Latest İspaniya Chempionati videos at PopScreen

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Vimeo 7:36

A man escapes from prison and meets a boy who has run away from school.nnWritten and Directed by Gints ZilbalodisnMusic by Bertrams Pauls Pu...

（English sub）Portrait of Nature - Myriads of Gods on Platinum Palladium Prints -

Vimeo 30:12

「自然の肖像〜八百万の神々〜／ Portrait of Nature 〜Myriads of Gods〜」nThe introduction of photographer Nobuyuki Kobaya...

理想魔術 the perfect magic

Vimeo 5:12

魔術師的表演任務是超乎觀眾的期待，但一位失敗的魔術師呢? n影片描述一位在茫茫人海中尋求掌聲的魔�...

Samsung - Hearing Hands - Duyan Eller

Vimeo 2:46

Dinamo İstanbulnDir : Kuntay Alpman

DREAM WALKER III - Zakynthos [Rope Jumping - no limit expedition]

Vimeo 7:10

Dołącz do nas i skacz razem z nami w najpiękniejszych miejscach Świata! Dream Walker i nekstremalne skoki linowe dostępne dla wszystkic...

Dołącz do nas i skacz razem z nami w najpiękniejszych miejscach Świata! Dream Walker i nekstremalne skoki linowe dostępne dla wszystkich: www.dreamwalker80.com www.facebook.pl/dreamjumpnnJoin us and jump with us in the most beautiful places in the World! Dream Walker and extreme rope jumping available to everyone: www.dreamwalker80.com "Dream Walker - Around the World in 80 jumps" - extreme Dream Jump rope jumping method, in the boldest project of the last decade. Great cooperation between the Zakynthos island, professional rope jumpers and BASE jumpers have merged beauty and extreme together. With the stunning background of Navajo Beach, the breathtaking rope and BASE jumps from a 200 meters height, have amazed thousands of tourists being in love with the island, and later have amazed the whole world. For the firsttime, the World have seen synchronized rope and BASE jumps. For the first time, five sportsmen have jumped from one platform. First so impressive rope jumping system. nUnprecedented event, only possible with the support of brave partners and brands.nnBehind the scenes: https://www.facebook.com/media/set/?set=a.925072084181385.1073741841.191788584176409&type=1nnnFilm produced by: Cam-L Studionwww.cam-l.pl www.facebook.com/camlstudio nnDirector of Photography: Kamil PrzybylaknCamera: Bartłomiej Osses, Kamil Przybylak, Maciej Tomków, Michał MałyskanDrone pilot: Dawid Lewandowski nTimelapse by: Maciej TomkównSound: Łukasz KoseckinEditor: Kamil PrzybylaknAssistans: Adam Rotnicki, Bartłomiej OssesnColorist: Tomasz FrąszczaknMotion graphics: Adam RotnickinSound design: Radzimir ŁabuśnnMusic: J. SigsworthnnSpecial thanks to: (OSTRO, Ekocopter, Multimotion, Radlab, SQM Studio, Digital24, Fastmedia, DitoGear, VW Samochody Użytkowe, Xentia, Hytera, Stadion Wrocław)nnSpecial thanks to: MUNICIPALITY OF ZAKYNTHOS and DENIA VITHOULKAnnSpecial thanks for great hospitality to:nZante Magic Tours - http://www.zantemagictours.comnnVilla Spiros, Villa Daizy, Villa Phoenix, Dora Studios I, Dora Studios II,nErrieta Studios, Tropical Studios,, Astir Palace, Speira Studios, Villa SannAdreas, Zante Park Hotel, Galaxy Hotel, Ilaria hotelnnSpecial thanks for delicious catering:nMajestic Hotel and SpanAmmos Taverna & Stavros & LorenannSpecial thanks to main greek sponsors:nMunicipality of Zakynthos, Chamber of Commerce, Association of Hoteliers innLagana, Association of Studios and Apartments in Lagana, Association of Barsn& Clubs in Lagana, Air Club of Zakynthos, Stigma radio and Go Zakynthos,nChamber of Commerce in Zakynthos.nnVery big thanks to our wonderful partners:nAda Adamowicz, Olga Adamowicz, Damian Borkowski, Michał Duda, Pawel Pilarczyk, Paweł Grycel, Andrzej Paradowski, Piotr Kosmala, Dominik Opioła, Kamil Białogoński, Paweł Brożek, Kacper Drąg, Tomek Sypniewski, Stavros Kordasnnand also to spanish team:nCarlos Torija, Marta Jimenez, Guillermo Pirisnpolish team:nTomasz Zieliński, Łukasz Miłuch, Filip Domański, Przemysław Siniecki, Michał Trzajnannand to our friends - BASE Jumpers:nBASE Jumpers, Amanda Vicharelli, Brett Kistler, Cam Tracey, Kostas Stellasnnand for extra support to:nMaciej Majerczak, Ewelina Pacyna, Igor Frybes, Michał KrzemińskinnNo limit expedition. nWe belive that even the wilds ideas should come to live. Less

Mabed - Istanbul from Minarets (Fragman)

Vimeo 2:10

Mâbed "Minarelerden Istanbul" Timelapse belgesel film proje fragmanı.nFsms sponsorluğu ve yapımıyla 2013'den bu yana çalışmalar min...

NARITA INTERNATIONAL AIRPORT TERMINAL3

Vimeo 4:05

Narita International Airport Terminal 3nOn April 8, 2015, Narita International Airport Terminal 3 opened. This was a collaboration between N...

Narita International Airport Terminal 3nOn April 8, 2015, Narita International Airport Terminal 3 opened. This was a collaboration between NIKKEN SEKKEI, Ryohin Keikaku, and PARTY.nnNarita International Airport Terminal 3 is exclusively for LCC (low-cost carriers).nPrecisely so, we focused on creating a completely "low-cost airport" with the architecture and design.nThe budget for constructing this terminal was approximately half of the usual amount.nDue to costs, we could not to install the typical moving walkways or illuminated signs.nInstead, to offer an exciting walking experience that is easy on the feet, we implemented running tracks used for track and field, and added signage for user-friendly guidance.nThe key to the architecture and design is "more than 2 into 1."nConsolidating two or more functionalities into one in pursuit of economic reasonability.nIn short, treasuring designs "with a twist without spending a lot of money."nnIt would be our great honor if Narita International Airport Terminal 3 is frequently used and forever loved by economically savvy travelers.nnn成田空港　第３ターミナルn2015年4月8日オープンの成田空港　第3ターミナルを日建設計・良品計画・PARTY３社共同でつくりました。nnこの第３ターミナルは、LCC（ローコストキャリア）専用。nだからこそ、建築・デザイン面で徹底したローコスト空港を目指しました。nこのターミナルの建設予算は、通常のおよそ半分です。nnこのターミナルには動く歩道もよく見る内照式のサイン看板も、nお金がかかるため設置できませんでした。nそのかわり足の負担も軽く、歩くことを楽しんでいただけるように、n陸上用のトラックを設置して、サイン表示を入れ、わかりやすく誘導しようと考えました。n今回の建築・デザインにおけるキーワードは、”more than 2 into 1”。nふたつ以上の機能をひとつに集約し、経済合理性を追求する。nわかりやすく言えば、「お金をかけずに工夫する」デザインを大切にすること。nこの成田空港第３ターミナルは、お金をかけずに工夫する旅上手なお客さまに、n長く愛していただけたら光栄です。 Less

Museum of Energy Mechanical Surface A/V Performance_santralistanbul 100th Anniversary

Vimeo 3:52

This project represents the motion of energy, rebirth of the Santral Energy Museumnby 3D Video Mapping Techniques.nnProducer : HiponProject ...

This project represents the motion of energy, rebirth of the Santral Energy Museumnby 3D Video Mapping Techniques.nnProducer : HiponProject Management : Gökhan OkuyucunConcept Development & Creative Direction : Burcu Ece Yılmaz & Gökhan OkuyucunnDirection and Animation : OuchhhnDirector: Ferdi AlıcınLead 3D Artist: Bahadır DağdelennDesigner and Animators: Ali Say, Bahadır Dağdelen, Eylül Duranağac, Ferdi AlıcınSound Designer: Ali Can Okannn3D Modelling : Saygın Şoher & Sarper ŞohernTechnical Design : Kaan Kartal & Saygın ŞohernTechnical Support : VisionsnRender Farm : RenderRidern3D Laser Scan : SolvoTek MühendisliknnProject Coordinator : Burçak Hırka (Hipo)nDocumentation: Cansu Turan, Emre KardeşsevennDocumentation Music: PanPiper (Mehmet Unal)nnClient: Palmet Enerji & İstanbul Bilgi UniversitynOrganization: DelanonEvent: ICEM International Conference on Energy and ManagementnPlace: santralistanbul Energy Museumnnsantralistanbul Museum of EnergynThe Silahtarağa Power Plant's first two engine rooms, built in 1913 and 1921 respectively, were reinforced and converted into the santralistanbul Museum of Energy, retaining as many original elements as possible.nThe first step in the power plant’s conversion to Museum of Energy was to halt the corrosion of the turbine generators and other machinery which had set in as a result of disuse since the plant’s decommissioning in 1983. Teams of experts moved in to clean up the machinery and apply a protective anti-corrosion sealant. Thereafter, the number one turbine generator group was restored to its original appearance of 1931. Meanwhile, the number three turbine generator group, which had been dismantled when production stopped at the plant, was preserved exactly as left.nIn the Museum of Energy's number one and two Engine Rooms, visitors currently have the chance to see the AEG, Brown Boveri, Siemens and Thomson Houston made turbine generator groups. These were the key components of electricity generation at the Silahtarağa Power Plant and reflect the advanced technology of the age.nwww.santralistanbul.org Less

花と嫁 / Flower and steam

Vimeo 4:06

白い花と、白い雲と、花嫁のドレスやベール、ときどき大根。n何かに付随して、振り回されているもの�...

TOKYO DENSE FOG - NIKKOR Motion Gallery

Vimeo 3:26

NIKKOR Motion Gallery - www.nikkor.com/motion_gallery/nnAbout the WorknWOW was in charge of creating the new content for Nikon’s global br...

NIKKOR Motion Gallery - www.nikkor.com/motion_gallery/nnAbout the WorknWOW was in charge of creating the new content for Nikon’s global branding site, “NIKKOR.com”. The site aims to promote NIKKOR interchangeable lenses to a worldwide market.nThe NIKKOR Motion Gallery is a new project on “NIKKOR.com” that introduces a wealth of new opportunities for motion graphic imaging, made possible with NIKKOR lenses. Top artists from a wide range of fields have come together to expand the world of video imaging, and in so doing have created a completely new genre of work made possible thanks to the combination of NIKKOR lenses and Nikon cameras. Both WOW and Augment5 created motion graphics for this event that demonstrated the many new possibilities that NIKKOR lenses have opened up for motion graphics imaging.nn“TOKYO DENSE FOG”nThese images show the face of Tokyo through a dense fog and the scattering of light. It captures the many faces that Tokyo shows in a day, and transforms into a poetic and dreamy landscape swallowed up by a perfectly white world. The light is scattered by countless droplets of water, shimmering in the air.nn作品についてn2月10日より公開されたニコンのレンズ交換式カメラ用レンズNIKKOR(ニッコール)の魅力を世界に発信するグローバルブランドサイト「NIKKORr.com」の新コンテンツ「NIKKOR Motion Gallery」に参加しました。nNIKKOR Motion Galleryは、「NIKKORr.com」内の新プロジェクトであり、世界中から集まった様々なジャンルのトップアーティストにより、NIKKOR＋Nikonにしか生み出すことのできない、まったく新しいジャンルとしての映像世界を発信していくプロジェクトです。この度の公開では、WOWとAugment5がそれぞれ映像作品を制作し、NIKKORレンズによる映像の新しい可能性を開きました。nn「TOKYO DENSE FOG」n霧に霞む東京の表情や光の散乱を、一日を通して切り取った映像作品。n大気中に浮遊する無数の水滴が光を散乱させ、真っ白な世界にのみこまれた東京が、詩的で幻想的な風景へと変貌する様子など、一日の様々な表情を捉えています。nnStaffnDirector: Takuma Nakazi (WOW)nVisual Art Directors: Daisuke Moriwaki (WOW), Tsutomu Miyajima (WOW), Kazunori Kojima (WOW)nPhotographer: Masashi NagaonMusic composer: Tomohiro Nagasaki (WOW)nProduction Manegers: Tomomi Nakamura, Yusuke MorookanProducers: Hiroshi Takahashi (WOW), Shinichi Saeki (WOW), Yuki Tazaki (WOW), Hiroyuki Kojimann------------------------------------------------------n▶WOW official website: w0w.co.jp/en/n▶facebook: facebook.com/w0wincn▶Twitter: twitter.com/wow_tokyo Less

A DAY WITH UNA (ユウナ)

Vimeo 2:51

1991年12月26日生まれnDate of Birth / 26th December 1991n沖縄県出身nPlace of Bith / Okinawa Japann特技：クラシックバレ�...

1991年12月26日生まれnDate of Birth / 26th December 1991n沖縄県出身nPlace of Bith / Okinawa Japann特技：クラシックバレエnSpecial Skill / Classical Balletnn2010年、ファッション雑誌のスナップページに掲載された事をきっかけにモデルとしてデビュー。またたく間に数々の雑誌のレギュラーモデルとして、モデルキャリアをスタート。その端正な顔立ち、エッジーなファッションセンス、小柄ながらもバランスの取れたスタイルは、カワイイだけじゃない“クール”な部分を表現出来るモデルとして、今までにない新しいモデルのスタイルを確立した。n2013年8月14日にシングル「JUICY JUICY」でアーティストデビュー。デビュー楽曲がTVCMソングに抜擢され、デビュー前にフランスJAPAN EXPOメインステージにて初ライブも行うなど、新しい“ストリートカワイイ”カルチャー日本代表として活躍のフィールドが広がる。2013年12月18日には自身初の配信限定ミニアルバム「True of Lights/Danse Danse」をリリースし、iTunes Storeエレクトロチャート2位を記録。2014年4月29日、地元沖縄のTVCMソングとなった楽曲を収録した2ndシングル「BOOM BOOM BOOM」をタワーレコード那覇リウボウ店限定リリースする。nnFrom URA-HARAJUKU to the worldnUna who used to be a charismatic shop assistant in Harajuku street scene, started her modeling career as an Aomoji-kei (Harajuku) model by getting a snapshot taken by a fashion magazine in 2010.nIt didn't take her long to appear on fashion magazines regularly.nWith her beautiful look, edgy fashion style and perfectly balanced body proportion, she became a new type of Aomoji-kei (Harajuku) model who is capable of expressing not only kawaii but also cool aspects of Harajuku.nThis time, this iconic figure in Harajuku street scene will be debuting with her first single "Juicy Juicy" on 14th August 2013.nHer new single has been recognized widely, being used in a tv commercial.nUna, a representative for this new street-born kawaii culture is sure to attract a great deal of public attention!nnARTIST : UNA（ユウナ）nhttp://una.asobisystem.comnDIRECTOR : John Carriere www.facebook.com/john.directornTRANSLATED by FABIEN NABHANnSON : n01 - Ajisai / Aoiroooasamusi / Root Of Sorrow / www.myspace.com/musie93n02 - Mavi Sepet / Hayvanlar Alemi / Demolar 2007-2008 / Anonymous (Cambodia)n03 - UNA (ユウナ) / Danse DansennFrench Version : www.vimeo.com/109371572 Less

A DAY WITH NAOKI "SAND" YAMAMOTO

Vimeo 3:14

Naoki "SAND" Yamamoto nn1979年生まれ、東京在住。グラフィックデザインをベースに活動。nn独自の視点で全て�...

Naoki "SAND" Yamamoto nn1979年生まれ、東京在住。グラフィックデザインをベースに活動。nn独自の視点で全ての物をPOPに切り取る。nそのプロダクトやアパレルデザイン、ショップウィンドウ等、場所と手法を選ばすに表現を楽しむ。グラフィックレーベル「SAYHELLO」の他、ペインターとしてもペインティング集団「81 BASTARDS」に参加。nnBorn in 1979 and living in Tokyo, Naoki is mostly known for his activity in graphic design.nnWith a fertile imagination, Naoki can give a "Pop" aspect to everything he's touching. From commercial goods and products, to clothes, shop windows or live painting, he's always expressing his creativity with fun, whatever the place or the methods. nnIn addition to his famous graphic label "SayHello", he's also a proud member of the Tokyo artistic crew "81 Bastards".nnNé en 1979 et résident à Tôkyô, Naoki est principalement connu pour son activité de "graphic designer".nnGrâce à une imagination fertile, Naoki arrive à donner un aspect "Pop" à tout ce qu'il touche. Que ce soit pour des produits, des vêtements, des vitrines ou du live painting, il exprime toujours sa créativité avec fun, et ce quelque soit le lieu ou la méthode. nEn sus de son label graphique "SayHello", il est également un membre actif du collectif artistique Tokyoite "81 Bastards".nnwww.sandgraphicstokyo.comnwww.sayhellotokyo.comnnDIRECTOR : John Carriere facebook.com/john.directornTRANSLATED by Raphaël Degoix-Messand facebook.com/poptromatiQnSON : n01 - I can't help myself / Boris and Olivier / Holiday OnnURL: http://freemusicarchive.org/music/Boris__Olivier/Holiday_On/I_cant_help_myself_1nComments: http://freemusicarchive.org/nCopyright: Attribution-Noncommercial 2.5 Switzerland: http://creativecommons.org/licenses/by-nc/2.5/ch/n02 - Hey Big Bang / Superhumanoids / UrgencynURL: http://freemusicarchive.org/music/Superhumanoids/Urgency/03_Hey_Big_BangnComments: http://freemusicarchive.org/nCurator: CASH MusicnCopyright: Attribution-NonCommercial: http://creativecommons.org/licenses/by-nc/3.0/nnEnglish version : https://vimeo.com/114354227 Less

I___U (CONTROLLER Prequel)

Vimeo 3:24

#TheControllernnA girl that can control everything, perpetrates her own rescue by taking control of her boyfriend.nnCheck out CONTROLLER her...

CHOIR TOUR

Vimeo 5:16

It’s a wild free-for-all when a famous boys’ choir breaks away from their conductor while on tour in Seoul and causes mayhem in the hote...

Ray of Formula 1

Vimeo 1:15

About the WorknnThe installation of light and sound “Ray of Formula 1”; part of the exhibition “The F1”, was held in March 2015 and ...

Only To Silence ft. Metoronori by LLLL

Vimeo 5:28

LLLL 2ndアルバム"Faithful"に収録される"Only To Silence ft. Metoronori”のnMVを制作しました。アルバムは、PROGRESSIV...

HARMONY, Japan Pavilion, Expo Milano 2015

Vimeo 1:13

Paddy fields, at the background of the origin of Japan’s food culture, were grown and developed in areas at differing height levels such a...

Paddy fields, at the background of the origin of Japan’s food culture, were grown and developed in areas at differing height levels such as the mid to high river basins. This is reflected in the terraced rice-fields that are so characteristic of Japan, a country surrounded by mountains and the sea.nThis process was made possible thanks to the beautiful harmony that has existed between humans and nature.nnIn order to show the fact that paddy fields have prospered in places with differing heights, as well as through the harmonious relationship between humans and nature, the space of the exhibition room has been filled with screens resembling ears of rice. These screens have been installed at a variety of different heights, from the knees up to the waist, creating an interactive projection space that seems to spread out infinitely at various heights and directions.nThe projected images change in line with the visitors’ movements as they wander through the room.nnThis interactive art installation creates a space where visitors look as if they are wading their way through the ears of rice. As they wander around, they can experience a passing of nature that is so characteristic of Japan across the period of a whole year.nnhttp://www.team-lab.net/en/all/other/harmony.htmlnnn日本の食の原風景である「水田」は、山と海に囲まれた日本では棚田に代表されるように、河川の中上流域など、高低差がある場所で発達しました。nそしてそれは、人と自然が共生（HARMONY）することで生まれてきました。nn水田が、「高低差」のある場所で発達してきたことや、「人と自然が共生」することで発達してきたことを表現するため、腰やひざ下など、さまざまな高さでつくった稲穂に見立てたスクリーンで空間を埋め尽くし、腰から膝ほどの高さに映像が無限に広がるインタラクティブな映像空間をつくりました。n映像は、鑑賞者の位置やふるまいに合わせて、変化していきます。nn来場者は、まるで稲穂を分け入るかのように、インタラクティブな映像空間の中を分け入り、歩き回りながら、1年を通した、象徴的な日本の自然を体感します。nnhttp://www.team-lab.net/all/other/harmony.html Less