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Views of Suraiya Khanum about Shaykh ul Islam Dr Muhammad Tahir ul Qadri

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Views of Suraiya Khanum about Shaykh ul Islam Dr Muhammad Tahir ul Qadri  

Suraiya ki naye saazis 3rd april 2014

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Suraiya ki naye saazis 3rd april 2014  

Beinteha 9th April 2014 Suraiya ko hai Aliya se nafrat

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Beinteha 9th April 2014 Suraiya ko hai Aliya se nafrat  

10th may 2014 beintaha mai mothers day ka advance gift, suraiya k liye jain aur aaliya ne deye tofa

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10th may 2014 beintaha mai mothers day ka advance gift, suraiya k liye jain aur aaliya ne deye tofa  

Beintehaa OMG! Aliya to be ACCUSED by Suraiya for Usman Saab MURDER 16th June 2014 FULL EPISODE

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Beintehaa OMG! Aliya to be ACCUSED by Suraiya for Usman Saab MURDER 16th June 2014 FULL EPISODE  

Naam aye na tera pyar kee ruswai mie kash mer jao gosha e tanhai mei. Rani and Waheed Murad Singer Mehdi Hassan film Suraiya Bholpali Pakistani Urdu Hindi song

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Naam aye na tera pyar kee ruswai mie kash mer jao gosha e tanhai mei. Rani and Waheed Murad Singer Mehdi Hassan film Suraiya Bholpali Pakist...

Naam aye na tera pyar kee ruswai mie kash mer jao gosha e tanhai mei. Rani and Waheed Murad Singer Mehdi Hassan film Suraiya Bholpali Pakistani Urdu Hindi song   Less

Rehaan EXPOSES Suraiya In BEINTEHAA Full Episode Update 13th October HD

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Rehaan EXPOSES Suraiya In BEINTEHAA Full Episode Update 13th October HD  

Yeh Na Thi Humari Qismat Ke Visal-e-yar Hota Suraiya Mirza Ghalib 1954 Ghulam Mohammed

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Yeh Na Thi Humari Qismat Ke Visal-e-yar Hota Suraiya Mirza Ghalib 1954 Ghulam Mohammed  

Dil-e-Nadaan Tujhe Hua Kya Hai Talat Mahmood Suraiya Mirza Ghalib 1954 Ghulam Mohammed

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Dil-e-Nadaan Tujhe Hua Kya Hai Talat Mahmood Suraiya Mirza Ghalib 1954 Ghulam Mohammed  

Ver 1 Tu Mera Chand Mein Teri Chandni Mein Tera Rag Tu Meri Ragni Shyam Suraiya Dillagi 1949 Naushad

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Ver 1 Tu Mera Chand Mein Teri Chandni Mein Tera Rag Tu Meri Ragni Shyam Suraiya Dillagi 1949 Naushad  

Murli Waale Murli Baja Suraiya Dillagi 1949 Naushad Shakeel Badayuni

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Murli Waale Murli Baja Suraiya Dillagi 1949 Naushad Shakeel Badayuni  

Ver 2 Tu Mera Chand Mein Teri Chandni Mein Tera Rag Tu Meri Ragni Suraiya Shyam Dillagi 1949 Naushad

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Ver 2 Tu Mera Chand Mein Teri Chandni Mein Tera Rag Tu Meri Ragni Suraiya Shyam Dillagi 1949 Naushad  

Tera Khayal Dil Se Bhulaya Na Jaaega Suraiya Dillagi 1949 Naushad Shakeel Badayuni

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Tera Khayal Dil Se Bhulaya Na Jaaega Suraiya Dillagi 1949 Naushad Shakeel Badayuni  

Dil Ko Haye Dil Ko Dil Ko Teri Tasveer Se Behlaye Hai Mohammad Rafi Suraiya Dastan 1950 Naushad

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Dil Ko Haye Dil Ko Dil Ko Teri Tasveer Se Behlaye Hai Mohammad Rafi Suraiya Dastan 1950 Naushad  

Ta Ra Ri Aa Ra Ri Aa Ra Ri Ye Saawan Rut Tum Aur Ra Ra Ram Rafi Suraiya Dastan 1950 Naushad

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Ta Ra Ri Aa Ra Ri Aa Ra Ri Ye Saawan Rut Tum Aur Ra Ra Ram Rafi Suraiya Dastan 1950 Naushad  

Ho Ho Chandni Raat hai Suraiya (Dak Bangla, 1947)

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Ho Ho Chandni Raat hai Suraiya (Dak Bangla, 1947)  

Duniya Kya Jaane Mera Afsana - Shyam Kumar - Suraiya - DILLAGI 1949 - KK

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Duniya Kya Jaane Mera Afsana - Shyam Kumar - Suraiya - DILLAGI 1949 - KK  

Mann Leta Hai Angdai - Suraiya - ANMOL GHADI - Suraiya, Noor Jehan, Murad, Zahur Raja

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A love-triangle romance with reformist overtones set partly in Bombay. Impoverished hero Chander (Surendra) and rich heroine Lala (Nurjehan)...

A love-triangle romance with reformist overtones set partly in Bombay. Impoverished hero Chander (Surendra) and rich heroine Lala (Nurjehan) are childhood sweethearts separated when Lalas parents move to Bombay Later, Chander moves there when his rich friend Prakash (Zahur Raja) finds him work in a musical instruments shop.By then, Lata has become a famous poetess going by the name of Renu and is engaged to Prakash. Latas friend Basanti (Suraiya) falls in love with Chander but he remains true to his childhood girl and walks away into the sunset (with Basanti running after him). Although Mehboob made other triangular romances (Hum Tum Aur Woh, 1938; Najma, 1943 etc.), this film started his investigations of patriarchy, shown as masquerading under eternal values (of Anokhi Ada, 1948; Andaz 1949). The film deploys a strident rhetoric about class divisions, opposing poverty to eternal human (ist) values such as friendship and love. Languorous gesture and a romantically lit neo-classical decor are used to suggest feminity. Musical hits including Nurjehans best-known sogs, e.g. Awaz de kahan hai (with Surendra) and the solos Mere bachpan ke saathi Jawan hai mohabbat.Director:Mehboob KhanMusic:NaushadMain Cast:Surendra, Suraiya, Noor Jehan, Murad, Zahur Raja, Leela Mishra, Amir Banu, Bhudo Advani, Noor Mahal, Bibubai, Dewaskar, Anwari, N. Kabir, Ghulam Mohammad, Pinchoo KapoorGenre:RomanceBanner:Mehboob ProductionsRelease:1946Like * Comment * Share - Don't forget to LIKE the video and write your COMMENT'sStatutory Declaration: Contents of this Film,Scene,Song which was released, as per available sources now are in the public domain since the term of copyright has expired,under the copyright act 1957.If You Like The Video Don't Forget To Share With Others & Also Share Your Views.Your One Stop Destination For All The Latest Videos Subscribe Now! http://www.youtube.com/subscription_center?add_user=SeplVintageMovies   Less

Mere Bachpan Ke Saathi - Noor Jehan - ANMOL GHADI - Suraiya, Noor Jehan, Murad, Zahur Raja

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A love-triangle romance with reformist overtones set partly in Bombay. Impoverished hero Chander (Surendra) and rich heroine Lala (Nurjehan)...

A love-triangle romance with reformist overtones set partly in Bombay. Impoverished hero Chander (Surendra) and rich heroine Lala (Nurjehan) are childhood sweethearts separated when Lalas parents move to Bombay Later, Chander moves there when his rich friend Prakash (Zahur Raja) finds him work in a musical instruments shop.By then, Lata has become a famous poetess going by the name of Renu and is engaged to Prakash. Latas friend Basanti (Suraiya) falls in love with Chander but he remains true to his childhood girl and walks away into the sunset (with Basanti running after him). Although Mehboob made other triangular romances (Hum Tum Aur Woh, 1938; Najma, 1943 etc.), this film started his investigations of patriarchy, shown as masquerading under eternal values (of Anokhi Ada, 1948; Andaz 1949). The film deploys a strident rhetoric about class divisions, opposing poverty to eternal human (ist) values such as friendship and love. Languorous gesture and a romantically lit neo-classical decor are used to suggest feminity. Musical hits including Nurjehans best-known sogs, e.g. Awaz de kahan hai (with Surendra) and the solos Mere bachpan ke saathi Jawan hai mohabbat.Director:Mehboob KhanMusic:NaushadMain Cast:Surendra, Suraiya, Noor Jehan, Murad, Zahur Raja, Leela Mishra, Amir Banu, Bhudo Advani, Noor Mahal, Bibubai, Dewaskar, Anwari, N. Kabir, Ghulam Mohammad, Pinchoo KapoorGenre:RomanceBanner:Mehboob ProductionsRelease:1946Like * Comment * Share - Don't forget to LIKE the video and write your COMMENT'sStatutory Declaration: Contents of this Film,Scene,Song which was released, as per available sources now are in the public domain since the term of copyright has expired,under the copyright act 1957.If You Like The Video Don't Forget To Share With Others & Also Share Your Views.Your One Stop Destination For All The Latest Videos Subscribe Now! http://www.youtube.com/subscription_center?add_user=SeplVintageMovies   Less

Udan Khatole Pe Ud Jaaoon - Zohrabai, Shamshad Begum - ANMOL GHADI - Suraiya, Noor Jehan, Murad

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A love-triangle romance with reformist overtones set partly in Bombay. Impoverished hero Chander (Surendra) and rich heroine Lala (Nurjehan)...

A love-triangle romance with reformist overtones set partly in Bombay. Impoverished hero Chander (Surendra) and rich heroine Lala (Nurjehan) are childhood sweethearts separated when Lalas parents move to Bombay Later, Chander moves there when his rich friend Prakash (Zahur Raja) finds him work in a musical instruments shop.By then, Lata has become a famous poetess going by the name of Renu and is engaged to Prakash. Latas friend Basanti (Suraiya) falls in love with Chander but he remains true to his childhood girl and walks away into the sunset (with Basanti running after him). Although Mehboob made other triangular romances (Hum Tum Aur Woh, 1938; Najma, 1943 etc.), this film started his investigations of patriarchy, shown as masquerading under eternal values (of Anokhi Ada, 1948; Andaz 1949). The film deploys a strident rhetoric about class divisions, opposing poverty to eternal human (ist) values such as friendship and love. Languorous gesture and a romantically lit neo-classical decor are used to suggest feminity. Musical hits including Nurjehans best-known sogs, e.g. Awaz de kahan hai (with Surendra) and the solos Mere bachpan ke saathi Jawan hai mohabbat.Director:Mehboob KhanMusic:NaushadMain Cast:Surendra, Suraiya, Noor Jehan, Murad, Zahur Raja, Leela Mishra, Amir Banu, Bhudo Advani, Noor Mahal, Bibubai, Dewaskar, Anwari, N. Kabir, Ghulam Mohammad, Pinchoo KapoorGenre:RomanceBanner:Mehboob ProductionsRelease:1946Like * Comment * Share - Don't forget to LIKE the video and write your COMMENT'sStatutory Declaration: Contents of this Film,Scene,Song which was released, as per available sources now are in the public domain since the term of copyright has expired,under the copyright act 1957.If You Like The Video Don't Forget To Share With Others & Also Share Your Views.Your One Stop Destination For All The Latest Videos Subscribe Now! http://www.youtube.com/subscription_center?add_user=SeplVintageMovies   Less