl/GRpW11nnDereck and Beverly Joubert answer the call to save a group of rhinos from poachers in South Africa. Join us in supporting them on their journey to save one of Africa's most iconic species. nnDespite decades of research to the contrary, a myth persists that the horn of a rhinoceros has medicinal qualities for humans. Even today, one rhino is poached for its horn every 7.5 hours worldwide—and only 20,000 rhinos remain in the wild. nnAs we celebrate World Rhino Day on September 22, GoPro is proud to partner with several organizations dedicated to saving this majestic species. nnRhinos without Borders is a partnership between Great Plains Foundation and &Beyond. Together, they are on a mission to find the right formula of conservation, communities, and commerce that will make a lasting, sustainable difference to the world’s wildlife. Rhinos Without Borders program is relocating rhinos on a scale never before seen, moving 100 of them from the highest-density poaching areas in South Africa to the safest regions in Botswana. Three calves have already been born to the relocated rhinos. Protecting them will lead to a thriving ecosystem that affects all animals around the rhinos, right down to the lowly dung beetle. It’s a model the organization hopes to expand across Africa. nnJoin GoPro in supporting these organizations’ efforts to help move 100 rhinos into safety. Together, we can finish what they’ve started—and save the last of the rhinos.nnShot on the HERO4® camera from ‪http://GoPro.com.nnTo license clips from this video go to https://licensing.gopro.com nnnMusic Composed by William Ryan Fritchnhttp://www.williamryanfritch.com/nnnAdditional Music bynnAaron Martin n"Lost Light"nhttp://losttribesound.com/nnScore Revolutionnhttp://scorerevolution.com/nnnFor more from GoPro, follow us:nFacebook: https://www.facebook.com/gopronTwitter: https://twitter.com/gopronInstagram: https://instagram.com/gopronTumblr: http://gopro.tumblr.com/nPinterest: http://www.pinterest.com/gopro nVine: https://goo.gl/m3nQz7   Less

Entrevista Bradford Young

• Vimeo 24:18

Pulsa en CC para activar los subtítulos en castellano.nnLa entrevista completa con Bradford Young, uno de nuestros profesores del Master In...

Pulsa en CC para activar los subtítulos en castellano.nnLa entrevista completa con Bradford Young, uno de nuestros profesores del Master Internacional de Dirección de Fotografía DOP de Selma (una de las películas nominadas a los Oscar de este año) y que vino desde el otro lado del charco.nnDespués el making of del taller (http://vimeo.com/130624045), aquí tienes la entrevista completa. Respira hondo, sube el volumen porque... you know what i mean? ... estás a punto de descubrir qué es eso de la A T M Ó S F E R A: "La cinematografía es un buen aparato capaz de contener energía, energía que te haga sentir en casa, energía que te haga sentir humano."nnnefti.es/master-de-fotografia/master-internacional-en-direccion-de-fotografia-en-cine-digitalnbradfordyoung.com/nMúsica: THE BO STREET RUNNERS - BO ST RUNNER - DECCA 1964n‪#‎MasterCineEFTI‬ ‪‪#‎Beingacinematographer‬nnThere you have the complete interview with Bradford Young, one of our teachers of the International Masters in Digital Cinematography, DOP of Selma (one of the films nominated for Oscar this year) and he came across the pond.nnAfter the Making of, here you have the complete interview. Take a deep breath; pump up the volume because…you know what I mean? You are about to know what is A T M O S P H E R E: ‘Cinematography is a great device to be able to hold energy, energy that makes you feel at home, energy that makes you human.nnefti.es/master-de-fotografia/master-internacional-en-direccion-de-fotografia-en-cine-digitalnbradfordyoung.com/nMusic: THE BO STREET RUNNERS - BO ST RUNNER - DECCA 1964n‪#‎MasterCineEFTI‬ ‪‪#‎Beingacinematographer‬   Less

HORN PLEASE

• Vimeo 31:22

Horn Please is a documentary that encapsulates various aspects of an age-old folk art form of India — the TRUCK ART, an art form that make...

Horn Please is a documentary that encapsulates various aspects of an age-old folk art form of India — the TRUCK ART, an art form that makes journeys through the dusty highways of India, incredible in more ways than one. With a kaleidoscope of bright paints, motifs, typography and some unique couplets, these Indian trucks take you on a rather colorful journey of diverse cultures and beliefs of the country. The designs painted on the trucks do not merely stand for aesthetic purposes, but they also attempt to depict religious, sentimental, and emotional viewpoints of the people related to the truck industry.nnThis documentary focuses on the origin of truck art and its evolution since then. And also how it influences not just the world of art, but also the lives of its artists and the truckers who interact with it on a daily basis. Largely, it investigates on whether the once-accepted type of art as a unique form of expression, will survive the test of time in this era of capitalism.nnThe title of the documentary — Horn Please — is derived from a message seen behind each and every truck in India. It is a signal for the vehicles behind the trucks to blow the horn before overtaking. The sheer exposure of the signage has led it to become a popular phrase among Indians.nn-------------------------------------------------------------------------nnWEBSITE: www.projecthornplease.comnFACEBOOK: www.facebook.com/projecthornpleasenTWITTER: @hornpleasedocnn-------------------------------------------------------------------------nnDOCUMENTARY TEAMnnConcept & Research: Shantanu SumannProduced By: Talkies Films, MumbainDirected By: Shantanu Suman, Istling MirchenDirector of Photography: Istling Mirche, Shantanu SumannMusic Director: Atif AfzalnWritten By: Shreedavy BabujinPost Production: The Cutting Crew, MumbainAudio Producer: Radioactive ProductionsnNarrator: Bapi BitnChief Editor: Raju PanditnAssistant Editors: Sanjay Thakore, Vinay Uduta, Mithun SwamynArt Director: Shantanu Suman   Less

The Many Sad Fates of Mr. Toledano

• Vimeo 25:58

Phillip Toledano was terrified of growing old. So he decided to do it as many times as possible. nBy Joshua Seftel. Read the story here: htt...

Phillip Toledano was terrified of growing old. So he decided to do it as many times as possible. nBy Joshua Seftel. Read the story here: http://nyti.ms/2danssP   Less

Jason Fried: Make “Creative Destruction” a Regular Part of Your Routine

• Vimeo 20:28

About Jason FriednnJason Fried is the Founder and CEO of Basecamp, a privately-held, Chicago-based company committed to building the best we...

About Jason FriednnJason Fried is the Founder and CEO of Basecamp, a privately-held, Chicago-based company committed to building the best web-based tools possible with the least number of features necessary.nnPrior to shifting its focus solely to Basecamp, the company was known as 37Signals and was responsible for launching a range of products including Highrise, Backpack, and Campfire. 37Signals also developed and open-sourced the Ruby on Rails programming framework. The company's weblog, Signal vs. Noise, is read by over 100,000 people every day.nnJason believes there is real value and beauty in the basics. Elegance, respect for people's desire to simply get stuff done, and honest ease of use are the hallmarks of Basecamp's products.   Less

FGCN GO - CHNFGFS60SEC All Entries Edit

• Vimeo 21:52

The FG CN X Hysport ProductionnnEntry Infonn1. Xinran Bu 布欣然 n拍摄：红鼻n剪辑：Atlantisn音乐：Jay Dee – Strugglinn器材�...

The FG CN X Hysport ProductionnnEntry Infonn1. Xinran Bu 布欣然 n拍摄：红鼻n剪辑：Atlantisn音乐：Jay Dee – Strugglinn器材：Nikonn软件：Adobe Premierenn2. Jinchang Chen 陈锦昌n拍摄：徐锦源n剪辑：陈锦昌n音乐：Wiz Khalifa – Fly Solon器材：山狗 SJ 7000n软件：爱剪辑nn3. Xinwei Chen 陈鑫伟n拍摄：韦盛霖、陆活健n剪辑：陈鑫伟n音乐：Still Down – Wiz Khalifan器材：iPhone 6n软件：Splicenn4. Xingyu He 何星宇n拍摄：林银斌n剪辑：林银斌n音乐：0 to 100 – Draken器材：Canon 6Dn软件：iMovienn5. Chengjun Huang 黄诚军 n拍摄：肥梅n剪辑：黄诚军n音乐：L.M.F.- 1127n器材：iPhone 6、Sonyn软件：iMovienn6. Qishen Huang 黄祺燊n拍摄：原广荣n剪辑：黄祺燊n音乐：Boys & Girlsn器材：iPhone SEn软件：iMovienn7. Zitao Huang 黄子韬 n拍摄：黄诚军、肥梅n剪辑：黄诚军n音乐：Check - EndyEndsn器材：iPhone、Sonyn软件：iMovienn8. Long Li 李龙 n拍摄：谢彬n剪辑：李龙n音乐：Choppers instn器材：Canon、手机n软件：小影nn9. Hongwei lin 林宏伟 n拍摄：邱灿n剪辑：邱灿n音乐：Lincoln Continental - $uicide Boy$n器材：iPhonen软件：iMovienn10. Zhiyong Lu 卢志勇 n拍摄：梁东豪n剪辑：卢志勇n器材：iPhone 6n软件：iMovienn11. Mingjian Pan 潘铭坚 n拍摄：黄泳淇n剪辑：潘铭坚n音乐：223 – BLVC SVNDn器材：iPhone 6Sn软件：iMovienn12. Zhenping Sun 孙振平 n拍摄：SUNNYn剪辑：黛玉n音乐：21 Pilots – Heathensn软件：Adobe Premiere、After Effectsnn13. Yihao Xia 夏义豪 n拍摄：彭尼玛、高波n剪辑：夏义豪n音乐：E. SO – Intro n器材：iPhone 6n软件：iMovienn14. Pengjun Xu 徐鹏竣 n拍摄：伯恩n剪辑：徐鹏竣n音乐：Arctic Monkeys – Do I wanna known器材：GoPro 4n软件：iMovienn15. Zixuan Xu 徐梓轩 n拍摄：程帅n剪辑：徐梓轩n音乐：Tony Montanan器材：IPhone 5n软件：iMovienn16. Kun Zhang 张堃 n拍摄：梁昊n剪辑：张堃n音乐：ONSTAX – Dylan Rossn器材：JVC GR-D30AC、Arkon Wide-angle 0.42xn软件：Adobe Premiere、After Effectsnn17. 郑梓健 n拍摄：林懿东n剪辑：林懿东n音乐：Slip out the back – Fort Minorn器材：iPhonen软件：iMovienn18. Zili Zheng 郑子立 n拍摄：莫景豪n剪辑：郑子立n音乐：Dope Boy – Backwhenn器材：iPhone 5sn软件：Vegas Pronn19. Yuxuan Zhong 钟宇轩 n拍摄：李冠州n剪辑：钟宇轩n音乐：Ronin of the Cryptn器材：iPhone 6n软件：iMovienn20. Junfan Zhuo 卓俊帆 n拍摄：潘志恒n剪辑：潘志恒n音乐：Never be alone – The Fat Ratn器材：iPhone 6 plusn软件：iMoviennPlannernnKai nYoungnnTechnical SupportnnHysport ChinannFull length Edit nnKai nKunnMusic: Ta-Ku - June 30th (D.I.L.L.A)nnBig ThanksnnSteven JensennJohnathan BallnJacob RuffnMike SchmittnCapone BikesnThreemin Supply Co.nRuff Bike Co.nFactory 5nSuck My CognTurf BikesnUndercurrent   Less

The Suffering Grasses: When Elephants Fight, it is the Grass that Suffers

• Vimeo 51:47

*Message of Context*: The film portrays a time when the opposition was just beginning to form, and the Free Syrian Army was still an amorpho...

*Message of Context*: The film portrays a time when the opposition was just beginning to form, and the Free Syrian Army was still an amorphous concept. The Syrian people hoped that the FSA would be there to defend civilians and not wage an all-out war against the government, using the same dirty tactics and human rights violations. The film portrays a time when there was still hope we could go back to the nonviolent revolution, but the armed revolution hijacked the genuine people's movement and foreign powers transformed Syrian people's legitimate demand of change into a total proxy war that keeps producing more death, devastation, refugees, and internally displaced people.n---nSeveral years into a bloody civil war, with over one hundred thousand dead and counting, the ongoing conflict in Syria has become a microcosm of political tensions in the Middle East and an unsavory reflection of the world at large. Against the backdrop of the Arab Spring and the complicated politics of the region, this film seeks to explore the Syrian conflict through the humanity of the civilians who have been killed, abused, and displaced to the squalor of refugee camps. In all such conflicts, large and small, it is civilians—women and children, families and whole communities—who suffer at the leisure of those in power and get caught in the crossfire of the hegemons. When elephants go to war, it is the grass that suffers!nnIn May 2012, director Iara Lee participated in a press delegation to the Turkish refugee camps housing Syrian exiles, where she interviewed those who have been most affected by the bloody conflict. Some who fled to the camps identify as militants, others are committed to nonviolent tactics, and many more are just trying to live in peace without repression. Each may have his or her own opinion about the decision of some actors to take up arms, or about whether the international community should try to topple the regime. Ultimately, however, any understanding of the Syrian conflict and its costs should be rooted in recognizing the humanity and suffering of these refugees. This film is one effort to do just that.   Less

Skuld (Guilt)

• Vimeo 28:23

SKYLD/SKULD/GUILTn1961. Andrea (Sofía Nolsøe) works as a nurse for a dying woman (Rúna á Heygum) on a remote island in the Faroe Islands...

SKYLD/SKULD/GUILTn1961. Andrea (Sofía Nolsøe) works as a nurse for a dying woman (Rúna á Heygum) on a remote island in the Faroe Islands. She is consumed by a grief that she’s trying to forget. But when strange things start happening in the old house, and the the realms of the living and the dead become intertwined, she will have to realize that there’s no escaping one’s past.nFor more information: https://www.facebook.com/guiltshortfilm/   Less

Un Rumor atraviesa el Tiempo - A murmur crosses Time (full short film)

• Vimeo 25:00

En el Cementerio Central de Bogotá se practica una tradición popular desde hace cincuenta años: los ritos a los difuntos. El ambiente ais...

En el Cementerio Central de Bogotá se practica una tradición popular desde hace cincuenta años: los ritos a los difuntos. El ambiente aislado, el chisporroteo de las velas, el arrullo de las palomas o el canto de los mariachis, hacen del Central un lugar propicio para el recogimiento, para la comunicación con el más allá y la búsqueda de una fuerza superior que traiga ayudas y beneficios a las vidas de los creyentes. Escuchar esos susurros que llaman la muerte a la vida permite percibir elementos de la vida que permanecen velados.nnGanador:nPremio de Investigaciones Académicas - Archivo de Bogotá 2015nPremio Miradas Sobre Bogotá - Instituto Distrital de las Artes IDARTES 2013nMejor Trabajo de Grado - XVI Festival de Cine Universitario Equinoxio 2013nnSelección Oficial:nPanorama del Cine Colombiano de París 2013nFestival Miradas sobre el cine colombiano y de América del Sur - Montpellier 2013nCaja de Pandora 2013 - XIV Festival de Cine de Santa Fe de AntioquianFestival Internacional de Cortometrajes y Escuelas de Cine El Espejo 2013nFestival Internacional de Cine de Barichara 2013nSección Panorama: Festival de Cine Universitario Intravenosa - Cali 2013nnFifty years ago, a popular tradition lives in the Central Cemetery of Bogota: the rites to the deceased. The isolated ambiance, the sparking of candles, the cooing of pigeons or the singing of mariachis make the Central Cemetery a favorable place for retreat, for a communicating with the beyond and the quest for a greater force that brings help and benefits to the life of the believers. Hearing the whispers that call death to life allows us to observe some elements of life that remain veiled.nnWinner:nAcademic Research Price - Bogota District Archive 2015nLooks Over Bogotá - District's Institution for Arts (IDARTES) 2013nBest Degree Work - XVI Equinox Student Film Festival 2013nnOfficial Selection:nColombian Film Panorama of Paris 2013nLooks Over Colombian and South American Cinema - Montpellier 2013nPandora's Box 2013 - XIV Film Festival Of Santa Fe de AntioquianInternational Student Film Festival El Espejo 2013nInternational Film Festival of Barichara 2013nPanorama: Student Film Festival - Intravenosa 2013   Less

Seeing into space like never before

• Vimeo 23:24

There’s a lot about space we still don’t know says Nobel Laureate John Mather, Senior Project Scientist for the James Webb Space Telesco...

There’s a lot about space we still don’t know says Nobel Laureate John Mather, Senior Project Scientist for the James Webb Space Telescope (JWST), launching in 2018 after 21 years of effort. He gives a matter-of-fact, humorous, and fascinating crash course on the history of the universe that led to the telescope’s inception. Engineered unlike any telescope of its kind, what are the surprises, mysteries, and possibilities that we may literally see in the near future?   Less

In The Thicket

• Vimeo 24:19

Tony Bosco hid in plain sight for more than two decades in the most densely populated state in the nation, exchanging the comforts of his ho...

Tony Bosco hid in plain sight for more than two decades in the most densely populated state in the nation, exchanging the comforts of his home for the simplicity of a camp in the woods.nnI heard Tony's story over dinner over three years ago. A story of a woodsman chasing deer, on foot, as if he was living hundreds of years ago. I was told he had an intimate knowledge of the woods and area he lived in. When I finally met him, what grabbed me most was how moments before the deer hunt began, shortly before sunrise, he would just appear out of the woods, ready. Turned out it was because these were his woods, his camp, his home. After three years of searching I found Tony; this video is his story and why he chose the path less traveled.nnnFilm by Nick CzerulanFirst AC - Ryan McbridenBoom operator - Sam Evans BrownnnMusic:nIcelanders - ShimmernDustin Lau - We'll Leave Our Names BehindnDustin Lau - A Love LanguagennShot on Canon cameras.nC300iinS120 powershot   Less

Chasing Bubbles - Full Documentary

• Vimeo 1:24:37

A charismatic 25 yr old from Indiana trades the life of a young stock trader for that of derelict sailboat captain. With no previous experie...

A charismatic 25 yr old from Indiana trades the life of a young stock trader for that of derelict sailboat captain. With no previous experience, he and his bearded pals dare to circumnavigate the globe in desperate pursuit of a meaningful life. nChasing Bubbles is the story of Alex Rust, an unlikely sailor, trying to island-hop around the world with a boat bought on craigslist. His raw honesty, exploits and misadventures caught-on-camera, challenging the viewer to question their own path.nnwww.chasingbubblesmovie.comnnDirected by Topher Cochrane with Alex RustnEdited by Chris James Thompson and Andrew SwantnProduced by Topher Cochrane and Laurie AdrianopolinProduced by Ross Gerbernnspecial thanks to the Rust Family.   Less

Trump: What-How-What

• Vimeo 23:01

In the wake of the election of Donald Trump, many peeps are freaking the fuck out. Well, step back, take a break and watch our analysis. nWh...

In the wake of the election of Donald Trump, many peeps are freaking the fuck out. Well, step back, take a break and watch our analysis. nWhat can we expect? Racists attacks, Deportations, and appointments of neo-fascists and corporatistsnHow did it happen? We break down the social media induced echo chamber effect.nWhat can we do? We bring you an interview with Redneck Revolt on organizing strategy for the years to come.   Less

The Last Move

• Vimeo 23:04

Michael Thomasson has devoted his life to video games. It’s been his passion and his obsession for more than three decades. He owns over 1...

Michael Thomasson has devoted his life to video games. It’s been his passion and his obsession for more than three decades. He owns over 11,000 unique game titles for more than 100 different systems.nnWhy?nn“Because there’s something wrong in the back of my head,” he says.nnHis collection is so large, in fact, it’s currently recognized by the Guinness Book of World Records.nnBut there’s one thing Michael loves more than his games: his family. The Last Move chronicles Michael’s attempts to help his mother at an enormous personal cost to himself.nnOriginally published on February 28, 2016nnSee the full project at http://mediastorm.com/publication/the-last-move   Less

The Last Steps | A Really Great Big Story

• Vimeo 20:12

On December 7, 1972, NASA launched Apollo 17, a lunar mission crewed by Eugene Cernan, Ronald Evans and Harrison Schmitt. It would be the l...

On December 7, 1972, NASA launched Apollo 17, a lunar mission crewed by Eugene Cernan, Ronald Evans and Harrison Schmitt. It would be the last time humans traveled beyond low Earth orbit, the last time man landed on another celestial body, and the last time man went to the moon. The Last Steps uses rare, heart-pounding footage and audio to retrace the record-setting mission. A film by Todd Douglas Miller.nnThis Really Great Big Story was made in collaboration with our friends at CNN Films. It is one of 12 short films that we will be releasing throughout the year. Stay tuned for more!   Less

Free People presents: Dream Girl

• Vimeo 22:26

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When ...

Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own? nnFor many years Free People has told love stories -- we wanted to explore what our world could look like in the near future....nnnDirector: Lauren CohannScreenplay: Lauren Cohan, Alex Holcomb, Alexander DipersianProducer: Emily BonnernProducer: Arielle DavisnProducer: Priya Satianin1st Assistant Director: Charlie HicksnDirector of Content Development (FP): Abby MorgannAssistant to Director/Creative Director: Kamaryn PotternDirector of Photography: Stuart Winecoffn1st AC: Ezra Bassin-Hilln2nd AC: Ryan GrzelaknSteadicam: Aaron GanttnDIT: Margaret ParusnGaffer: Lee NarbynBest Boy Electric: Ryan FigueroanElectric: Adam LeenenKey Grip: Stephan CarrillonBest Boy Grip: Stephan JinGrip: Jesse StrattonnSound Mixer: Kevin BazellnBoom: Kevin TerradonBoom: Greg EllisnProduction Designer: Tom castronovonSet Dresser: Francesca PalombonArt Department Assistant: Travis WitkowskinArt Department Assistant: Alex FarkasnVanities: Sunny BrooksnVanities Assistant: Vanessa GomeznVanities Assistant: Amanda OrtiznWardrobe Stylist: Amanda GreysonnWardrobe Assistant: Mackenzie GrandquistnWardrobe Assistant: Kale TeternKey Production Assistant: Mark BelkonPA-Production: Andy CowellnPA-G/E: Tanner LyonnPA-Crafty: Ray SchmeignPA-Crafty: Jonathan BrocknPA-Camera: Giles O’KanenScript Supervisor: Jillian TerwedonPost Production: The MillnEditor: Ryan McKennanPost Production Producer: Carl WaltersnColorist: Michael RossiternMixer: Dan Flosdorf / Heard CitynVFX: DeluxenVFX Supervisor: Zachary ColenLocation Rep (SCI-ARC): Andrew WernernCasting: Priya SatianinSpecial thanks: Ben Younger, Jacques Naude, Colin Moneymaker, Zu-Al-Kadiri, Blake WhitmannnnTALENT:nAlex: Alexander DipersianNora: Margaret QualleynRyan: Eric MurdochnJessica: Madeline ZimanJack: Sterling SuliemannAbby: Davida WilliamsnCleo: Hannah SorensennTheo: Josh UpshawnLena: Meredith Hagner   Less

Late Night Work Club presents STRANGERS

• Vimeo 42:25

Well, well, well. Project #2, an indie animation anthology based on the theme of STRANGERS. All original work done between 2014 and 2016. Th...

Well, well, well. Project #2, an indie animation anthology based on the theme of STRANGERS. All original work done between 2014 and 2016. Thank you for checking it out. You're in for a treat with this one.nnCheck out the individual members of LNWC. Say hello, follow their work, support them.nnThanks to everyone who has encouraged us, spread the word, helped out and supported us over these past 2 years. You are the bestest.nn00:31 - Born In A Void by Alex Grigg - (http://alexgrigg.com/) n07:40 - Freedom - Liberté by Loup Blaster- (http://loupblaster.tumblr.com/)n14:05 - Anonmation by Caleb Wood - (http://vimeo.com/calebwood) n21:08 - Lovestreams by Sean Buckelew - (http://seanbuckelew.com/)n30:28 - Departures by Jeanette Bonds (http://jeanettebonds.com)n33:54 - Wednesday with Goddard by Nicolas Menard (http://nicolasmenard.com)n38:16 - Hi Stranger by Kirsten Lepore (http://kirstenlepore.com)nnIntro/Outro/Interstitials by Charles Huettner (http://charleshuettner.tumblr.com)nnSound design for several shorts by Skillbard - (http://skillbard.com/)nSound design and overall mixing by David Kamp - (http://studiokamp.com/)nTheme and credits music by SCNTFC - (http://cargocollective.com/scntfc)   Less

Wilmington Has Talent!

• Vimeo 1:16:39

The members of the Buzzell Senior brought their best musical acts, comedy routines, and skits to the stage in their yearly talent show.  

Hard Ship | A Really Great Big Story

• Vimeo 23:29

Three paralyzed men take up one of sailing’s most grueling challenges—a 750 mile race to Alaska through some of the most treacherous and...

Three paralyzed men take up one of sailing’s most grueling challenges—a 750 mile race to Alaska through some of the most treacherous and remote waters on the planet. With no motors allowed and many miles from any help, the competition can be too dangerous for the world’s most fearless sailors. This team is out to prove they have what it takes to finish. A film by Great Big Films.nnThis Really Great Big Story was made in collaboration with our friends at CNN Films. It is one of 12 short films that we will be releasing throughout the year. Stay tuned for more!   Less

ФИЛЬМ - НЕМЫ

• Vimeo 50:56

WEB: WWW.VIVACITY.RU nВК: VK.COM/VIVACITY_NEWS nINSTA: INSTAGRAM.COM/VIVACITY_RUnFULL MOVIE - NOWE CREW nAction in the streets, suburban a...

WEB: WWW.VIVACITY.RU nВК: VK.COM/VIVACITY_NEWS nINSTA: INSTAGRAM.COM/VIVACITY_RUnFULL MOVIE - NOWE CREW nAction in the streets, suburban and freight trains in Moscow, St.-Petersburg, Kazan, Crimea, Novorossiysk, Sochi and other cities for the year 2013-2016.nnhttps://www.instagram.com/nowe_crew/   Less

Religious Liberty at the Present Time: An Update from Mark Movsesian

• Vimeo 25:13

The last five years have proven a shaky ride for religious liberty in government and the courts in the United States. Things have moved so ...

The last five years have proven a shaky ride for religious liberty in government and the courts in the United States. Things have moved so quickly that you sometimes feel it's hard to keep up. That's why we invited Mark Movsesian to our offices in early August for an appraisal of where people of faith currently stand in regard to the law and to the Executive Branch. nnProfessor Movsesian is the Frederick A. Whitney Professor of Contract Law and the Director of the Center for Law and Religion. He writes in law and religion, contracts and international and comparative law; his articles have appeared in the Harvard, North Carolina, and Washington & Lee Law Reviews, the Oxford Journal of Law and Religion, the American Journal of International Law, the Harvard International Law Journal, and the Virginia Journal of International Law. nnPlease join us for a lively conversion and a look at things to come.   Less

Breaking Bad - The Movie

• Vimeo 2:7:10

DISCLAIMERnnMusic by Dave Porter.nCreated by Vince Gilligan.nShown on AMC.nStudio : Sony Pictures.nnAll rights belongs to their respective o...

DISCLAIMERnnMusic by Dave Porter.nCreated by Vince Gilligan.nShown on AMC.nStudio : Sony Pictures.nnAll rights belongs to their respective owners.nnThis is an absolute nonprofit project.nnCopyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made « faire use » for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.nnBuy the actual complete series box set :nsonypictures.com/tv/breakingbad/nn______________________________________________nnTHE PROJECTnnWhat if Breaking Bad was a movie ?nnAfter two years of sleepless nights of endless editing, we bring you the answer to that very question. A study project that became an all-consuming passion.nnIt’s not a fan-film, hitting the highlights of show in a home-made homage, but rather a re-imagining of the underlying concept itself, lending itself to full feature-length treatment.nnAn alternative Breaking Bad, to be viewed with fresh eyes.nnThanks to all who were enthralled, overcome, or discombobulated by this project, but who saw it through, through thick and thin, until the very end !nnWarning : SPOILERS, INDEED.nn______________________________________________nnLE PROJETnnEt si Breaking Bad était un film ?nnVoici, après deux années d’un montage à n’en plus dormir, notre réponse à ce problème que nous nous étions posé. Un sujet d’étude qui s’est révélé passionnant.nnAussi, il n’est donc pas question ici de fan-film, qui regrouperait les meilleurs moments de la série, mais bien de re-création d’une histoire pour servir au mieux les contraintes qu’impliquent un long-métrage.nnUn Breaking Bad alternatif, à regarder d’un oeil neuf.nnMerci à tous/tes celles et ceux qui seront intrigué/ées, conquis/se ou décontenancé/ées par ce projet, mais qui l’auront regardé/ée objectivement et jusqu’à la toute fin !nnAttention : SPOILERS, CELA VA DE SOIT.nnwww.bbthemovie.com   Less

Petropolis Pet Carnival | Break Guiness Book of World Records for largest dog marriage

• Vimeo 21:31

This Year, Petropolis attempted to break the record in the Guinness Book of World Records for the largest mass Dog Wedding. They needed at l...

This Year, Petropolis attempted to break the record in the Guinness Book of World Records for the largest mass Dog Wedding. They needed at least 179 dog couples! After all of the registrations, and a great turnout - Petropolis was able to create a new world record!   Less

Jim Olson Architecture: Connecting with Landscape, Art & Craft | Denver Art Museum | October 26, 2016

• Vimeo 1:7:40

As the founding partner of Seattle-based firm Olson Kundig, Jim Olson has explored the interplay of landscape, art, and craft in architectur...

As the founding partner of Seattle-based firm Olson Kundig, Jim Olson has explored the interplay of landscape, art, and craft in architecture for over fifty years. In addition to his residences—particularly for art collectors—Olson has also designed museums, religious spaces and commercial buildings. He recently completed his first resort project, the JW Marriott in San Jose del Cabo, Mexico.nnIn Connecting With Landscape, Art, and Craft, Olson discussed a variety of projects as part of his discourse on the powerful connection between architecture, landscape, art, and craft, including his current Denver project, Kirkland Museum of Fine & Decorative Art.nnVideo Courtesy of Denver Art Museum.   Less

84 rocket launches of 2016

• Vimeo 35:27

There were total of 85 orbital rocket launches in 2016. I couldn't find footage from Long March 11 launch (2016-11-09) so the compilation co...

There were total of 85 orbital rocket launches in 2016. I couldn't find footage from Long March 11 launch (2016-11-09) so the compilation contains 84 launches. The Falcon 9 explosion was not included in the video, because it wasn't launch. New Shepard launches also weren't included, because this is not orbital rocket. nnIn the link below you can find list of every video used in this compilation. nhttp://pastebin.com/Ndu5gFhGnnHere you can find similar compilation from last year – https://vimeo.com/150281471   Less

SOTT Earth Changes Summary - December 2016: Extreme Weather, Planetary Upheaval, Meteor Fireballs

• Vimeo 24:28

SOTT 'Earth Changes' video summary for December 2016: extreme weather events, environmental indicators of 'planetary upheaval' (seismic, vol...

SOTT 'Earth Changes' video summary for December 2016: extreme weather events, environmental indicators of 'planetary upheaval' (seismic, volcanic, etc) and Near-Earth Objects in the form of meteor fireballs.nnAs we enter a new and uncertain geopolitical climate with the inauguration of US President Donald Trump, so we also appear to be entering a new and uncertain natural climate.nnThe relentless global escalation of extreme weather, geological upheaval, and cosmic bombardment continued last month, ending a year the authorities claim was (again) "the warmest ever - and it's humans' fault."nnStill no explanation from them as to how 'man-made CO2' is responsible for - among other new or increased natural phenomena - all the sinkholes opening up and killing people; the meteor fireballs raining out of the sky; redirecting the course of high-altitude jet streams; and increasing the frequency of earthquakes two or three-fold.nnBut pay no attention to those details - they're probably just signs that we're heading into another ice age.nnHighlights in our Earth Changes Summary video for December 2016 include:nnPersistent, heavy fog across the world last month - northern Europe, India, China and the Persian GulfnnReturn of the 'polar vortex' to both North America and Russia, bringing record-breaking snow and cold temperaturesnnSnow in the Sahara Desert, Arabian Desert, and SyriannThundersnow, snow-nadoes, 'fog walls', 'fog domes', 'spinning ice disks', and other bizarre cold weather-related phenomena!nnSevere flash-flooding (and a tornado) across southern 'sunny' SpainnnOutbreak of forest fires in the Swiss Alps... in winter!?nnAt least a half dozen spectacular meteor fireball events in North and South America, Europe, and Central AsiannA string of powerful earthquakes and volcanic eruptions around the Pacific Ring of FirennWidespread flooding in Southeast Asia during its 'dry season'nnRecord-breaking rainfall in Australia's desert regionsnnIf you like this video, please share!nnSend us your photos and videos to sott@sott.netnnVisit our website: sott.netnnConsider a donation to keep the SOTT.net lighthouse shining: sott.net/page/3-Support-Sott-netnnLike us on Facebook: facebook.com/SOTT.NETnnFollow us on Twitter: twitter.com/SOTTnetnnMusic used: 'Escape from the Temple' by Per Kiilstofte: machinimasound.com/music/escape-from-the-temple/nnLicensed under Creative Commons Attribution 4.0 International: creativecommons.org/licenses/by/4.0/   Less

Ozone

• Vimeo 20:32

After a couple of movies they cooperated on as DOP and Production Designer Branko Sujic and Mirko Milosevic decided to make their own movie....

After a couple of movies they cooperated on as DOP and Production Designer Branko Sujic and Mirko Milosevic decided to make their own movie. The project’s name is Ozone and it focuses on one of the all-time SF conundrums – the possibility of feelings in artificial life. Ozone is trying to dissect the nature of love in a world equally populated by humans and machines.nnIn a post-apocalyptic near future devastated by global nuclear war, Dastagir, one of the few survivors, fights to regain his lost love and rediscover his humanity. While he fights his way through the ruins of the old world, we start to understand the complicated nature of this simple love story.nnThe film is published under Attribution-NonCommercial-ShareAlike 4.0 International Creative Commons license. This refers to entire film excluding the song "WHEN YOU'RE BY MY SIDE" by Artist E.D. Kennaway (playing from 00:07:00 until 00:09:00) for which rights must be obtained by separate copyright license from original author or his representatives. nnDirected by - Branko SujićnnProduction Design by - Mirko MiloševićnnVisual Effects Supervisor - Mirko MiloševićnnWritten by - Slobodan Obradović, Branko SujićnnOriginal Music by - Ognjan MiloševićnnCinematography by - Branko SujićnnFilm Editing by - Dragan Von PetrovicnnCostume Design by - Ivan IvanovićnnSound Design by - Vladimir Uspenski, Vladimir ŽivkovićnnSpecial Effects by - Nenad Gajić, Miroslav LakobrijannLead Compositing Artist - Nikola VučenovićnnSenoir FX Tehnical Director - Nikola ĐorđićnnMotion Graphics Artist - Miloš MiloševićnnnCast n nEmanuela - Sofija RajovićnDstagir - Petar BenčinanConductor - Radoje ČupićnHelp Line Operator - Camilla MathiasnGeorge Fielding Eliot - Martin CortnRadio Host - Clive Ward   Less

Nice Bombs

• Vimeo 1:16:09

Directed by Usama AlshaibinProduced by Kristie AlshaibinnCritics Choice, Chicago Reader “Chicago filmmaker Usama Alshaibi grew up in Iraq...

Directed by Usama AlshaibinProduced by Kristie AlshaibinnCritics Choice, Chicago Reader “Chicago filmmaker Usama Alshaibi grew up in Iraq and the U.S., and although he recently became an American citizen, his personal video documentary has plenty to say about the day-to-day existence of his Baghdad relatives, whom he visited in 2004. Distance tends to simplify our view of anything, and this video humanizes the situation on the ground mostly by complicating it: in a voice-over Alshaibi says he’s often asked what “”the Iraqis” think, but by the end this question has become as meaningless as asking what “the Americans” think. Much of his previous work has been experimental, but this becomes formally adventurous only near the end, as he converses by phone with a cousin who tells him how much worse the situation has grown this year.”-Jonathan Rosenbaum, Chicago ReadernnChicago Tribune by Michael Phillips “…a surprisingly warm first-person video diary… edited with grace and tact.”nnVariety “thoroughly engaging . . .offers a uniquely time-layered vision of the war.”nnNew York Sun “Loaded with candid conversations and opinions about the hot-button issues of war, terrorism, and Islamic extremism,’Nice Bombs’ offers many different Iraqi and American points of view and portrays a time and place of nightmarish complexity.”   Less

The Thrillogy

• Vimeo 24:09

Three awesome VHS movies in one. It contains pretty much every ski shot from the beginning of Shane McConkey and Kent Kreitler’s college ...

Three awesome VHS movies in one. It contains pretty much every ski shot from the beginning of Shane McConkey and Kent Kreitler’s college years. Where ‘The Thrillogy’ lacks in production it more than makes up for in the soundtrack and raw abilities alone.nnCheck out The Powell Movement (www.thepowellmovement.com) for the complete Podcast interview with Director and Action Sports Visionary Michael Jaquet… where he tells some of the stories behind ‘The Thrillogy’.   Less

Iggy Pop & David Bowie - The Dinah! Show – Complete - 1977

• Vimeo 24:49

The show was recorded on 15th April 1977, at CBS Television City, Los Angeles. nnIt includes Funtime and Sister Midnight, two tracks origina...

The show was recorded on 15th April 1977, at CBS Television City, Los Angeles. nnIt includes Funtime and Sister Midnight, two tracks originally from the 1977 Iggy Pop album, The Idiot. nnLike so much classic Bowie stuff, this show ought to be out there in the public domain, in great quality for all to enjoy. But in the absence of that, I've pulled all the strands that we have together and Dear Viewer be forewarned... n nDisclaimer: the quality here varies from really good to really crap, and sadly is predominantly the latter. Most of this material has been fairly readily available for many years. However, I don’t think anyone has tried to compile everything that’s out there from the multiple sources, into a complete whole. And comparing all the sources, as far as I can tell, this is the complete show. At the very least, I haven't seen as such. nnThe show was recorded almost exactly 40 years ago, and today is Iggy Pop’s 70th birthday. So I’ve thrown this thing together this week, rushing to get it finished for today, and tried not to worry too much about the shoddy quality of most of it. nnI’ve loved Iggy Pop since my friend Stuart introduced me to Lust For Life, around 1981. Stuart was incredulous at my ignorance; that I was a self-professed huge Bowie fan, and yet not knowing about Iggy. nnI’ve seen Iggy Pop many times. The first show I recall was with Stuart, at the Reading Festival in the 80’s. Iggy was in a kinda Heavy Metal phase, breaking away from the weak and uninteresting Bowie collaboration Blah-Blah-Blah. I didn’t care for the current record either, but that’s always been an irrelevancy when you see an Iggy show. For that Reading gig, it was torrential rain almost the entire day, and Stuart and I got completely fried on acid. I remember being in the mosh pit at the front of the stage and the mud was so thick it threatened to pull off my Doc Martins. Later Stuart and I set up two chairs near the exit, in the pouring rain, and laughed uproariously as the punters left the show. We had been temporarily driven insane by the acid and by Iggy. nnSeeing Iggy has always had a very, shall we say galvanising effect on me. I saw him with The Stooges at Glastonbury, in 2007. Similarly, it was a rain soaked festival, and I got pretty mashed up. I joined the several hundred who invaded the stage at Iggys invitation. Fighting my way over to where Iggy was on stage, I hugged and kissed him and told him that I loved him. This was too much for the stage security and I was promptly hurled back into the crowd. Last year I went to the Royal Albert Hall show, and it was one of the most satisfying gigs I’ve ever seen. Iggy’s incredible energy, and Josh Homme’s band’s precise recreations of the Idiot and Lust For Life material was both stunning and very moving. nnSo anyway, Happy Birthday Iggy – I love you!nnDo me an' yerself a favor - watch it in HD with the sound UP LOUD! nnHope you dig it!n nIf anyone has any other footage, or ideas for another video project, of material from Bowie's classic period, do please get in touch: nachomarcho@gmail.comnnPutting this video together was another labour of love, made with love and with respect for the source. nnI don't own the rights, and I'm not making any money out of this etc. Just a fan making videos for other fans. nnPlease Like, Comment, Subscribe. Thanks!Not a vast amount of video editing was done here (for a change, thank God!). The significant difference is that I’ve added a much better sounding audio source, from the same show. nnHope you dig it!nnDo me an' yerself a favor - watch it in the Highest Def available with the sound UP LOUD! nnIf anyone has any other footage, or ideas for another video project, of material from Bowie's classic period, do please get in touch: nachomarcho@gmail.comnnPutting this video together was another huge labour of love, made with love and with respect for the source. nnI don't own the rights, and I'm not making any money out of this etc. Just a fan making videos for other fans. nnPlease Like, Comment, Subscribe. Thanks!   Less

And so we put goldfish in the pool. ／そうして私たちはプールに金魚を、　　

• Vimeo 27:39

And so we put goldfish in the pool.nDirector/Writer：Makoto Nagahisan●https://vimeo.com/user41349261n●http://nagahisa.strikingly.com/nm...

And so we put goldfish in the pool.nDirector/Writer：Makoto Nagahisan●https://vimeo.com/user41349261n●http://nagahisa.strikingly.com/nmassage→ hello@naname.ronn!!!The Short Film Grand Jury Prize in Sundance!!!nnStorynThis is a true story which took place in Saitama in 2012.nIn the summer of 2012, 400 goldfish were released in the swimming pool of a junior-high school in Sayama Town, Saitama. The culprits: four female students. nAccording to the Police statement, the girls “thought the fish would look pretty”. But why did they really do it?nBased on a true story, this fast-paced short film continually betrays the viewer’s expectations as it explores the feelings of the four girls and their motives, accompanied by a soundtrack of old-time hits including Seventeen and Virgin Blues!nnDirector/Writer：Makoto NagahisanExecutive producer：Takeshi TanakanProducer：Haruki YokoyamanCinematography：Hiroaki TakedanElectrician：Yuki MaeshimanSound：Junnosuke Okitan----------------------------------------------n第一回Moon Cinema Project、グランプリ作品。nMoon Cinema Projectnhttp://mooncinemaproject.com/nnn●WEBSITE：http://goldfish-pool.comn●twitter：https://twitter.com/goldfish_movien●TrailerA⇒https://www.youtube.com/watch?v=SxUkRu75pDQ&t=1sn●TrailerB⇒https://www.youtube.com/watch?v=zvfhv3ly0xA   Less

Here 2013: Wayne Hemingway

• Vimeo 26:07

Legendary designer Wayne Hemingway at our Here 2013 creative symposium looks back at his stellar career and shares some of the many lessons ...

Legendary designer Wayne Hemingway at our Here 2013 creative symposium looks back at his stellar career and shares some of the many lessons he's learned along the way, about taking chances, treating people right and thinking about design from new perspectives.   Less

Here 2013: Mark Porter

• Vimeo 25:15

Editorial designer Mark Porter who oversaw the redesign of The Guardian newspaper and its digital output spoke at Here 2013 about his unusua...

Editorial designer Mark Porter who oversaw the redesign of The Guardian newspaper and its digital output spoke at Here 2013 about his unusual route into the industry, his design philosophy and how the fast-shifting digital age impacts on his profession, both in terms of challenges and opportunities.   Less

Here 2013: Nelly Ben Hayoun

• Vimeo 29:00

At Here 2013 the inimitable Nelly Ben Hayoun presented a whirlwind tour of her remarkable relationship with science, including making dark m...

At Here 2013 the inimitable Nelly Ben Hayoun presented a whirlwind tour of her remarkable relationship with science, including making dark matter in her kitchen and building mini volcanoes in her lounge. She ended by looking at her International Space Orchestra, an amazing project she basically bullied NASA into agreeing to, with spectacular results.   Less

Leaving Fear Behind

• Vimeo 24:26

Leaving Fear Behind (in Tibetan, Jigdrel) is a heroic film shot by Tibetans from inside Tibet, who longed to bring Tibetan voices to the Bei...

Leaving Fear Behind (in Tibetan, Jigdrel) is a heroic film shot by Tibetans from inside Tibet, who longed to bring Tibetan voices to the Beijing Olympic Games. With the global spotlight on China as it rises to host the XXIX Olympics, Tibetans wish to tell the world of their plight and their heartfelt grievances against Chinese rule. The footage was smuggled out of Tibet under extraordinary circumstances. The filmmakers were detained soon after sending their tapes out, and remain in detention today.nwww.filmingfortibet.org   Less

Vídeos de mis alumnos fin de curso ´14

• Vimeo 22:19

Vídeos de alumnos de la EOI MARBELLA 2014 hablando qué ha significado para ellos la escuela y ejemplos de algo que hayan aprendido en la l...

Vídeos de alumnos de la EOI MARBELLA 2014 hablando qué ha significado para ellos la escuela y ejemplos de algo que hayan aprendido en la lengua.   Less

Russian Armed Forces Report 2014

• Vimeo 36:10

Russian Armed Forces Report 2014nnTranscript: Dancing Queen, S, MarinanTranslation: Natasha, DzhMM, Roobit, Eugene, SnnProduction: Marina & ...

Russian Armed Forces Report 2014nnTranscript: Dancing Queen, S, MarinanTranslation: Natasha, DzhMM, Roobit, Eugene, SnnProduction: Marina & The French SakernnThe Saker's in-depth geopolitical analysis: vineyardsaker.net/ - EnglishnnFrench Saker: nvineyardsaker.fr - French/françaisnnOceania Saker:nvineyardsaker.co.nz/ - EnglishnnRussian Saker:nvineyardsaker.ru - Russian/русскийnnGerman Saker:nvineyardsaker.de - German/deutsch   Less

Family Dog - Amazing Stories Episode

• Vimeo 23:40

If you like this, then you gotta see the Family Dog Tubing down the river! "He's Whizzin' in the River DAD!"nnDownload our River Tubing ...

If you like this, then you gotta see the Family Dog Tubing down the river! "He's Whizzin' in the River DAD!"nnDownload our River Tubing - Flappy Bird Bustin "ToobTime" Game for Apple and Android!nTop 20 Scores Get FREE TUBING at our Real Life River Tubing Adventure - Comal Tubes in New Braunfels TXnnwww.ToobTime.comnhttp://ToobTime.comnnnhttp://ComalTubes.com   Less

Blue's Clues - 03x29 - Cafe Blue

• Vimeo 24:25

The Target Shoots First

• Vimeo 1:12:21

An NYU philosophy grad struggles to maintain artistic and personal integrity as a production manager for Columbia House.  

The Big Uneasy

• Vimeo 1:37:55

In his feature-length documentary The Big Uneasy, humorist and New Orleans resident Harry Shearer gets the inside story of a disaster that c...

In his feature-length documentary The Big Uneasy, humorist and New Orleans resident Harry Shearer gets the inside story of a disaster that could have been prevented from the people who were there. Shearer speaks to the tireless investigators and experts who poked through the muck as the water receded, and uncovers a courageous whistle-blower from the Army Corps of Engineers. The Big Uneasy marks the beginning of the end of ignorance about what happened to one of our nation's most treasured cities—and serves as a stark reminder that the same agency that failed to protect New Orleans still employs the same flawed science in many other cities across America.   Less

The Necks - Live in Concert

• Vimeo 48:07

It’s hard to pinpoint how The Necks sound because they sound like nothing and everything all at once. Their minimalistic, repetitive impro...

It’s hard to pinpoint how The Necks sound because they sound like nothing and everything all at once. Their minimalistic, repetitive improvisation with piano, drums and bass sounds like it's coming from one single never-heard-before instrument. The Necks can be delicately quiet where the slightest contact between a drumstick and a cymbal will take the music in a totally new direction, and they can come at you loud and fierce. They are a very rare musical experience.nnThis concert was filmed at Jazzhouse in Copenhagen and The Necks perform a piece called “Ohioan”. nnRecorded at Jazzhouse in CopenhagennFilmed by Søren RyenMixed by Klaus Q Hedegaardnnhttps://www.facebook.com/unseenrecordingsnhttp://unseenrec.comnhttps://www.youtube.com/user/UnseenRec   Less