Groove Daddies videos

Remember The First Time you Heard Aphex Twin?

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We approached a bunch of ordinary people on the street, handed them some headphones and documented their very first reactions to the electro...

Feel The Machine by The Chalets.

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Demon seed meets Topshop: This is from 2005! Our first video for international sex pests the chalets single about being in love with a compu...

STREET BEATS

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Third video of my Project beat series. Capturing bits of sounds in my city and trying to make a song. Filmed in São Paulo, Brasil.nTerceiro...

S2T | The Short Film

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Short film inspired by Notorious BIG's "I Got A Story To Tell"nnWritten & Directed by: Aristotle TorresnEditor: Xander RobinnDoP: Eric Giovo...

What's Up With Jake?

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A few days ago, I watched the first minutes of TLC's "Little People, Big World". A reality series that follows the six-member Roloff farm fa...

DAWN OF MIDI - DYSNOMIA

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Wall St Journal Premier:nhttp://blogs.wsj.com/speakeasy/2013/07/30/listen-to-dawn-of-midis-new-album-dysnomia-premiere/nnPitchfork: http://p...

Wall St Journal Premier:nhttp://blogs.wsj.com/speakeasy/2013/07/30/listen-to-dawn-of-midis-new-album-dysnomia-premiere/nnPitchfork: http://pitchfork.com/reviews/albums/18308-dawn-of-midi-dysnomia/?utm_source=twitterfeed&utm_medium=twitternnNPR: http://www.npr.org/2013/08/03/208308232/from-a-jazz-trio-a-hypnotic-work-that-hardly-sounds-like-jazznnRolling Stone : http://www.rollingstone.com/music/news/algol-by-dawn-of-midi-free-mp3-20130626nnThe Believer Magazine 2013 Music Compilation : www.believermag.com/issues/201307/?…=notes_simonininn---------nnDawn of MidinDysnomia (Thirsty Ear)nnListenable and insane. That's the sound Dawn of Midi spent years shaping, culminating in their most mesmerizing work yet: Dysnomia. nnIn many ways, it's the first record that truly reflects the trio's critically acclaimed live show, a test of endurance and trust that involves bassist Aakaash Israni, pianist Amino Belyamani and percussionist Qasim Naqvi performing their compositions note-for-note without ever appearing the least bit predictable. If anything, Dawn of Midi's sets are as red-blooded and rhythmic as a seamlessly mixed DJ set, casting spells on crowds in the same way the group's favorite experimental and electronic acts have for decades. nnWhich explains why The New Yorker's music critic, Sasha Frere-Jones, wrote "an hour flew by in what seems like minutes" after witnessing their high-wire act last year, and Radiolab host Jad Abumrad added "[I've] seriously never seen anything like these guys." nnBelyamani is quick to say that Dawn of Midi have followed their own internal logic since day one, largely thanks to the fact that they were friends first—playing late-night tennis matches in dimly lit parking lots well before they stepped into a studio or rehearsal space. As such, Belyamani admits its taken quite some time to shift from early improv sessions to the well-oiled machine that makes Dysnomia both a dizzying dance record and a deeply immersive living room listen. nn"Playing a locked groove like we do on this record involves a lot of discipline and hard work," he explains. "You don't start out that way unless you're a group of folk musicians from the same village."nnForget being from the same village; Dawn of Midi's respective families aren't even from the same country. Belyamani was born in Morocco, where he "grew up in a culture where people do polyrhythms in their sleep." A stateside move didn't happen until he turned 18 and decided to study abroad at CalArts. Meanwhile, Israni relocated from India to Southern California when he was just four months old, and Naqvi's parents left Pakistan before he was born in Connecticut. nn"Both my parents are major music fans," says Naqvi. "They love old Hindi songs from the black and white film era, and different kinds of traditional music from the South Asian subcontinent. So that stuff has definitely filtered through me somehow, but scales and rhythms from that part of the world are not something that are central to my musical thinking. At least not yet." nThat's the thing about Dawn of Midi now that they're based in Brooklyn and touring open-minded markets worldwide: As carefully cultivated as their aesthetic is, it's also been known to incorporate, willfully and otherwise, such wildly divergent influences and interests as Aphex Twin, the Police, Can and Ms. Pac-Man. And when they really fall for a record—like they did with Dr. K. Gyasi after hearing his highlife hooks in Berlin—it quickly raises the bar of what they want from their own music. nnHence how Dysnomia ended up being recorded, mixed and mastered in its entirety twice. As Israni explains, "Late one night, I realized the record we had just made wasn't the quantum leap we needed, so we started over. Then it was another year and a half of rehearsing and composing before we could go in the studio again." nnIt shows. While the original version was semi-improvised like the trio's critically acclaimed debut (2010's First), the final 46-minute cut is a brooding balancing act between a fascination with structure and a desire to create their own definition of dance music. Set aside an hour to experience the multi-movement title track in full and you'll hear what we mean, as a language only Dawn of Midi truly understands locks into one long, seemingly endless groove and mixer Rusty Santos (Animal Collective, Owen Pallett, DJ Rashad) makes sure every last high-wire hook hits you square in the chest, even the quiet parts. nn"It's interesting with this piece," says Naqvi. "There's actual music in the silences. You could almost take the negative space and make something completely different with it." nn"The spaces between the dialogues of the notes are filled in by the body of the listener," adds Israni, "and they complete the circuit, leaving one option—to dance."nnwww.dawnofmidi.comnhttps://twitter.com/dawnofmidinhttps://www.facebook.com/DawnofMidi?ref=hl Less

M83 | MOONCHILD. music video

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A young girl dreams of going into outer space. When she finally gets there she zaps the evil aliens into a peaceful groove with her ray gun...

I'd Never Tell by Kawehi

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Secrets…we all have them. Some are kept because we don't want to hurt someone. Or maybe we've done things that we don't EVER want people...

Secrets…we all have them. Some are kept because we don't want to hurt someone. Or maybe we've done things that we don't EVER want people to know about. But sometimes - secrets are kept because of society. Those are the unfair ones. In my Utopia, people wouldn't have to hide their true selves - there would be no lines, no walls built, no prejudices against where people come from, the color of their skin and who they choose to love. We are all a part of the same Earth - and should have the same kind of opportunity and freedoms as the next. And with the way things are going on this planet - we're going to need each other. nnThank you MARK for giving me something important to say. PAUL - once again, you've outdone yourself with your talents and made quite the beautiful video. From USA, The Project and off of my next EP comes the next single:nnI'd Never TellnnI walk with keys,nThey're not for menHolding on to Mother's dreamsnand Daddy's historynI walk with handsnThey aren't like yoursnThey aren't like yoursnI'd never tellnI'd never tellnAnd in the silence of my truthsnI admit tonnFeeling so unprotectednDealing with roots that I've rejectednTwo feet on different floorsnNever anyone to tell secrets tonI'm only half connectednWaiting for the other shoe to fall downnYou look so unaffectednDancing in your pretty pretty dress, like, oohhhhnnDon't send me postcardsnWhere my blood runs so thicknThis land is your landnThis land is mine -nAll I need is a paper to do the tricknDaddy bussed your tablenMomma tucked your kids in bednSo I could live a better hellnI'd never tellnI'd never tellnAnd in my silence I am free of CountrynI'm feelingnnFeeling so unprotectednDealing with roots that I've rejectednTwo feet on different floorsnNever anyone to tell secrets tonI'm only half connectednWaiting for the other shoe to fall downnYou look so unaffectednDancing in your pretty pretty dress, like, oohhhhnnI'd never tellnI'd never tellnit's not like you knew me wellnI'd never tellnI'd never tellnIt's not like it would do you goodnwalking around with a hood onnwith people out there calling themselves GodnnSo pretty, so nicenLiving here comes with a price(tag)nAnd in the silence of my truthsnI admit tonnAs always, say WASABI!: http://facebook.com/iamkawehinnLove,nk. Less

BORED GAME™

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Bored Game™ - the greatest board game NEVER made.nnStarring The Technodrome, Hot Shots Electronic Basketball, Boglins, a GoPro mounted to ...

Angle • Tetra01 // Official Teaser

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Official Page: https://www.facebook.com/project.anglennANGLE's first step is called TETRA 01, with a 3D mapping on a self-supporting isostat...

LADY ELIX PRESENTS A MUSIC TRIBUTE TO OMAR THE MBE

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Happy New Year and welcome to 2014! WTLMS is back again giving you unsaturated, unfiltered and nonjudgmental music. Showcasing all things RO...

Music Video - Jordan Jansen's 'Maybe I'm Wrong'

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"Maybe I Am Wrong" is performed by Jordan Jansen and produced by multi Emmy Award winner Toby Gad for DAS Communications.nnJordan Jansen's Y...

"Maybe I Am Wrong" is performed by Jordan Jansen and produced by multi Emmy Award winner Toby Gad for DAS Communications.nnJordan Jansen's YouTube channel has more than two million channel views, his videos have been viewed over 20,000,000 times and his channel on the site has well over 200,000 subscribers, making it the 6th most subscribed Australian channel of all time, and the 3rd best of all time for an Australian musical act. To put this in perspective, the number four musical act is AC/DC Jordan has over 200,000 followers on Twitter, and a fan club of devotees who call themselves the Jordaneers. He performs in Australia for crowds of up to 10,000 delighted music lovers, and as he recently prepared to come to America for his first official recording session, he earned accolades from Bonnie Fuller's Hollywood Life website, which rightfully dubbed him "the latest pride and joy of Australia." Jordan recently spent six weeks in L.A. recording original material for his first album.nnDAS Communication is operated by music industry figures David Sonnenberg and Willian Derrella. Clients of DAS Communications have included Jim Steinman, Jimmy Cliff, Southside Johnny, Jimmy Iovine, BeBe & CeCe Winans, Keith Thomas, The Spin Doctors, The Fugees, Joan Osborne, Spacehog, Lauryn Hill, The Black Eyed Peas, Ke$ha, Indiggo, Antonio Pontarelli and many others. To date, artists represented by DAS Communications have written, produced, and performed recordings with sales totaling in excess of 200 million records worldwide.nToby Gad produced and co-wrote Beyonce's #1Grammy winning hit-single "If I Were a Boy," co-wrote Fergie's Grammy nominated #1 smash "Big Girls Don't Cry" (Song Of The Year 2008), Colbie Caillat's #1 Hit "I Do", Veronica's platinum US-hit "Untouched, JLS' UK #1 Hit "Love You More" and over a dozen other Billboard hit records. Toby's over one hundred record releases worldwide include Alicia Keys, Beyonce, Brandy, Fergie, Donna Summer, Hannah Montana, Natasha Bedingfield, Robin Thicke, Kris Allen, Demi Lovato, Allison Iraheta, Jordin Sparks, Sean Kingston, Keke Palmer, Ricky Martin, Daddy Yankee, Enrique Iglesias, Fatty Koo, Jaci Velasquez, The Veronicas, Willa Ford and more.nnDirector's Note: This video was filmed on location at Burleigh Heads and Varsity Lakes on the Gold Coast of Australia using a combination of 50mm prime lens and 200mm stabilised long lens photography. We used sunrise lighting, supplemented selectively with spots and reflectors, to create an intimate romantic portrait that complements this beautiful track.nnDirector/Producer: Jerome RaultnDirector of Photography: Yunfeng BainProduction Designer: Alastair Anisimoffn1st Camera Assistant: Mekenzie Perryn2nd CameranEditor: Yunfeng BainColourist: James Base/Yunfeng Bai Less

Pinnipèdes

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This is my first 3D Animated short filmnMade with 3dsmax/Vray/Zbrush/krakatoannThanks for watching, have fun.nnEnd music : Joe Robinson - D...

Music Tangibility

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People At Play Studio - Carnegie Mellon University - 11.08.13nnWe all have thousands of digital song files currently sitting on our hard dri...

Gang of Rhythm - Walk off the Earth (Official Video)

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Download our new album R.E.V.O. here: http://smarturl.it/revonWOTE merch available here: http://bit.ly/xZolh7nnWOTE is on the run from the S...

Musical Mornings with Mil's Trills at the Edinburgh Festival Fringe 2014

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Musical Mornings with Mil’s Trills: An Interactive Musical Adventure for Children of All Agesn2014 Edinburgh Festival Fringe in production...

CRAFTED BY HAND WITH THE KONE BREWING SYSTEM

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most people consume coffee like a drug, as a way to speed up, wake up, or get going. for me, coffee is a way to slow down, take in the view,...

OPENING

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OPENING is a visual album created by Christopher Willits. It is a 45 min film, an album released on Ghostly International, a series of photo...

OPENING is a visual album created by Christopher Willits. It is a 45 min film, an album released on Ghostly International, a series of photo prints, and live performances. OPENING is best described as an experience, designed to inspire a space of peace and expansion. Willits' music and photographic filmmaking overlap into a kind of abstract narrative speaking to personal transformation and connection to the earth. Willits will be performing the sounds and images of OPENING live in the US and Europe this fall while on tour with Tycho.nnDownload OPENING - vimeo.com/ondemand/openingnProject site - christopherwillits.com/openingnBuy the Album - theghostlystore.com/products/christopher-willits-openingnSubscribe to Willits' work - drip.fm/willitsnnOPENING Press Releasen n"For years, I’ve imagined the work I do in music, photography, video/film, immersive audio and meditation all coming into one space," says music-art guru Christopher Willits from his home in San Francisco. It's an ambition that seems especially befitting of a worldly polymath like Willits. "Sound and light can transform and inspire our imaginations," he continues. "It can be used as a tool to awaken our consciousness." And that is exactly what he has set out to do with OPENING, the veteran Ghostly artist's new immersive audio-visual project.nnAcross seven tracks of widescreen ambient music, 45 minutes of visuals shot over four years in multiple countries, seven photographs, and a multi-sensory, multiple channel live performance, Willits has created something which might better be thought of as an experience than a simple album. OPENING features Willits' latest music since Ancient Future, his 2012 collaboration with Japanese pianist Ryuichi Sakamoto, and his recent production and mastering work on Tycho's “Awake”. The vibrant, enveloping sounds we've come to expect from him are on full display. The quiet majesty of "Vision" ushers us into the sacred world Willits creates, a living universe that billows and heaves alongside slow-grooving songs like "Clear" and "Connect," or with the textural minutiae and harmonic subtleties in "Ground" and “Now”. Closing out the album, "Wide" and "Release" offer the listener a gentle comedown through 15 minutes of transcendent audio, with Willits' delicate guitar manipulations breathing life into the aether of finely textured atmospheres and soft-glowing synths.nnThe other integral facet to the experience of OPENING is Willits' visual work. After building a library of images from his travels around California, Hawaii, Japan, and Thailand, Willits is unveiling an abstract narrative film, with seven scenes that correspond with the seven songs from the album along with seven limited edition photo prints. The 45-minute film interfuses music and a first-person perspective of meditative scenes -- inspiring nature sections reminiscent of the films Baraka, Koyaanisqatsi and Planet Earth -- to create the space of OPENING.nnWillits says, "There are no actors or dialogue in this film. The audience and their perception is the main character, and everyone's imagination is going to create some meaning that's relevant to their own experience. My intention is to create a space where people can open up and expand into, relax and recharge.” OPENING is unlike anything Willits has accomplished before, perhaps because the audio-visual project is about expanding one's mind to invite something new. Or, as Willits puts it, "For me, OPENING is about transformation, the experience of changing oneself to be more of who you know you can be, and, ultimately, the joy that comes with that change."nnExclusive content related to OPENING is available through Christopher’s new subscription service at Drip.fm- drip.fm/willits Less

StayOut

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Australia | 2014nnTracklist / SoundtracknSection: Artist - Titlenn1. [1:24]n2. The Go! Team - Huddle Formation [3:56]n3. Groove Armada - Lig...

Halloweenier Quicky

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Halloween 2014 starring:nNathan Sani: Baby DaddynArmaun Saheli: GarfieldnOmar Piekarczyk: His inner selfnCody Haight: Billy MaysnnFilming: N...

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